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Alex Dimitrov’s third book, Love and Other Poems, is full of praise for the world we live in. Taking time as an overarching structure—specifically, the twelve months of the year—Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is “our best invention.” Dimitrov doesn’t resist joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.
Perspective (And Other Poems) is a collection of poetry that I have written as I transcended adolescence. It focuses on keeping the magic, finding yourself, connecting with nature, and opening one's eyes to the many different perspectives of reality. There is a tone of curiosity and questioning, as well as a love for life, nature, and oneself. There are poems that focus on family, self-worth, love and growth, and nature.
Following the success of Poetry Out Loud (now in its eighth printing), an affectionate celebration of the declaimed poem, Love Poetry Out Loud now turns to the choppier waters of affection itself. From Hello, I Love You to Pleasures of the Flesh to Loves Me Not, this collection of one hundred poems shouts out life’s grand passion with the help of the voices of poets old and new. Rubin’s informed, irreverent style skillfully reveals the humor, beauty, variety, tradition, and passion of love poetry. Insightful commentary on the poems’ meanings and on ways to read them aloud, as well as notes on their history and background, are found on every page. Whether long lived like Shakespeare’s sonnets or newly-hewn like Carolyn Forché’s “Taking Off My Clothes,” Love Poetry Out Loud makes each poem as fresh and inspiring as the first time it was uttered.
... poems, gathered from all peoples and traditions, that blaze, inspire, and bring forth light.
For this companion to her New York Times best-selling collection A Family of Poems, Caroline Kennedy has hand-selected more than a hundred of her favorite poems that lend themselves to memorization. Some are joyful. Some are sad. Some are funny and lighthearted. Many offer layers of meaning that reveal themselves only after the poem has been studied so closely as to be learned by heart. In issuing the challenge to memorize great poetry, Caroline Kennedy invites us to a deeply enriching experience. For as she reminds us, “If we learn poems by heart, not only do we have their wisdom to draw on, we also gain confidence, knowledge and understanding that no one can take away.” Illustrated with gorgeous, original watercolor paintings by award-winning artist Jon J Muth , this is truly a book for all ages, and one that families will share again and again. Caroline’s thoughtful introductions shed light on the many ways we can appreciate poetry, and the special tradition of memorizing and reciting poetry that she celebrates within her own family.
This selection of the earliest poems in English comprises works from an age in which verse was not written down, but recited aloud and remembered. Heroic poems celebrate courage, loyalty and strength, in excerpts from Beowulf and in The Battle of Brunanburgh, depicting King Athelstan’s defeat of his northern enemies in 937 AD, while The Wanderer and The Seafarer reflect on exile, loss and destiny. The Gnomic Verses are proverbs on the natural order of life, and the Exeter Riddles are witty linguistic puzzles. Love elegies include emotional speeches from an abandoned wife and separated lovers, and devotional poems include a vision of Christ’s cross in The Dream of the Rood, and Caedmon’s Hymn, perhaps the oldest poem in English, speaking in praise of God.
Classical Chinese poetry reached its pinnacle during the T'ang Dynasty (618-907 A.D.), and the poets of the late T'ang-a period of growing political turmoil and violence-are especially notable for combining strking formal inovation with raw emotional intensity. A. C. Graham’s slim but indispensable anthology of late T’ang poetry begins with Tu Fu, commonly recognized as the greatest Chinese poet of all, whose final poems and sequences lament the pains of exile in images of crystalline strangeness. It continues with the work of six other masters, including the “cold poet” Meng Chiao, who wrote of retreat from civilization to the remoteness of the high mountains; the troubled and haunting Li Ho, who, as Graham writes, cultivated a “wholly personal imagery of ghosts, blood, dying animals, weeping statues, whirlwinds, the will-o'-the-wisp”; and the shimmeringly strange poems of illicit love and Taoist initiation of the enigmatic Li Shang-yin. Offering the largest selection of these poets’ work available in English in a translation that is a classic in its own right, Poems of the Late T’ang also includes Graham’s searching essay “The Translation of Chinese Poetry” as well as helpful notes on each of the poets and on many of the individual poems.
This is an utterly original and completely beguiling prose novel about a boy who has to write a poem, and then another, and then even more. Soon the little boy is writing about all sorts of things he has not really come to terms with, and astounding things start to happen.
Teenage love explored from his and her points of view. From the first furtive looks across the classroom to the blossom of new romance and the final flameout, teenage love is loaded with awkwardness, uncertainty, dreams, conflict, and pure bliss. Poets Sara Holbrook and Allan Wolf combine their considerable talents to explore these feelings and struggles by creating the voices of a girl and boy in the throes of affection. As they experience the giddiness of love, the poems' two characters also face obstacles (parents) and distractions (friends) while learning to respect each other's interests and needs. Can this relationship survive? In sonnets, tankas, villanelles, and other poetic forms, Holbrook and Wolf examine the efforts of two teenagers who dare to be more than friends.