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A picture book with illustrations made of sewn-fabric collages offers a collection of twenty-one inspirational poems, such as "Nathaniel's Rap" and "Twister" from the award-winning author of African Dream.
This is a story told with poems about sons and fathers, how the one gradually becomes the other, starting with a dream, growing up and growing old together. It's a journey that's as long as a memory, and a cycle that never ends.
Lush and allusive, tuned to a background in translating Nepal Bhasa poetry, RUNNING OUT OF WORDS FOR AFTERWARDS gives voice to cycles of desire, loss, and renewal. Like the many rivers that flow through this book, David Hargreaves' poems, in various turns, can be urgent, expansive, unpredictable, or calm, conveying the reader through landscapes both mystical and mundane, through illusions of selfhood, and the struggles of language to accept its own limitations. Poetry. Asian & Asian American Studies.
From one of America's most beloved poets, a piercing new collection reflecting on the characters and encounters that haunt us through this life and into the next Leading us into a city stirring with gravediggers and beggars, lovers and dogs, Charles Simic returns with a brilliant collection full of his singular wit, dark humor, and tenderheartedness. In poems that are often as spare as they are monumental, he captures the fleeting moments of modern life—peering inside pawnshop windows, brushing shoulders with strangers on the street, and walking familiar cemetery rows—to uncover all the beauty and worry hiding in plain sight. As the poet reflects on a lifetime’s worth of pleasure and loss, he recalls instances when he “made excuses and hurried away,” and considers the way memory always trails just behind. No Land in Sight is a testament to all we leave in our wake and, simultaneously, all we hang on to: the passing minutes, the evening’s stillness, and the many lives we inhabit in dim thresholds and bright mornings alike.
While half the world swept west, we trickled eastward, one by one, single-file, like fugitives. Next stop: Abu Dhabi, where my father had a job, and money, for the first time in years . . . __________________________________________________ Flitting from the mud-soaked floors of Venice to the glittering, towering constructions of the Abu Dhabi of his childhood and early adulthood, from present-day London to North America, André Naffis-Sahely's bracingly plain-spoken first collection gathers portraits of promised lands and those who go in search of them: labourers, travellers, dreamers; the hopeful and the dispossessed. 'Naffis-Sahely's poems usher the reader in to a world of reversals and risk . . . His narratives hold memory to account' DAVID HARSENT
Written during the trial for a close friend’s murder, Come the Slumberless to the Land of Nod exposes that the whimsical, horrible, and absurd all sit together. In this ambitious fourth collection, Traci Brimhall corresponds with the urges of life and death within herself as she lives through a series of impossibilities: the sentencing of her friend’s murderers, the birth of her child, the death of her mother, divorce, a trip sailing through the Arctic. In lullaby, lyric essay, and always with brutal sincerity, Brimhall examines how beauty and terror live right alongside each other––much like how Nod is both a fictional dreamscape and the place where Cain is exiled for murdering Abel. By plucking at the tensions between life and death, love and hate, truth and obscurity, Brimhall finds what it is that ties opposing themes together; how love and loss are married in grief. Like Eve thrust from Eden, Brimhall is tasked with finding meaning in a world defined by its cruelty. Unrelenting, incisive, and tender, these poems expose beauty in the grotesque and argue that the effort to be good always outweighs the desire to succumb to what is easy.
Bearing Witness: Poems from a Land in Turmoil is a poetic response to the devastating Anglophone Crisis/Ambazonian Conflict in Cameroon that has killed thousands of children, women and men, displaced over half a million people and left hundreds of communities in ruins. The poems in this volume capture an all-encompassing landscape marked by alienation, despair, displacement, loss, anger, trauma, as well as courage, hope, heroism, justice and resilience. These poems also engender psychic healing which has the potential of turning victims into survivors. With over 100 poems by 73 poets—seasoned and emerging, old and young, men and women—this collection is not only a guidepost of collective memory, but also the definitive literary work of this period in Cameroon’s checkered history.
“A splendid addition to an already extraordinary oeuvre.”—Teju Cole, The New Yorker German-born W. G. Sebald is best known as the innovative author of Austerlitz, the prose classic of World War II culpability and conscience that put its author in the company of Nabokov, Calvino, and Borges. Now comes the first major collection of this literary master’s poems. Skillfully translated by Iain Galbraith, they range from pieces Sebald wrote as a student in the sixties to those completed right before his untimely death in 2001. In nearly one hundred poems—the majority published in English for the first time—Sebald explores his trademark themes, from nature and history, to wandering and wondering, to oblivion and memory. Soaring and searing, the poetry of W. G. Sebald is an indelible addition to his superb body of work, and this collection is bound to become a classic in its own right. “How fortunate we are to have this writer’s startling imagination freshly on display once again, expressed in language honed to a perfect simplicity.”—Billy Collins “A watershed volume . . . nothing less than transcendent.”—BookPage “[Sebald was] a defining writer of his era.”—The New Republic