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After a long absence from his native southern Appalachians, Thomas Rain Crowe returned to live alone deep in the North Carolina woods. This is Crowe’s chronicle of that time when, for four years, he survived by his own hand without electricity, plumbing, modern-day transportation, or regular income. It is a Walden for today, paced to nature’s rhythms and cycles and filled with a wisdom one gains only through the pursuit of a consciously simple, spiritual, environmentally responsible life. Crowe made his home in a small cabin he had helped to build years before—at a restless age when he could not have imagined that the place would one day call him back. The cabin sat on what was once the farm of an old mountain man named Zoro Guice. As we absorb Crowe’s sharp observations on southern Appalachian natural history, we also come to know Zoro and the other singular folk who showed Crowe the mountain ways that would see him through those four years. Crowe writes of many things: digging a root cellar, being a good listener, gathering wood, living in the moment, tending a mountain garden. He explores profound questions on wilderness, self-sufficiency, urban growth, and ecological overload. Yet we are never burdened by their weight but rather enriched by his thoughtfulness and delighted by his storytelling.
This guidebook is the first of three regional volumes that invite residents and out-of-state visitors to explore North Carolina while reading literature from our state's finest writers. Organized geographically through a series of eighteen half-day and day-long tours in the western part of the state, the book directs curious travelers to the historic sites where Tar Heel authors have lived and worked. Along the way, travelers can read outstanding excerpts from the writers, evoking the places, customs, colloquialisms, and characters that figure prominently in their poetry, fiction, creative nonfiction, and plays. More than 170 writers from the past and present are featured in this volume, including Sequoyah, Elizabeth Spencer, Fred Chappell, Charles Frazier, Kathryn Stripling Byer, Robert Morgan, William Bartram, Gail Godwin, O. Henry, Thomas Wolfe, F. Scott Fitzgerald, Anne Tyler, Lillian Jackson Braun, Nina Simone, and Romulus Linney. Each tour provides information about the libraries, museums, colleges, bookstores, and other venues open to the public where writers regularly present their work or are represented in exhibits, events, performances, and festivals.
27 Views of Asheville presents a brightly colored, kaleidoscopic vision of a city lately come to prominence for its metropolitan ambience and cultural background. Here is place full of variety and surprise...So it is absolutely untrue that those who call Asheville "the Paris of the South" are holding a grudge against Paris. They know how it is. These days, Paris should be so lucky. --Fred Chappell
Best Creative Nonfiction of the South serves as a valuable resource for scholars, students, writers, and general readers interested in creative nonfiction both from specific areas of the South and across the region as a whole. This North Carolina volume, second in the series, contains essays that celebrate and document the Tar Heel state’s diverse cultures and geography, from the mountains to the sea. The writers included here come from diverse backgrounds, generations, and artistic traditions, and as with most volumes in the series, this one indirectly reflects literary changes within the region over time. In some cases, publisher permissions and other factors have foiled the editors from including the work of deserving writers. Nevertheless, the abundant literary talent in the state has lessened the impact of the occasional unfortunate omission.
An invaluable source of information on the personalities and organizations of the literary world.
Ecocriticism and Appalachian studies continue to grow and thrive in academia, as they expand on their foundational works to move in new and exciting directions. When researching these areas separately, there is a wealth of information. However, when researching Appalachian ecocriticism specifically, the lack of consolidated scholarship is apparent. With Appalachian Ecocriticism and the Paradox of Place, editors Jessica Cory and Laura Wright have created the only book-length scholarly collection of Appalachian ecocriticism. Appalachian Ecocriticism and the Paradox of Place is a collection of scholarly essays that engage environmental and ecocritical theories and Appalachian literature and film. These essays, many from well-established Appalachian studies and southern studies scholars and ecocritics, engage with a variety of ecocritical methodologies, including ecofeminism, ecospiritualism, queer ecocriticism, and materialist ecocriticism, to name a few. Adding Appalachian voices to the larger ecocritical discourse is vital not only for the sake of increased diversity but also to allow those unfamiliar with the region and its works to better understand the Appalachian region in a critical and authentic way. Including Appalachia in the larger ecocritical community allows for the study of how the region, its issues, and its texts intersect with a variety of communities, thus allowing boundless possibilities for learning and analysis.
The southern Appalachians encompass one of the most beautiful, biologically diverse, and historically important regions of North America. In the widely acclaimed Another Country: Journeying toward the Cherokee Mountains, Christopher Camuto describes the tragic collision of natural and cultural history embedded in the region. In the spirit of Thoreau’s “Walking,” Camuto explores the Appalachian summit country of the Great Smoky Mountains--the historical home of the Cherokee--searching for access to the nature, history, and spirit of a magnificent, if diminished, landscape. As the author takes the reader through old-growth forests and ancient myths, he tells of the attempted restoration of Canis rufus, the controversial red wolf, to Great Smoky Mountains National Park. He details the impact of European occupation, and his meditations on the enduring relevance of Cherokee language, thought, and mythology evoke an appreciation of what were once sacred rivers, forests, and mountains. Through this attempt “to catch glimpses of the Cherokee Mountains beyond the veil of the southern Appalachians,” Camuto forges a new consciousness about the complex, conflicted past hidden there and leaves us with an important, thought-provoking book about a haunting American region.