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Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Further, Scheinberg argues that Jewish and Christian women poets had a special interest in Jewish discourse; calling on images from Judaism and the Hebrew Scriptures, their poetry created complex arguments about the relationships between Jewish and female artistic identity. She suggests that Jewish and Christian women used poetry as a site for creative and original theological interpretation, and that they entered into dialogue through their poetry about their own and each other's religious and artistic identities. This book's interdisciplinary methodology calls on poetics, religious studies, feminist literary criticism, and little read Anglo-Jewish primary sources.
Superb, inexpensive anthology spans four centuries to include more than 200 inspiring poems by Emily Dickinson, Hilda Doolittle, Edna St. Vincent Millay, Amy Lowell, Marianne Moore, Elizabeth Bishop, and others.
This book examines how Gwendolyn Brooks, a self-proclaimed nonreligious person, advocates adherence to Christian ideals through religious allusions in her poetry. The discussion integrates Brooks' words, biographical data, commentary by other scholars, scriptural references, and doctrinal tenets. It identifies biblical figures and events and highlights Brooks' effective use of the sermon genre, and her express parallels between Christianity and Democracy. The work opens with a biographical chapter and Brooks' comments on religion, followed by analyses of her long poems, and more than thirty of her short ones. An illuminating interview with Nora Brooks Blakely about Brooks' religious background and philosophy is included.
The extensive body of work by 13th-century mystic poet Jelaluddin Rumi continues to fascinate readers with a taste for the spiritual, and his writings, which speak passionately of truth, enlightenment, and love for God, appeal to those of all religions. Translations of Rumi's writings by the contemporary poet Coleman Barks have sold more than 500,000 copies since 1981. Now acclaimed illustrator Michael Green -- who collaborated with Barks on The Illuminated Rumi -- has produced a new and fabulous mystic fusion of sacred poetry and art. This all-new volume features rare poems of Rumi, some of which have never before been translated. There are many collections of Rumi's poetry, but few are illustrated-and none as gorgeously as this full-color book. It is well positioned to capture the favor of spiritual seekers of all ages, including today's spiritually adventurous young adults.
A collection of poems, centering around a middle-aged man who becomes a priest in the Episcopal Church, creates compelling dramas out of small moments.
These two volumes list late-and mid-Victorian poets, with brief biographical information and bibliographical details of published works. The major strength of the works is the 'discovery' of very many minor poets and their work, unrecorded elsewhere.
At the age of 19, Phillis Wheatley was the first black American poet to publish a book. Her elegies and odes offer fascinating glimpses of the beginnings of African-American literary traditions. Includes a selection from the Common Core State Standards Initiative.
This book serves as an introduction to the burgeoning field of ecothology, illustrating both its variety and its commonality across different Christian theological divides. Some of the questions addressed in this short book include the following: How can the Bible still make sense in the context of climate change and biodiversity loss? Who on earth is Jesus Christ, and what does he mean for us in today's world? How can Christians be faithful to their traditions while responding to pressing calls to be engaged in environmental activism? What is the relationship between theory and practice, and local as well as global demands, and how is this relationship expressed in different ecclesial settings? How can we encourage each other to develop a sense of the earth as divine gift? Written in clear, accessible style, this book walks readers through difficult concepts and shows the way different sources in Christian theology have responded to one of the most significant cultural issues of our time.
Conceived as a convenience to those readers concerned with doubt and faith, Denise Levertov's 34 selected poems originally were published in seven separate volumes. The poet presents a selection of thirty-four of her own poems culled from previously published volumes, tracing her movement from agnosticism to Christian faith and her oscillation from doubt to affirmation along the way.