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Three of Levertov's classic volumes are now available in a single edition. Included here are: "The Freeing of the Dust; Life in the Forest; " and "Candles in Babylon".
When Denise Levertov died on December 20, 1997, she left behind forty finished poems, which now form her last collection, This Great Unknowing. Few poets have possessed so great a gift or so great a body of work—when she died at 74, she had been a published poet for more than half a century. The poems themselves shine with the artistry of a writer at the height of her powers.
Now available. Here are the early poems which first brought Denise Levertov's work to prominence -- from early uncollected poems, selections from The Double Image (London, 1946), and her three books Here and Now (1957), Overland to the Islands (1958) and With Eyes at the Back of Our Heads (1960), which established her as one of the more lyrical and most influential poets of the New American poetry.
The landmark collected work of one of the greatest poets of the 20th century, now in paperback.
"Levertov's master--more than mastery, because she is one of the originators--of contemporary poetic form, informed with a fierce, generous intelligence, can be frightening." --Ursula Le Guin, Washington Post
Denise Levertov’s Poems 1960-1967 brings together all of the poetry first published in The Jacob’s Ladder (1961), O Taste and See (1964), and The Sorrow Dance (1967). Denise Levertov’s Poems 1960-1967 brings together all of the poetry first published in The Jacob’s Ladder (1961), O Taste and See (1964), and The Sorrow Dance (1967). This new compilation, beginning where her Collected Earlier Poems 1940-1960 (New Directions, 1979) left off, shows both a refining of the poet’s craft and a widening of her concerns.” We are living our whole lives in a state of emergency,” she wrote in 1967. Levertov’s staunch antiwar stand is reflected here in such poems as “Life at War” and “What Were They Like?” with what Kenneth Rexroth called “the special luster of a sensibility that never sacrifices humaneness to intensity.” Side by side with her poetry of protest is that of celebration—“Song for Ishtar,” “Come into Animal Presence,” “ Luxury”—and tolerance for “The Mutes” uttering “those groans men use/passing a woman on the street…to tell her she is female” as well as for “The Ache of Marriage.” Here also are a meditation “During the Eichmann Trial,” “Olga Poems” (a sequence in memoriam), and “Say the Word,” the poet’s first published story.
Conceived as a convenience to those readers concerned with doubt and faith, Denise Levertov's 34 selected poems originally were published in seven separate volumes. The poet presents a selection of thirty-four of her own poems culled from previously published volumes, tracing her movement from agnosticism to Christian faith and her oscillation from doubt to affirmation along the way.
Gathered here in one handy volume are 62 poems about nature and the ecology. But, as the author notes in her preface, these are not all praise-poems"celebration and fear of loss are necessarily conjoined". This compact gift-book will have special appeal to those who love Mother Earth.
Poems address such topics as paintings, music, landscapes, and the terror in El Salvador.
In the sixty poems that comprise The Freeing of the Dust, Denise Levertov continued to explore the personal and public themes that threaded through her work during the disastrous American involvement in Indochina. Relations with family and close friends are depicted with unique poignancy as she pits the at times terrifying concrete image against her vision of the ideal. Here we have poems that speak out of the direct tragedy of war, the result of Ms. Levertov's visit to North Vietnam in the fall of 1972, while others reflect the anguish and the exultation of what she has called the 'inner/outer experience in America during the '60's and the beginning of the '70's.