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Michael Ondaatje has called Sharon Olds's poetry 'pure fire in the hands' and cheered the 'roughness and humour and brag and tenderness and completion in her work as she carries the reader through rooms of passion and loss'. This rich selection - made by the author - exhibits those qualities in poem after poem, reflecting, moreover, an exciting experimentation with rhythm and language and a movement toward an embrace beyond the personal. Subjects are revisited - the pain of childhood, adolescent sexual stirrings, the fulfilment of marriage, the wonder of children - but each re-casting penetrates ever more deeply, enriched by new perceptions and conceits. A powerful distillation of the best work from one of America's most gifted and widely read poets, drawn from her seven published volumes, this is a testament to a remarkable writer's depth, range and continuing development.
Gathered here for the first time is the verse of three decades of one of America's greatest poets. Collected Poems 1947-1980 includes all writings in the groundbreaking paperback volumes published by City Lights Books, the contents of many rare pamphlets issued by small presses, and, finally, some notable texts hitherto unpublished—one, "Many Loves," withheld "for reasons of prudence and modesty," is an erotic rhapsody dating from the historic "San Francisco Renaissance" era. Allen Ginsberg is, of course, a chief figure in the group of writers (among them Kerouac, Corso, Ferlinghetti, Creeley, Duncan, snyder, and O'Hara) who, in the Bay Area and in New York in the 1950s, began to change the course of American poetry, liberating it from closed academic forms by the creation of open, vocal, spontaneous, and energetic postmodern verse in the tradition of Whitman, Apollinaire, Hart, Crance, Pound, and William Carlos Williams. Within a decade, Ginsberg's classics "Howl," "Kaddish," and "The Change" would become central in leading American (and international) poetry toward uncensored vernacular, raw candor, the ecstatic, the rhapsodic, and the sincere—al leavened, in Ginsberg's work, by an attractive and pervasive streak of common sense. These raw tones and attitudes of spiritual liberation helped catalyze a psychological revolution that has become a permanent part of our cultural heritage, profoundly influencing not only poetry and popular song and speech but also a generation's view of the world. Even the literary establishment, hostile at first toward the revolutionary new spirit, has recognized Allen Ginsberg's achievement by honoring him with a National Book Award and membership in the American Academy and Institute of Arts and Letters. The uninterrupted energy of Ginsberg's remarkable career—embodying political activism as well as Buddhist spiritual practice—is clearly revealed in this volume. Seen in the order of composition, the poems reflect on one another; they are not only works but also a work. Here are the familiar anthology staples "Sunflower Sutra" and "To Aunt Rose"; the great antiwar poem "Wichita Vortex Sutra"; "Wales Visitation" (an extraordinary nature ode inspired by psychedelic experiments); the much-translated elegy "September on Jessore Road" and the meditative fantasy "Mind Breaths," followed by the haunting "Father Death Blues" and a later heroic, full-voiced "Plutonian Ode," addressed to "you, Congress and American people." Among the recent poems are the delicate familiar anecdotes in "Don't Grow Old"; "Birdbrain!," a savage political burlesque; and the new-wave lyric "Capitol Air." Adding to the splendid richness of this book are illustrations by Ginsberg's artist friends; unusual and illuminating notes to the poems, inimitably prepared by the author; extensive indexes; and prefaces and other materials that accompanied the original publications.
Lauded by luminaries such as Gwendolyn Brooks, Adrienne Rich, and Joy Harjo, among others, the work of African American lesbian poet Cheryl Clarke has spoken on behalf of the black, feminist and gay movements for more than 25 years. Her writing has earned her distinction as a contemporary black feminist icon in the tradition of June Jordan. In fact, few writers have tackled hot-button issues of race and sexuality with as much force or fearless humor as Clarke. The Days of Good Looks — her first new book of poetry in a decade — collects the author's most popular poems and essays along with an array of new unpublished writing.
Finalist for the 1988 Pulitzer Prize for Poetry A landmark collection by National Book Award-winning poet Lucille Clifton, Good Woman: Poems and a Memoir 1969-1980 includes the four poetry collections that launched Clifton’s career—Good Times, Good News About the Earth, An Ordinary Woman, and Two-Headed Woman—as well as her haunting prose memoir, Generations. In honor of the 30th anniversary of Lucille Clifton's Pulitzer Prize-nominated poetry collection and memoir, Good Woman is now available for the first time as a deluxe eBook edition. Enhanced with previously unpublished photographs from the Lucille Clifton Estate and a special foreword by Aracelis Girmay, this eBook is a must-have for longtime Clifton fans and newcomers alike.
Over the past thirty years, narrative poems have made a comeback against the lyric approach to poetry that has dominated the past century. Drawing on a decade of conferences and critical seminars on the topic, The Contemporary Narrative Poem examines this resurgence of narrative and the cultural and literary forces motivating it. Gathering ten essays from poet-critics who write from a wide range of perspectives and address a wide range of works, the collection transcends narrow conceptions of narrative, antinarrative, and metanarrative. The authors ask several questions: What formal strategies do recent narrative poems take? What social, cultural, and epistemological issues are raised in such poems? How do contemporary narrative poems differ from modernist narrative poems? In what ways has history been incorporated into the recent narrative poetry? How have poets used the lyric within narrative poems? How do experimental poets redefine narrative itself through their work? And what role does consciousness play in the contemporary narrative poem? The answers they supply will engage every poet and student of poetry.
Longlisted for the National Book Award A selection of poems that addresses the quotidian and the global, from one of our most essential poets. Drawing on two decades worth of award-winning poetry, Marilyn Hacker’s generous selections in A Stranger’s Mirror include work from four previous volumes along with twenty-five new poems, ranging in locale from a solitary bedroom to a refugee camp. In a multiplicity of voices, Hacker engages with translations of French and Francophone poets. Her poems belong to an urban world of cafés, bookshops, bridges, traffic, demonstrations, conversations, and solitudes. From there, Hacker reaches out to other sites and personas: a refugee camp on the Turkish/Syrian border; contrapuntal monologues of a Palestinian and an Israeli poet; intimate and international exchanges abbreviated on Skype—perhaps with gunfire in the background. These poems course through sonnets and ghazals, through sapphics and syllabics, through every historic-organic pattern, from renga to rubaïyat to Hayden Carruth’s “paragraph.” Each is also an implicit conversation with the poets who came before, or who are writing as we read. A Stranger’s Mirror is not meant only for poets. These poems belong to anyone who has sought in language an expression and extension of his or her engagement with the world—far off or up close as the morning’s first cup of tea.
Over 80 poems from the 19th and early 20th centuries, including works about love and war, ships and the sea, farms and family, life and death, heaven and hell.
Just like it takes a village to raise a child, it takes an anthology as good as Only the Sea Keeps to bring the tsunami tragedy back into our hearts. The media are always looking for the next disaster, never staying at the same one for long. For those who want not to rush past this one, these poems help us to remember the dead and the survivors. And we don't have to do it alone. We're in the company of poets who haven't stopped caring.'-Hal Sirowitz, former Poet Laureate of Queens, New YorkIn a tremendous effort to come to terms with a natural disaster that took the life and livelihood of millions, and affected the whole world, this is a deeply moving collection of poems by a distinguished group of poets from across the world. Encompassing themes of grief, shock, disbelief and the painful process of healing, Only the Sea Keeps is a beautiful example of the ability of art to address tragedy.The proceeds from the sale of this book will be donated to the international relief organisations working with tsunami victims/survivors.
Discussing the work of more than 60 poets from the US, UK, Ireland, Australia, New Zealand and the Caribbean, Nerys Williams guides students through the key ideas and movements in the study of poetry today.