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Book Excerptchalklike armsOf him that oared it, dumbly to and fro, Went gliding, and the struggling ghosts in swarmsLeaped in and passed, but myriads more behindCrowded the dismal beaches. One might hearA tumult of entreaty thin and clearRise like the whistle of a winter wind.And still the little figure stood besideThe hideous stream, and toward the whispering prowHeld forth his tender tremulous hands, and cried, Now to the awful ferryman, and nowTo her that battled with the shades in vain.Sometimes impending over all her sightThe spongy dark and the phantasmal flightOf things half-shapen passed and hid the plain.And sometimes in a gust a sort of windDrove by, and where its power was hurled, She saw across the twilight, jarred and thinned, Those gloomy meadows of the under world, Where never sunlight was, nor grass, nor trees, And the dim pathways from the Stygian shore, Sombre and swart and barren, wandere
WINNER OF THE ARCHIBALD LAMPMAN AWARD 2022 WINNER OF THE OTTAWA BOOK AWARD 2022 Words like radio waves, bouncing off the spectres of mortality, middle age, and the mundane. Arriving at middle age was a decisive experience for David O’Meara, standing equidistant to the past and future with its accompanying doubts and anticipations, inviting re-evaluation of past goals, confronting personal loss, and the death of his father and friends. These are the masses on radar, indistinct but detectable existential presences encroaching, and in the center of the radar is the lyric 'I' sweeping its adjacent experience. Poems like "I Carry a Mouse to the Park Beside the Highway," "I Keep One Eye Open and One Eye Closed," and "I Sleep as the Volcano Ash Falls like Snow,” usher the reader through thematic corridors of memory, fracture, and recovery. Embracing uncertainty and incorporating seasonal forecasts, humour, trivia, satire, politics, the environment, loss, and the mundane, these poems are a detection system signaling a paradox of meanings.' "Masses on Radar exhibits a stunning mastery of poetic craft. O’Meara has the talent and technique to turn almost anything into riveting poetry, but these poems do not coast: they dig deep, bringing to vivid life a remarkable array of subjects, experiences, emotions, and interior worlds. These poems summon quotidian encounters, sometimes conferring them with unexpected beauty, sometimes breathing new and sudden problems into them. O’Meara’s sparse language lifts the veil on our human failings, the limits of our vision, and in so doing satisfies." – Archibald Lampman Award Judges
Treasuring the past, savouring the present, and wanting to do right by the future, Archibald Lampman was a poet keenly focused on the workings of time. He was also a thinker of mystical predisposition. His goal was not to transcend time, but to find redemptive meaning within it. Archibald Lampman: Memory, Nature, Progress explores the ways in which Lampman pursued this goal in relation to the three faces of time. Memory fascinated Lampman. He relished the “alchemy” by which the dross of past experience could be left behind and the gold preserved. Nature compelled his mind and emotions, and his clear-eyed observations of both countryside and wilderness settings gave rise to a self-evolved poetics of inclusiveness. In his celebrations of nature in all its manifestations, mild or bleak, he anticipated the work of iconic Canadian painter Tom Thomson and he forecasted the environmentalism of our own time. Progress for Lampman spelled societal rectification. By forwarding the cause of social betterment, one was part of a movement larger than oneself, and this expansion, too, was redemptive. Archibald Lampman: Memory, Nature, Progress is the first book on this foundational figure in Canadian literature to appear in over twenty-five years and the first thematically focused study. Combining close analysis with biographical context, it shows how Lampman’s oeuvre was shaped by his responses to his physical surroundings and to his social-intellectual milieu, as filtered through his stubbornly independent outlook.
Anthology of poetry by Canadian authors from the 1600s to the first decade of the 20th century.