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As the collection progresses, it delves into the metaphorical depth that rivers hold in the human psyche. Poems explore rivers as conduits of time, mirroring the ceaseless flow of life itself. The verses unravel the symbolic significance of rivers as witnesses to history, bearers of tales, and reflections of the human journey. Readers are invited to contemplate the interplay between the fluidity of rivers and the transient nature of existence. Ecological awareness forms a vital thread within the anthology, with poems that delve into the delicate balance between rivers and the ecosystems they sustain. The poets weave environmental narratives, shedding light on the fragility of river ecosystems and the urgent need for conservation. These verses become a call to action, encouraging readers to become stewards of the lifeblood that rivers represent on a planetary scale. Cultural and spiritual dimensions are also explored in the anthology, with poems that draw inspiration from the myths, folklore, and rituals associated with rivers across diverse cultures. The poets unravel the sacredness of rivers, the deities that guard their waters, and the rituals that communities perform to honor these flowing entities. Through these poems, readers are invited to witness the spiritual significance that rivers hold in the hearts of humankind.
Martin Heidegger's 1942 lecture course interprets Friedrich Hölderlin's hymn "The Ister" within the context of Hölderlin's poetic and philosophical work, with particular emphasis on Hölderlin's dialogue with Greek tragedy. Delivered in summer 1942 at the University of Freiburg, this course was first published in German in 1984 as volume 53 of Heidegger's Collected Works. Revealing for Heidegger's thought of the period are his discussions of the meaning of "the political" and "the national," in which he emphasizes the difficulty and the necessity of finding "one's own" in and through a dialogue with "the foreign." In this context Heidegger reflects on the nature of translation and interpretation. A detailed reading of the famous chorus from Sophocles' Antigone, known as the "ode to man," is a key feature of the course.
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River Hymns is the lyrical journey of a young black man's spiritual reckoning with his family history.
Author Susanne Claxton offers a new ecophenomenological perspective to Heidegger and his engagement with the Greeks, and an alternative to the ruling binary in environmental ethics of anthropocentrism and ecocentrism.
First published in 1983, River celebrates fluvial landscapes, their creatures and their regenerative powers. Inspired by Hughes's love of fishing and by his environmental activism, the poems are a deftly and passionately attentive chronicle of change over the course of the seasons. West Country rivers predominate ('The West Dart' and 'Torridge'), but other poems imagine or recall Japanese rivers or Celtic rivers, and 'The Gulkana' explores an ancient Alaskan watercourse. At its core the sequence rehearses, in various settings, from winter to winter, the life-cycle of the salmon. All this, too, is stitched into the torn richness, The epic poise That holds him so steady in his wounds, so loyal to his doom, so patient In the machinery of heaven. from 'October Salmon'
Clive James has been close to death for several years, and he has written about the experience in a series of deeply moving poems. In Sentenced to Life, he was clear-sighted as he faced the end, honest about his regrets. In Injury Time, he wrote about living well in the time remaining, focusing our attention on the joys of family and art, and celebrating the immediate beauty of the world. When The River in the Sky opens, we find James in ill health but high spirits. Although his body traps him at home, his mind is free to roam, and this long poem is animated by his recollection of what life was and never will be again; as it resolves into a flowing stream of vivid images, his memories are emotionally supercharged ‘by the force of their own fading’. In this form, the poet can transmit the felt experience of his exceptional life to the reader. As ever with James, his enthusiasm is contagious; he shares his wide interests with enormous generosity, making brilliant and original connections, sparking passion in the reader so that you can explore the world’s treasures yourself. Because this is not just a reminiscence, it’s a wise and moving preparation for and acceptance of death. As James realizes that he is only one bright spot in a galaxy of stars, he passes the torch to the poets of the future, to his young granddaughter, and to you, his reader. A book that could not have been written by anyone else, this is Clive James at the height of his considerable powers: funny, wise, deeply felt, and always expressed with an unmatched power for clarity of expression and phrase-making that has been his been his hallmark.
Okot PBitek, writing in Africas Cultural Revolution, Macmillian Books for Africa, Nairobi, 1973, reminds us that writing, like painting and sculpting, is a mere tool for expressing ideas. As the painter uses brush, color, and a surface (. . . canvas, the walls of St. Peters Basilica . . . the walls of a cave), and the sculptor uses a chisel and a piece of wood or stone to produce shapes and figures, the poet uses words for expressing his feelings. The voice of the [writer] and the pen and paper are mere midwives of a pregnant mind.
Many of the world’s major cities sprang up on the banks of rivers. Used for water, food, irrigation, transportation, and power, rivers sustain life and connect the world together, but most of us think of them simply as waterways that must be crossed on the way to another place. Using four European and two North American rivers as examples, A Story of Six Rivers considers the place of rivers in our world and emphasizes the inextricable links between history, culture, and ecology. Peter Coates explores six rivers, chosen as examples of the types of rivers found on the planet: the Danube, the second-longest river in Europe; the Spree, which flows through Berlin; the Po, which cuts eastward across northern Italy; the Mersey in northwest England; the Yukon, which runs through Canada and Alaska; and the Los Angeles in California. Creating a series of river biographies, Coates gives voice to each of these bodies of water, exploring how rivers nurture us, provide cultural and economic opportunities, and pose threats to our everyday lives. He challenges recent narratives that paint rivers as the victims of abuse, pollution, and damage at the hands of humans, focusing on change rather than devastation. Describing how humans and rivers form a symbiotic—and sometimes mutually destructive—relationship, Coates argues that rivers illustrate the limits of human authority and that their capacity to inspire us is as strong as our ability to pollute them. An intimate portrait of the way these bodies of water inform our lives, A Story of Six Rivers will make us reconsider the streams and tributaries we traverse each day.