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From his early work as lyricist for West Side Story to acclaimed creations such as A Little Night Music, Sunday in the Park with George, and Sweeney Todd, Stephen Sondheim is widely regarded as the most important figure in musical theater since the second half of the 20th century. Who better to discuss this prolific artist’s work than the master himself? Sondheim on Music: Minor Details and Major Decisions is a collection of interviews conducted by Mark Eden Horowitz, senior music specialist in the music division of the Library of Congress. In these guided conversations, Sondheim expounds in great depth and detail on his craft. As a natural teacher, thoughtful and opinionated, Sondheim discusses the art of musical composition, lyric writing, the collaborative process of musical theater, and how he thinks about his own work. The entire scope of Sondheim’s career is covered here, in which Sondheim’s greatest works are discussed—from Passion, Assassins, Into the Woods, Sunday in the Park with George, Sweeney Todd, and Pacific Overtures to A Funny Thing Happened on the Way to the Forum, Merrily We Roll Along, Company, Follies, Anyone Can Whistle, and A Little Night Music. Sondheim even provides thoughts about the film adaptations of his works, such as Sweeney Todd. The book also features an entire chapter on Bounce, the previous incarnation of his latest musical, Road Show. Preserving the essential elements of the previous volumes, this edition includes all of the interviews—verbatim—and features a revised introduction and a postlude with an additional conversation. Finally in paperback, Sondheim on Music: Minor Details and Major Decisions, The Less Is More Edition is a must-have for fans of these creative genius.
Written in a straightforward manner, with complicated matters clearly explained, Stage Writers Handbook is truly a work no writer for the stage can afford to be without. Here, for the first time, Dana Singer gathers the information and ideas stage writers need to conduct their careers in a businesslike manner, with all the protections the law provides.
"This dynamic mixture of rock, calypso and ballads features a dozen singer-dancers in 20 numbers. In revue-style format, Don't Bother Me ... explores the African American experience through vibrant song and dance."--Publisher
How does a show become a major hit? What special magic goes into a production on and off Broadway that sets it above all others in instant popularity and lasting entertainment? What is it like to write for the theater?
America's premier funny man and the Tony Award-winning composer of A Chorus Line; collaborated on this hit musical; a funny, romantic show about an established composer and his relationship with an aspiring young female lyricist, not unlike Carole Bayer Sager. Professionally, their relationship works beautifully, but ultimately leads to conflict on the home front. Of course, there's a happy ending.
Fanny Brice, Irving Berlin, Jerome Kern, Barbra Streisand, Alan Menken, Stephen Sondheim--Jewish performers, composers, lyricists, directors, choreographers and producers have made an indelible mark on Broadway for more than a century. Award-winning producer Stewart F. Lane chronicles the emergence of Jewish American theater, from immigrants producing Yiddish plays in the ghettos of New York's Lower East Side to legendary performers staging massive shows on Broadway. In its expanded second edition, this historical survey includes new information and photographs, along with insights and anecdotes from a life in the theater.
The Insider's Guide to Making Money in the Music Industry. Millions dream of attaining glamour and wealth through music. This book reveals the secrets of the music business that have made fortunes for the superstars. A must-have for every songwriter, performer and musician.
Most introductory theatre textbooks are written for theatre majors and assume the student already has a considerable amount of knowledge on the subject. However, such textbooks may be counterproductive, because they reference several works that may be unfamiliar to students with limited exposure to theatre. Theatre as Human Action: An Introduction to Theatre Arts, Second Edition is designed for the college student who may be unacquainted with many plays and has seen a limited number of theatre productions. Focusing primarily on four plays, this textbook aims to inform the student about theatre arts, stimulate interest in the art form, lead to critical thinking about theatre, and prepare the student to be a more informed and critical theatregoer. In addition to looking at both the theoretical and practical aspects of theatre arts—from the nature of theatre and drama to how it reflects society—the author also explains the processes that playwrights, actors, designers, directors, producers, and critics go through. The four plays central to this book are the tragedy Macbeth, the landmark African American drama A Raisin in the Sun, the contemporary rock musical Rent, and—new to this edition—the American comedy classic You Can’t Take It with You. At the beginning of the text, each play is described with plot synopses (and suggested video versions), and then these four representative works are referred to throughout the book. This second edition also features revised chapters throughout, including expanded and updated material on the technical aspects of theatre, the role of the audience and critic,and the diversity of theatre today. Structured into nine chapters, each looking at a major area or artist—and concluding with the audience and the students themselves—the unique approach of Theatre as Human Action thoroughly addresses all of the major topics to be found in an introduction to theatre text.
From the favorites of Tin Pan Alley to today’s international blockbusters, the stylistic range required of a musical theatre performer is expansive. Musical theatre roles require the ability to adapt to a panoply of characters and vocal styles. By breaking down these styles and exploring the output of the great composers, Songwriters of the American Musical Theatre offers singers and performers an essential guide to the modern musical. Composers from Gilbert and Sullivan and Irving Berlin to Alain Boublil and Andrew Lloyd Webber are examined through a brief biography, a stylistic overview, and a comprehensive song list with notes on suitable voice types and further reading. This volume runs the gamut of modern musical theatre, from English light opera through the American Golden Age, up to the "mega musicals" of the late Twentieth Century, giving today’s students and performers an indispensable survey of their craft.