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Poems to inspire and invigorate young black girls.
America’s most provocative intellectual brings her blazing powers of analysis to the most famous poems of the Western tradition—and unearths some previously obscure verses worthy of a place in our canon. Combining close reading with a panoramic breadth of learning, Camille Paglia sharpens our understanding of poems we thought we knew, from Shakespeare to Dickinson to Plath, and makes a case for including in the canon works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut—and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn is a modern classic that excites even seasoned poetry lovers—and continues to create generations of new ones.
A page-turning psychological mystery that is equal parts horror, humor, and romance, "Nevermore" is the story of Varen--a Poe fan and Goth--and Isobel--a cheerleader and unlikely heroine.
Something?s rotten in the heart of apple country! Hildy Biddle dreams of being a journalist. A reporter for her high school newspaper, The Core, she?s just waiting for a chance to prove herself. Not content to just cover school issues, Hildy?s drawn to the town?s big story?the haunted old Ludlow house. On the surface, Banesville, USA, seems like such a happy place, but lately, eerie happenings and ghostly sightings are making Hildy take a deeper look. Her efforts to find out who is really haunting Banesville isn?t making her popular, and she starts wondering if she?s cut out to be a journalist after all. But she refuses to give up, because, hopefully, the truth will set a few ghosts free. Peeled is classic Joan Bauer, featuring a strong heroine, and filled with her trademark witty dialogue, and problems and people worth standing up to.
"Starting with the first line of the first poem, 'The night that bled into the morning my son died, ' I read this collection straight through with my heart in my throat. Reader, prepare yourself: once you start reading What I Should Have Said, you won't be able to stop. After reading these poignant poems, which are full of joy as well as sorrow, I feel that I, too, knew Kyle, and I miss him very much." -Lesléa Newman, author of I Carry My Mother and I Wish My Father "What I Should Have Said is a raw and painful chronicle of a bereaved mother's journey through losing her child to the disease of addiction. I've been struggling with the death of our second son, Christopher, and Lanette's words really helped me move forward in my grief. Her brutal honesty allowed me to process Christopher's death from alcohol addiction. I'm encouraged by her "List of Hopes" at the end of the book and have begun writing my own list. I thank the author for shedding light on the darkness and stigma attached to the disease of addiction and for reminding us that our children were and are so much more than their addictions." -Kathy Corrigan, Board President, Bereaved Parents of the USA "If it were fiction, if it did not lacerate the heart to know the truth behind it, Lanette Sweeney's poetry memoir about losing a child to drugs would only be tragically beautiful. As it is, it is devastating, featuring poetry by her lost son Kyle [Fisher-Hertz] along with her own. Speaking the unspeakable for her own peace, and for the understanding of the rest of us, is Sweeney's mission. The only thing better than reading these tender, elegiac, broken words would be for her to never have needed to write them." -Jacquelyn Mitchard, author, The Deep End of the Ocean and 18 other novels
In language that is elegant, yet fun, this adventure invites the reader on an emotionally charged trip to the moon--from reminders of what one should pack on a trip to the moon, to the exciting countdown and lift-off.
Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances. Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among "transgender dykes"--lesbians who pass as men--and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators. Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.
In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.
Henriette Deluzy-Despartes accepts a position in the unhappy household of the Duc de Praslin. His malicious wife becomes insanely jealous of a romantic attachment between the two and when she is found murdered, the alleged lovers are accused.
Guide to becoming a parent through adoption.