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One hundred poems. One hundred voices. One hundred different points of view. Here is a cross-section of American poetry as it is right now—full of grit and love, sparkling with humor, searing the heart, smashing through boundaries on every page. Please Excuse This Poem features one hundred acclaimed younger poets from truly diverse backgrounds and points of view, whose work has appeared everywhere from The New Yorker to Twitter, tackling a startling range of subjects in a startling range of poetic forms. Dealing with the aftermath of war; unpacking the meaning of “the rape joke”; sharing the tender moments at the start of a love affair: these poems tell the world as they see it. Editors Brett Fletcher Lauer and Lynn Melnick have crafted a book that is a must-read for those wanting to know the future of poetry. With an introduction from award-winning poet, editor, and translator Carolyn Forché, Please Excuse This Poem has the power to change the way you look at the world. It is The Best American Nonrequired Reading—in poetry form.
The poems in Landscape with Sex and Violence explore what it means to be a woman, a sexual being, and a trauma survivor in contemporary America.
As the former Colonies struggle for freedom, the Revolution depends on teenage Susanna Bolling. Like America in rebellion, she craves independence. While her Patriot brothers fight, she longs to help. When British General Cornwallis invades her plantation, she hears his secret plan. America's fight for liberty hinges on her.
Lyrical and rife with utterance, Salt Body Shimmer asks of the violence we inherit: who speaks from "the threshold throat" inside "the dark's dark"? Interior driven and intimately political, the poems in this stunning debut coax and trouble form, traversing the landscape of trauma and survival with a deft musicality of time, family, and slippery memory. At the intersections of race, class, gender, and sexuality, Foreman makes a song of the body-it's howl and jubilation-and invites us to confront our interior lives in the listening. Bold in its quest for knowledge and refuge, Salt Body Shimmer articulates a contemporary American experience, aware of the histories unsaid and unfaced, where women can inhabit their lives fully and freely, knowing safety is fragile and must be grabbed by whatever thread we can find.
Happy 30th birthday, Please Mrs Butler! This witty collection of school poems by Allan Ahlberg, re-jacketed for its 30th anniversary and for a whole new generation of school children to fall in love with, is full of typical classroom events that will be recognized and enjoyed by everyone. From never-ending projects, reading tests, quarreling, making-up, excuses and 'Please, Sir, it isn't fair.' Fritz Wegner's line drawings beautifully complement the hilarious and poignant verses. Please Mrs Butler was voted the most important twentieth-century children's poetry book in a Books for Keeps poll.
A moving and essential exploration of what it takes to find your voice as a woman, a survivor, an artist, and an icon. The first time Lynn Melnick listened to a Dolly Parton song in full, she was 14 years old, in the triage room of a Los Angeles hospital, waiting to be admitted to a drug rehab program. Already in her young life as a Jewish teen in the 1980s, she had been the victim of rape, abuse, and trauma, and her path to healing would be long. But in Parton’s words and music, she recognized a fellow survivor. In this powerful, incisive work of social and self-exploration, Melnick blends personal essay with cultural criticism to explore Parton’s dual identities as feminist icon and objectified sex symbol, identities that reflect the author’s own fraught history with rape culture and the arduous work of reclaiming her voice. Each chapter engages with the artistry and impact of one of Parton’s songs, as Melnick reckons with violence, misogyny, creativity, parenting, friendship, sex, love, and the consolations and cruelties of religion. Bold and inventive, I’ve Had to Think Up a Way to Survive gives us an accessible and memorable framework for understanding our times and a revelatory account of survival, persistence, and self-discovery.
In this fun middle-grade novel from the author of The Kayla Chronicles, Brianna Justice has big dreams of following in her chef hero’s footsteps—and the first step is to become the president of her class. ​ Start counting your votes . . . and your friends. When Brianna Justice's hero, the famous celebrity chef Miss Delicious, speaks at her school and traces her own success back to being president of her fifth grade class, Brianna determines she must do the same. She just knows that becoming president of her class is the first step toward her own cupcake-baking empire! But when new student Jasmine Moon announces she is also running for president, Brianna learns that she may have more competition than she expected. Will Brianna be able to stick to her plan of working with her friends to win the election fairly? Or will she jump at the opportunity to steal votes from Jasmine by revealing an embarrassing secret? This hilarious, heartfelt novel will appeal to any reader with big dreams and the determination to achieve them.
Poetry. "Danielle Pafunda is a sick twist. I read her for seer and scar. She sees and scars, most especially my insides. MANHATER doesn't hate so much as it confounds. It mixes me up: finding-me-with its scathing, tight phrases, bit-off and spit-out with the kind of venom you don't manufacture because you're born-with. It finds-me-with its horrormother, a figure both ick and sympathet-ick, both grotesque and ingrown, mommydearest of nightmare and mirror. It finds-me-with its plates of illness—china and petri, 'shard and glisten'—and with its ex-lovers: weep boys and beardeds and dog ones. Always, Pafunda finds-me-with something. I'm always ashamed. And always, always I'm smiling."—Kirsten Kaschock "Danielle Pafunda is at it again, thank goodness: saying what almost no one else will say, as only she can say it. Read her for the reality check; come back for the rhetorical rocket fuel. These poems ask: Can you recognize yourself in Mommy? Can you recognize yourself in the mirror? MANHATER collects the language of the body, the body, the body. The world lurking in its pages 'expels symmetry,' 'surveys...the sunrise / barf,' invites the 'bitch seizure,' will 'shard and glisten' for you. Enter and 'wait for the tremble.'"—Evie Shockley "To read Danielle Pafunda's MANHATER is to occupy a world of exuberantly dreadful, vibrantly horrifying sentences about decay, death, 'penumbral scuzz,' and the parasites that live in the parasites that live in the basest bodies among us. In Pafunda's mantis-like narrator, I hear 'jolly worms' and 'sarcophagus parties.' I hear exhilaration in destruction, in 'gasping bodies of doom.' The speaker in these poems might destroy the love she touches, but in the process she excretes with a syntax that's dazzlingly scary: a direct delivery of humanimal emission; an infection of flesh and body; sentences that discharge what's magically repulsive in carcass, fungus, milk, blood, and goo. Here there is composition in decomposition, spasms of sparkle and rot."—Daniel Borzutzky
Describes the author's deep friendship with a mysterious intellectual who introduced her to the culture and people of El Salvador in the 1970s, a tumultuous period in the country's history, inspiring her work as an unlikely activist.