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Cambridge, The University press, 1915.
This is an account of the part played by poetry in the life of man from earliest times to the present. Older than prose, it was the vehicle for his technology, history, philosophy and science; it helped him feel at home in his environment; it was the social element between him and his fellows. Mr Thompson explores these many facets in the earlier chapters of his book, and then goes on to consider the impact of printing when in his view poetry became subtler but ceased to be a popular possession. However, as Mr Thompson shows, poetry could still be of value in helping people to cope with the strains of living, in assimilating the implications of vast new fields of knowledge, and in keeping alive the idea of humanity in a dehumanising age.
Robert Burns (1759 –1796), Scotland's national poet and pioneer of the Romantic Movement, has been hugely influential across Europe and indeed throughout the world. Burns has been translated seven times as often as Byron, with 21 Norwegian translations alone recorded since 1990; he was translated into German before the end of his short life, and was of key importance in the vernacular politics of central and Eastern Europe in the nineteenth century. This collection of essays by leading international scholars and translators traces the cultural impact of Burns' work across Europe and includes bibliographies of major translations of his work in each country covered, as well as a publication history and timeline of his reception on the continent.
Reprint of the original, first published in 1876.
This collection gathers together an exciting new series of critical essays on the Romantic- and Victorian-period poet John Clare, which each take a rigorous approach to both persistent and emergent themes in his life and work. Designed to mark the 200th anniversary of the publication of Clare’s first volume of poetry, Poems Descriptive of Rural Life and Scenery, the scholarship collected here both affirms Clare’s importance as a major nineteenth-century poet and reveals how his verse continually provokes fresh areas of enquiry. Offering new archival, theoretical, and sometimes corrective insights into Clare’s world and work, the essays in this volume cover a multitude of topics, including Clare’s immersion in song and print culture, his formal ingenuity, his environmental and ecological imagination, his mental and physical health, and his experience of asylums. This book gives students a range of imaginative avenues into Clare’s work, and offers both new readers and experienced Clare scholars a vital set of contributions to ongoing critical debates.