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Where is the common ground for feminist theory and Latin American culture? Jean Franco explores Mexican women's struggle for interpretive power in relation to the Catholic religion, the nation, and post-modern society; and examines the writings of women who wrote under the shadow of recognized male writers, as well as the works of more marginal figures. In this original and skillfully written book Franco demonstrates the many feminisms that emerge in apparently rigid and adverse situations, and provides the foundation for a more comprehensive, less ethnocentric feminst theory.
A study of gender and narration in the eighteenth- and nineteenth-century British novel.
Histories of the Revolutionary War have long honored heroines such as Betsy Ross, Abigail Adams, and Molly Pitcher. Now, more than two centuries later, comes the first biography of one of the war’s most remarkable women, a beautiful Philadelphia society girl named Peggy Shippen. While war was raging between England and its rebellious colonists, Peggy befriended a suave British officer and then married a crippled revolutionary general twice her age. She brought the two men together in a treasonous plot that nearly turned George Washington into a prisoner and changed the course of the war. Peggy Shippen was Mrs. Benedict Arnold. After the conspiracy was exposed, Peggy managed to convince powerful men like Washington and Alexander Hamilton of her innocence. The Founding Fathers were handicapped by the common view that women lacked the sophistication for politics or warfare, much less treason. And Peggy took full advantage. Peggy was to the American Revolution what the fictional Scarlett O’Hara was to the Civil War: a woman whose survival skills trumped all other values. Had she been a man, she might have been arrested, tried, and executed. And she might have become famous. Instead, her role was minimized and she was allowed to recede into the background—with a generous British pension in hand. In Treacherous Beauty, Mark Jacob and Stephen H. Case tell the true story of Peggy Shippen, a driving force in a conspiracy that came within an eyelash of dooming the American democracy.
This book explores the inconsistent literary representations of motherhood in diverse texts ranging from the fourth to the twentieth centuries. Mary Beth Rose unearths plots startling in their frequency and redundancy that struggle to accommodate —or to obliterate—the complex assertions of maternal authority as it challenges traditional family and social structures. The analysis engages two mother plots: the dead mother plot, in which the mother is dying or dead; and the living mother plot, in which the mother is alive and through her very presence in the text, puts often unbearable pressure on the mechanics of the plot. These plots reappear and are transformed by authors as diverse in chronology and use of literary form as Augustine, Shakespeare, Milton, Oscar Wilde, and Tony Kushner. The book argues that, insofar as women become the second sex, it is not because they are females per se but because they are mothers; at the same time the analysis probes the transformative political and social potential of motherhood as it appears in contemporary texts like Angels in America.
Imperial Plots depicts the female farmers and ranchers of the prairies, from the Indigenous women agriculturalists of the Plains to the array of women who resolved to work on the land in the first decades of the twentieth century.
From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings "An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breath­takingly daring and wholly in command of his craft.
"From the intimate perspective of three friends and neighbors in mid-nineteenth century Auburn, New York-the "agitators" of the title-acclaimed author Dorothy Wickenden tells the fascinating and crucially American stories of abolition, the Underground Railroad, the early women's rights movement, and the Civil War. Harriet Tubman-no-nonsense, funny, uncannily prescient, and strategically brilliant-was one of the most important conductors on the underground railroad and hid the enslaved men, women and children she rescued in the basement kitchens of Martha Wright, Quaker mother of seven, and Frances Seward, wife of Governor, then Senator, then Secretary of State William H. Seward. Harriet worked for the Union Army in South Carolina as a nurse and spy, and took part in a river raid in which 750 enslaved people were freed from rice plantations. Martha, a "dangerous woman" in the eyes of her neighbors and a harsh critic of Lincoln's policy on slavery, organized women's rights and abolitionist conventions with Susan B. Anthony and Elizabeth Cady Stanton. Frances gave freedom seekers money and referrals and aided in their education. The most conventional of the three friends, she hid her radicalism in public; behind the scenes, she argued strenuously with her husband about the urgency of immediate abolition. Many of the most prominent figures in the history books-Lincoln, Seward, Daniel Webster, Frederick Douglass, Charles Sumner, John Brown, Harriet Beecher Stowe, William Lloyd Garrison-are seen through the discerning eyes of the protagonists. So are the most explosive political debates: about women's roles and rights during the abolition crusade, emancipation, and the arming of Black troops; and about the true meaning of the Declaration of Independence and the Constitution. Beginning two decades before the Civil War, when Harriet Tubman was still enslaved and Martha and Frances were young women bound by law and tradition, The Agitators ends two decades after the war, in a radically changed United States. Wickenden brings this extraordinary period of our history to life through the richly detailed letters her characters wrote several times a week. Like Doris Kearns Goodwin's Team of Rivals and David McCullough's John Adams, Wickenden's The Agitators is revelatory, riveting, and profoundly relevant to our own time"--
INSTANT NEW YORK TIMES BESTSELLER • FEATURING AN EXCLUSIVE NEW CHAPTER GoodReads Choice Awards Semifinalist "Moving . . . a plot that surprises and devastates."—New York Times Book Review "A masterful epic."—People magazine "Mesmerizing . . . The Women in the Castle stands tall among the literature that reveals new truths about one of history’s most tragic eras."—USA Today Three women, haunted by the past and the secrets they hold Set at the end of World War II, in a crumbling Bavarian castle that once played host to all of German high society, a powerful and propulsive story of three widows whose lives and fates become intertwined—an affecting, shocking, and ultimately redemptive novel from the author of the New York Times Notable Book The Hazards of Good Breeding. Amid the ashes of Nazi Germany’s defeat, Marianne von Lingenfels returns to the once-grand castle of her husband’s ancestors, an imposing stone fortress now fallen into ruin following years of war. The widow of a resister murdered in the failed July 20, 1944, plot to assassinate Adolf Hitler, Marianne plans to uphold the promise she made to her husband’s brave conspirators: to find and protect their wives, her fellow resistance widows. First Marianne rescues six-year-old Martin, the son of her dearest childhood friend, from a Nazi reeducation home. Together, they make their way across the smoldering wreckage of their homeland to Berlin, where Martin’s mother, the beautiful and naive Benita, has fallen into the hands of occupying Red Army soldiers. Then she locates Ania, another resister’s wife, and her two boys, now refugees languishing in one of the many camps that house the millions displaced by the war. As Marianne assembles this makeshift family from the ruins of her husband’s resistance movement, she is certain their shared pain and circumstances will hold them together. But she quickly discovers that the black-and-white, highly principled world of her privileged past has become infinitely more complicated, filled with secrets and dark passions that threaten to tear them apart. Eventually, all three women must come to terms with the choices that have defined their lives before, during, and after the war—each with their own unique share of challenges. Written with the devastating emotional power of The Nightingale, Sarah’s Key, and The Light Between Oceans, Jessica Shattuck’s evocative and utterly enthralling novel offers a fresh perspective on one of the most tumultuous periods in history. Combining piercing social insight and vivid historical atmosphere, The Women in the Castle is a dramatic yet nuanced portrait of war and its repercussions that explores what it means to survive, love, and, ultimately, to forgive in the wake of unimaginable hardship.
Women in Victorian England wore jewelry made from each other's hair and wrote poems celebrating decades of friendship. They pored over magazines that described the dangerous pleasures of corporal punishment. A few had sexual relationships with each other, exchanged rings and vows, willed each other property, and lived together in long-term partnerships described as marriages. But, as Sharon Marcus shows, these women were not seen as gender outlaws. Their desires were fanned by consumer culture, and their friendships and unions were accepted and even encouraged by family, society, and church. Far from being sexless angels defined only by male desires, Victorian women openly enjoyed looking at and even dominating other women. Their friendships helped realize the ideal of companionate love between men and women celebrated by novels, and their unions influenced politicians and social thinkers to reform marriage law. Through a close examination of literature, memoirs, letters, domestic magazines, and political debates, Marcus reveals how relationships between women were a crucial component of femininity. Deeply researched, powerfully argued, and filled with original readings of familiar and surprising sources, Between Women overturns everything we thought we knew about Victorian women and the history of marriage and family life. It offers a new paradigm for theorizing gender and sexuality--not just in the Victorian period, but in our own.