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These previously published stories and short fictions, whether realistic or surreal, are always imaginative and sometimes startling. On the opening page, we meet a man who takes a walk at Coney Island, writes an open letter of confession in the sand, believing it will vanish with the tide, but shockingly discovers that his secrets have been revealed to the world. We find a man who buys a living room carpet that becomes a terrifying jungle and a man who just missed becoming a movie star. There is also the manager of a shop in Harlem whose salesmen peddle portraits of Christ whose eyes seem to follow the viewer and who unconsciously overcomes his racial bias, back in the Sixties. In "Bad Trip," a man kidnaps and murders a younger version of himself in the desert and lives to tell the tale. "Nothing Forever," C. Kenneth Pellow notes in "Writers' Forum" where the story first appeared, "is constructed almost precisely backwards, although a more useful key to opening the story's meanings may be the metaphor, the trope, embodied in 'AND/OR.'" There is a fairy tale about a golden squirrel kidnapped in Czarist Russia and a fable featuring a white stallion whose fierce fight for freedom gives hope to the homeless huddled around a campfire deep in the Great Depression. (This story was nominated for the Pushcart Prize.) Schorb's stories are various in form and style but uniformly entertaining. Enjoy!
A collection of animal fables told by the Greek slave Aesop.
"The delicate arc of these poems intimates—rather than tells—a love story: celebration, fear of loss, storm, abandonment, an opening forth. Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna Warren This debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary. Antique Book The sky was crazed with swallows. We walked in the frozen grass of your new city, I was gauzed with sleep. Trees shook down their gaudy nests. The ceramic pots were caparisoned with snow. I was jealous of the river, how the light broke it, of the skein of windows where we saw ourselves. Where we walked, the ice cracked like an antique book, opening and closing. The leaves beneath it were the marbled pages. Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.
A hybrid-genre carnivalesque of trauma and rebirth, Fablesque harnesses the power of old tales to dispel the disenchantments of women and animals in the #MeToo era. Blending fiction and myth, personal essay, prose poetry and verse, and spanning scales from local to celestial, chanelling voices of the voiceless and the mighty, Fablesque speaks to the apocalyptic moment of the present. Harnessing folktale, fairy tale, and collage, the poems embrace constraint as a starting point for liberating new content and for addressing constructions and intersections of gender, race, power, and time