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From the passenger seat of Sean Singer’s taxicab, we witness New York’s streets livid and languid with story and contemplation that give us awareness and aliveness with each trip across the asphalt and pavement. Laced within each fare is an illumination of humanity’s intimate music, of the poet’s inner journey—a signaling at each crossroad of our frailty and effervescence. This is a guidebook toward a soundscape of higher meaning, with the gridded Manhattan streets as a scoring field. Jump in the back and dig the silence between the notes that count the most in each unique moment this poet brings to the page. “Sean Singer’s radiant and challenging body of work involves, much like Whitman’s, nothing less than the ongoing interrogation of what a poem is. In this way his books are startlingly alive... I love in this work the sense that I am the grateful recipient of Singer’s jazzy curation as I move from page to page. Today in the Taxi is threaded through with quotes from Kafka, facts about jazz musicians, musings from various thinkers, from a Cathar fragment to Martin Buber to Arthur Eddington to an anonymous comedian. The taxi is at once a real taxi and the microcosm of a world—at times the speaker seems almost like Charon ferrying his passengers, as the nameless from all walks and stages of life step in and out his taxi. I am reminded of Calvino’s Invisible Cities, of Sebald’s The Rings of Saturn... Today in the Taxi is intricate, plain, suggestive, deeply respectful of the reader, and utterly absorbing. Like Honey and Smoke before it, which was one of the best poetry books of the last decade, this is work of the highest order.” —Laurie Sheck
One Today is a poem celebrating America. President Barack Obama invited Richard Blanco to write a poem to share at his second presidential inauguration. That poem is One Today, a lush and lyrical, patriotic commemoration of America from dawn to dusk and from coast to coast. Brought to life here by beloved, award-winning artist Dav Pilkey, One Today is a tribute to a nation where the extraordinary happens every single day.
An original collection of poems about tea and tea-time, including recipes and tips.
From The Horse That, Trotting The horse that, trotting with open heart Against the wind, achieves bend and flow Will live forever. So far, so good, But they never do, until too late, Bend properly and time spreads from The momentary hesitations Of their spines, circles their tossing necks, Falls from their teeth like rejected oats, Litters the ground like penitence. This is where we come in, where the drop Of time congeals the air and someone Speaks to the discouraged grass . . . Tricks of the Light explores the often fraught relationships between domestic animals and humans through mythological figurations, vibrant thought, and late-modern lyrics that seem to test their own boundaries. Vicki Hearne (1946–2001), best known and celebrated today as a writer of strikingly original poetry and prose, was a capable dog and horse trainer, and sometimes controversial animal advocate. This definitive collection of Hearne’s poetry spans the entirety of her illustrious career, from her first book, Nervous Horses (1980), to never-before-published poems composed on her deathbed. But no matter the source, each of her meditative, metaphysical lyrics possesses that rare combination of philosophical speculation, practical knowledge of animals, and an unusually elegant style unlike that of any other poet writing today. Before her untimely death, Hearne entrusted the manuscript to distinguished poet, scholar, and long-time friend John Hollander, whose introduction provides both critical and personal insight into the poet’s magnum opus. Tricks of the Light—acute, vibrant, and deeply informed—is a sensuous reckoning of the connection between humans and the natural world. Praise for The Parts of Light “Hearne . . . strives to capture exactly what she knows she can't—the intense immediacy of animal consciousness, a consciousness free of the moral vagaries and intellectual preoccupations that pockmark human experience. Her style, smooth in some places, choppy in others, reflects both the wholeness of animal presence and the jarring, fragmentary nature of human reason and reflection. Hearne's poems demand participation, refuse passive enjoyment; she dares the reader to stay in the saddle.”—Publishers Weekly
For All of Us, One Today is a fluid, poetic story anchored by Richard Blanco’s experiences as the inaugural poet in 2013, and beyond. In this brief and evocative narrative, he shares for the first time his journey as a Latino immigrant and openly gay man discovering a new, emotional understanding of what it means to be an American. He tells the story of the call from the White House committee and all the exhilaration and upheaval of the days that followed. He reveals the inspiration and challenges behind the creation of the inaugural poem, “One Today,” as well as two other poems commissioned for the occasion (“Mother Country” and “What We Know of Country”), published here for the first time ever, alongside translations of all three of those poems into his native Spanish. Finally, Blanco reflects on his life-changing role as a public voice since the inauguration, his spiritual embrace of Americans everywhere, and his vision for poetry’s new role in our nation’s consciousness. Like the inaugural poem itself, For All of Us, One Today speaks to what makes this country and its people great, marking a historic moment of hope and promise in our evolving American landscape. In 2017, U2 is featuring “One Today” during their Joshua Tree tour throughout the United States and Europe. The poem will be projected on the stage screens as people enter the stadium to reflect and discuss America and the American experience. 2014 International Latino Awards Winner: Best Biography – Spanish or Bilingual
"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.
Shi Zhi has been a major force in Chinese poetry since 1968, when several of his poems were circulated as secret handwritten manuscripts in the midst of China’s Cultural Revolution. He gave voice to the aspirations of dispirited youth, and although once relegated to obscurity, he is today celebrated as one of China’s most important cultural influences, having spawned the modern Chinese poetry revolution of the 1980s. This collection of Shi Zhi’s most significant poems, featuring an afterword by the poet himself, is the first book-length publication of his work in English. Born as Guo Lusheng in 1948, at the height of the Chinese Civil War, Shi Zhi joined the People’s Liberation Army at the age of twenty-three. Discharged early, he entered into a period of severe depression and spent much of the next three decades living in mental hospitals under harsh conditions. Taking the pen name of Shi Zhi, meaning “index finger,” to evoke the image of people pointing at his back, he continued to write poetry through these tumultuous years, chronicling his journey from the heights of fame to the depths of institutionalism and ultimately to a final redemptive return to society in 2005. The voice of this besieged poet, burdened with exile and illness, captured the spirit of his generation and now inspires young readers. By presenting Shi Zhi’s poems in chronological order, Winter Sun allows readers to appreciate the evolution of his poetry from his earliest work to his most recent poems. Masterfully translated by Jonathan Stalling, and with an introduction by leading poetry critic Zhang Qinqua, this landmark collection ensures that Shi Zhi’s poetry—so important to Chinese readers during the most challenging of times—will engage the hearts and minds of new readers the world over for years to come.
Soto writes with a pure sweetness free of sentimentality that is almost extraordinary in modern American poetry. -- Andrew Hudgins. Soto insists on the possibility of a redemptive power, and he celebrates the heroic, quixotic capacity for survival in human beings and the natural world. -- Publishers Weekly. Soto has it all -- the learned craft, the intrinsic abilities with language, a fascinating autobiography, and the storyteller's ability to manipulate memories into folklore. -- Library Journal.
This groundbreaking volume may well be the poetry anthology for the global village. As selected by J.D. McClatchy, this collection includes masterpieces from four continents and more than two dozen languages in translations by such distinguished poets as Elizabeth Bishop, W.S. Merwin, Ted Hughes, and Seamus Heaney. Among the countries and writers represented are: Bangladesh--Taslima Nasrin Chile--Pablo Neruda China--Bei Dao, Shu Ting El Salvador--Claribel Alegria France--Yves Bonnefoy Greece--Odysseus Elytis, Yannis Ritsos India--A.K. Ramanujan Israel--Yehuda Amichai Japan--Shuntaro Tanikawa Mexico--Octavio Paz Nicaragua--Ernesto Cardenal Nigeria--Wole Soyinka Norway--Tomas Transtromer Palestine--Mahmoud Darwish Poland--Zbigniew Herbert, Czeslaw Milosz Russia--Joseph Brodsky, Yevgeny Yevtushenko Senegal--Leopold Sedar Senghor South Africa--Breyten Breytenbach St. Lucia, West Indies--Derek Walcott
What is more direct and intimate than one-to-one conversation? Here two forces in American poetry, the Kenyon Review and the University of Arkansas Press, bring together discussions between one of America's leading poets and editors, David Baker, and nine of the most exciting poets of our day. The poets, who represent a wide array of vocations and aesthetic positions, open up about their writing processes, their reading and education, their hopes for and discontents with the contemporary scene, and much more, treating readers to a view of the range and capacity of contemporary American poetry.