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Beloved Jewish educator Esther Adler, brings a poet's eye to nearly a century of Jewish life, spanning her youth in Nazi Germany, her young adulthood in British Mandate Palestine, and her many decades in the United States. With a clear and unfailing voice, she commits herself to bear witness both to the destruction of European Jewry and to its rebirth in the 21st century. Her poems are a call to conscience, a call to inner peace, and a call to joy. Through the lens of Jewish learning, she invites readers to share in the sources that inspire her resilience. Reviews: "In Esther Adler's vivid poems, memories of loss, exile, and dislocation are transformed into injunctions to remember and transcend. Collected on the occasion of the poet's 97th birthday, the reader learns details of a long life well lived and discovers the consolations that come from work and love for Israel, family, Judaism, languages, and words. Full with allusions to Jewish texts and practices, the poems acknowledge every form of grief only to soar into affirmations of life, "sounds of solitary sorrow succumb to ... Sounds of serenity and succor." The reader, like every person whose life has been touched by Esther Adler's indomitable spirit or charmed by the spell of her storytelling, will feel grateful for her influence." Lori Lefkovitz, Ruderman Professor of Jewish Studies, Northeastern University About the author: Born in Breslau, Germany, now Wrocław, Poland, Adler grew up in an orthodox family. She attended Jewish Day school and studied modern Hebrew after school at the Jewish Theological Seminary in Breslau. After witnessing Kristallnacht, she left her family for Palestine as part of Youth Aliyah in 1938, then rejoined her family in the United States in 1947. Her autobiographical novel, Best Friends: A Bond that Survived Hitler, is available in both English and German language editions. This is her second volume of poetry.
When Jan Richardson unexpectedly lost her husband and creative partner, the singer/songwriter Garrison Doles, she did what she had long known how to do: she wrote blessings. These were no sugar-coated blessings. They minimized none of the pain and bewilderment that came in the wake of a wrenching death. With these blessings, Jan entered, instead, into the depths of the shock, anger, and sorrow. From those depths, she has brought forth words that, with heartbreaking honesty, offer surprising comfort and stunning grace. Those who know loss will find kinship among these pages. In these blessings that move through the anguish of rending into the unexpected shelters of solace and hope, there shimmers a light that helps us see we do not walk alone. From her own path of grief, Jan offers a luminous, unforgettable gift that invites us to know the tenacity of hope and to recognize the presence of love that, as she writes, is "sorrow's most lasting cure."
This book studies Anne Bradstreet’s quest for spiritual solace during times of hardships after she and her family fled from England to North America. During those adversities, Bradstreet questioned her faith. In all the poems subject of this book Bradstreet’s inner struggle between her flesh and spirit can obviously be seen. Bradstreet uses her talent in poetry writing as a means to express her deepest thoughts and fears hoping to find the peace and comfort she needs. Bradstreet was able to get over all those shattering hardships and emerge a better person believing even more strongly than ever that God will reward her patience in the afterlife with better and heavenly blessings. Before her death, the constant disturbing struggle between her flesh and spirit is replaced by serenity and longing for heaven.
The World's Best Poetry: Sorrow and Consolation is an anthology that traverses the depth of human emotion, presenting a rich tapestry of literary styles from the classical to the modern era. Within its pages lies a curated collection that not only showcases the diversity of literary responses to grief and solace but also highlights the universality of these experiences across time and geography. Pieces range from the introspective sorrow of the Romantics to the structured resilience found in Enlightenment verse, offering readers an expansive view of how sorrow and consolation have been conceptualized and expressed by some of literature's greatest minds. Embedded in the anthology are contributions from a distinguished corps of authors whose lives and works span several centuries, nations, and literary movements. This collectives body of work provides a panorama of cultural contexts, from the turbulent European Romantic era to the reflective tranquility of the Victorian age. The inclusion of authors such as Heine, Stowe, and Whitman, alongside Shelley, Milton, and Tennyson, bridges the divide between personal lament and the broader, universal quest for peace and understanding amidst adversity. This ensemble not only underscores the anthology's thematic resonances but also enriches the reader's appreciation for the historical and cultural dimensions of poetic expression. For aficionados of poetry and literary scholars alike, The World's Best Poetry: Sorrow and Consolation offers an unparalleled journey through the landscape of human emotion. This compilation invites readers to explore the myriad ways in which poets have grappled with and found solace in the face of sorrow, providing a unique opportunity to engage with the enduring question of how to find consolation in a world replete with grief. It is a must-read for anyone seeking to deepen their understanding of the human condition through the lens of the worlds most poignant poetic voices.
From the depths of sorrow following the sudden death of her closest female mentor, Brenda Hillman asks anguished questions in this book of poems about separation, spiritual transcendence, and the difference between life and death. Both personal and philosophical, her work can be read as a spirit-guide for those mourning the loss of a loved one and as a series of fundamental ponderings on the inevitability of death and separation. At first refusing to let go, desperate to feel the presence of her friend, the poet seeks solace in a belief in the spirit world. But life, not death, becomes the issue when she begins to see physical existence as "an interruption" that preoccupies us with shapes and borders. "Shape makes life too small," she realizes. Comfort at last comes in the idea of "reverse seeing": that even if she cannot see forward into the spirit world, her friend can see "backward into this world" and be with her. Death Tractates is the companion volume to a philosophical poetic work entitles Bright Existence, which Hillman was in the midst of writing when her friend died. Published by Wesleyan University Press in 1993, it shares many of the same Gnostic themes and sources.
In shock after her husband was killed by a drunk driver while living in Thailand, Janelle Shantz Hertzler began searching for a way through the pain. Her struggle to make sense of her loss and find peace resulted in this moving collection. Told through heartfelt poetry and inspiring photography, Seasons of Solace expresses the spiritual journey of a grieving woman moving toward acceptance.Though written from one person's perspective, Hertzler's poems and photographs reflect the universal experience of losing a loved one. Within the narrative lie broader truths of life and death, love and sorrow, allowing each reader to find his or her own story in its pages.
In Consolations David Whyte unpacks aspects of being human that many of us spend our lives trying vainly to avoid - loss, heartbreak, vulnerability, fear - boldly reinterpreting them, fully embracing their complexity, never shying away from paradox in his relentless search for meaning. Beginning with 'Alone' and closing with 'Withdrawal', each piece in this life-affirming book is a meditation on meaning and context, an invitation to shift and broaden our perspectives on life: pain and joy, honesty and anger, confession and vulnerability, the experience of feeling overwhelmed and the desire to run away from it all. Through this lens, procrastination may be a necessary ripening; hiding an act of freedom; and shyness something that accompanies the first stage of revelation. Consolations invites readers into a poetic and thoughtful consideration of words whose meaning and interpretation influence the paths we choose and the way we traverse them throughout our lives.
A remarkable Pocket Poets anthology of poems from around the world and across the centuries about illness and healing, both physical and spiritual. From ancient Greece and Rome up to the present moment, poets have responded with sensitivity and insight to the troubles of the human body and mind. Poems of Healing gathers a treasury of such poems, tracing the many possible journeys of physical and spiritual illness, injury, and recovery, from John Donne’s “Hymne to God My God, In My Sicknesse” and Emily Dickinson’s “The Soul has Bandaged moments” to Eavan Boland’s “Anorexic,” from W.H. Auden’s “Miss Gee” to Lucille Clifton’s “Cancer,” and from D.H. Lawrence’s “The Ship of Death” to Rafael Campo’s “Antidote” and Seamus Heaney’s “Miracle.” Here are poems from around the world, by Sappho, Milton, Baudelaire, Longfellow, Cavafy, and Omar Khayyam; by Stevens, Lowell, and Plath; by Zbigniew Herbert, Louise Bogan, Yehuda Amichai, Mark Strand, and Natalia Toledo. Messages of hope in the midst of pain—in such moving poems as Adam Zagajewski’s “Try to Praise the Mutilated World,” George Herbert’s “The Flower,” Wisława Szymborska’s “The End and the Beginning,” Gwendolyn Brooks’ “when you have forgotten Sunday: the love story” and Stevie Smith’s “Away, Melancholy”—make this the perfect gift to accompany anyone on a journey of healing. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
A celebrated poet asks anguished questions about separation and loss. From the depths of sorrow following the sudden death of her closest female mentor, Brenda Hillman asks anguished questions in this book of poems about separation, spiritual transcendence, and the difference between life and death. Both personal and philosophical, her work can be read as a spirit-guide for those mourning the loss of a loved one and as a series of fundamental ponderings on the inevitability of death and separation. At first refusing to let go, desperate to feel the presence of her friend, the poet seeks solace in a belief in the spirit world. But life, not death, becomes the issue when she begins to see physical existence as "an interruption" that preoccupies us with shapes and borders. "Shape makes life too small," she realizes. Comfort at last comes in the idea of "reverse seeing": that even if she cannot see forward into the spirit world, her friend can see "backward into this world" and be with her. Death Tractates is the companion volume to a philosophical poetic work entitles Bright Existence, which Hillman was in the midst of writing when her friend died. Published by Wesleyan University Press in 1993, it shares many of the same Gnostic themes and sources.