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"Published in Europe by Museum Tusculanum Press, University of Copenhagen"--T.p. verso.
Inger Christensen's masterpieceit, translated brilliantly by Susanna Nied, and with an illuminating introduction by Anne Carson. itis the masterwork by Danish poet Inger Christensen ("a true singer of the syllables," said C. D. Wright), often cited as a Nobel contender and one of Europe's most revered poets. On its publication in 1969, it took Denmark by storm, winning critical praise and becoming a huge popular favorite. Translated into many languages,itwon international acclaim and is now a classic of modern Scandinavian poetry. itis both a collection of poems and a single poetic epic, forming a philosophical statement on the nature of language, perception, and reality. The subject matter, though, is down to earth: amoebas, stones, and factories; fear, sea urchins, and mental institutions; sand, sexuality, and song. The words and images ofitrecur in ways reminiscent of Christensen's other works, but here is a younger poetry, wilder, and crackling with energy. The marvelous and complex use of mathematical structure initis faithfully captured in Susanna Nied's English translation, which won a 2005 PEN Translation Fund Award.
A startling and gorgeous work by Denmark's most admired poet finally available in English translation.
This comprehensive reference work deals with all aspects of its subject: history, prosody, types, movements, and critical terminology. Prepared by recognized authorities, its articles treat their topics in sufficient depth to be of value to the scholar as well as to the general reader. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Third-Millennium Heart is a collection of poetry meticulously interweaving biological systems with architectural annexes, mythological compositions and linguistic logics, while mercilessly turning the most intimate chambers of the body inside out and exposing the heart as a very public and thoroughly political arena.