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Situating the politics of invention at the intersection of politics, law, and technology, Gispen (U. of Mississippi) describes how it occupied German inventors, industrial scientists, patent experts, business executives, and sometimes even the country's political leaders for the better part of a century. The issue they grappled with, and which he takes up here, is what rights inventors are due in the age of corporate capitalism. He invokes various realms of the computer industry to point out that the issue has not yet been settled. Annotation copyrighted by Book News Inc., Portland, OR.
This is a special book about special people. People who have loved me, and whom I have loved. People who have brought me joy beyond measure, and sometimes incredible pain. People I have hurt, sometimes more than I can bear to think about. People who have hurt me, sometimes more than they know. Yet each of their gifts has been precious, each moment treasured, each face, each smile, each victory, each defeat woven into the fiber of my being. In retrospect, all of it is beautiful, because we cared so much. In essence, this book covers fifteen years of my life, and a handful of precious people who mean, and have meant everything to me. This book is written for them. With much love, d.s.
"In Young's work, the big essential questions—mortality, identity, the meaning of life—aren't simply food for thought; they're grounds for entertainment."—Toronto Star "Surrealism seldom seems as much like real life as in Young's hilarious and cautionary poems."—Booklist Bender gathers a generous selection of new work along with treasure from Dean Young's twelve volumes. Strongly influenced by Surrealism, Dean Young's poems flash with extravagant imagery, humorous speech, sly views of the quotidian, and the exposed nerves of heartache. As the American Academy of Arts and Letters raved, "Young's poems are as entertaining as a three-ring circus and as imaginative as a canvas by Hieronymus Bosch. He is one of the most inventive and satisfying poets writing today." From "Even Funnnier Looking Now": If someone had asked me then, Do you suffer from the umbrage of dawn's dark race horses, is your heart a prisoner of raindrops? Hell yes! I would have said or No way! Never would I have said, What could you possibly be talking about? I had just gotten to the twentieth century like a leftover girder from the Eiffel Tower. My Indian name was Pressure-Per-Square-Inch. I knew I was made of glass but I didn't yet know what glass was made of: hot sand inside me like pee going all the wrong directions, probably into my heart which I knew was made of gold foil glued to dust . . .
A remarkable anthology of Berg's translations representing his unique method of mingling his own poetic sensibility with the poets, thus retaining the profound music of the works. The collected poems, taken from more literal English translations, explore visions from Nahuatl religious chants, Eskimo songs, and Zen traditions as well as European, Latin American, and Russian offerings including Sappho, Rimbaud, Radnoti, Mayakovsky, Tsvetayeva, Annensky, and Paz. Includes short essays detailing the history of the translations. Annotation copyrighted by Book News, Inc., Portland, OR
"Gilgamesh, Odysseus, Achilles, Beowulf! Kull, Conan, Kane! The stories of heroes are born, but they never die. They become legends; they become myths. Bitter Steel is a collection of new myths, new heroic adventures told in the ancient tradition. So come! Gather with me around the fire where the smoke stings our eyes. We'll listen to the drums beat in time with our hearts. We'll drink from the common bowl as it passes among us. The darkness whispers outside our camp, but we have no fear. There are heroes among us. Let us hear their tales"--Page 4 of cover.
The companion to Piper's "This Momentary Marriage, Velvet Steel" shares a taste of the author's tender affections for his wife, Noel, in a series of poems to fuel readers' affections for their spouses and for God.
Since opening in 1931, the George Washington Bridge, linking New York and New Jersey, has become the busiest bridge in the world, with 103 million vehicles crossing it in 2016. Many people also consider it the most beautiful bridge in the world, yet remarkably little has been written about this majestic structure. Intimate and engaging, this revised and expanded edition of Michael Rockland's rich narrative presents perspectives on the GWB, as it is often called, that span history, architecture, engineering, transportation, design, the arts, politics, and even post-9/11 mentalities. This new edition brings new insight since its initial publication in 2008, including a new chapter on the infamous “Bridgegate” Chris Christie-era scandal of 2013, when members of the governor's administration shut down access to the bridge, causing a major traffic jam and scandal and subsequently helping undermine Christie’s candidacy for the US presidency. Stunning photos, from when the bridge was built in the late 1920s through the present, are a powerful complement to the bridge's history. Rockland covers the competition between the GWB and the Brooklyn Bridge that parallels the rivalry between New Jersey and New York City. Readers will learn about the Swiss immigrant Othmar Ammann, an unsung hero who designed and built the GWB, and how a lack of funding during the Depression dictated the iconic, uncovered steel beams of its towers, which we admire today. There are chapters discussing accidents on the bridge, such as an airplane crash landing in the westbound lanes and the sad story of suicides off its span; the appearance of the bridge in media and the arts; and Rockland's personal adventures on the bridge, including scaling its massive towers on a cable. Movies, television shows, songs, novels, countless images, and even PlayStation 2 games have aided the GWB in becoming a part of the global popular culture. This tribute will captivate residents living in the shadow of the GWB, the millions who walk, jog, bike, skate, or drive across it, as well as tourists and those who will visit it someday. .
A groundbreaking collection of forty-two Israeli poetic voices protesting the occupation of the West Bank.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In Braiding the Voices, Peter Steele brings to bear a lifetime of reading, writing, and teaching prose and poetry. With gusto and focus, these essays concert poets and poems of different tempers and aspirations. They are by Gwen Harwood, Les Murray, Peter Porter, Vincent Buckley and, further afield, Fleur Adcock, Richard Wilbur, Anthony Hecht, W.S. Merwin, Deborah Randall, Ben Belitt, Norman MacCaig, R.S. Thomas, P.J. Kavanagh, Seamus Heaney and Gerard Manley Hopkins. The writing of some of his own poems is also addressed. Characteristically, Steele refers copiously also to much else. The book investigates some of the ways in which individual poets have found what they most wanted to say, and how their art takes its place in the general conversation of humanity itself. Applauding the dexterity and the variety with which this feat is carried off by the poets, Steele's distinctive prose is deliberately fashioned to be as hospitable to insight as possible.