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Playing Real: Mimesis, Media, and Mischief explores the integration and interaction of mimetic theatricality and representational media in twentieth- and twenty‐first-century performance. It brings together carefully chosen sites of performance—including live broadcasts of theatrical productions, reality television, and alternate-reality gaming—in which mediatization and mimesis compete and collude to represent the real to audiences. Lindsay Brandon Hunter reads such performances as forcing confrontation between notions of authenticity, sincerity, and spontaneity and their various others: the fake, the feigned, the staged, or the rehearsed. Each site examined in Playing Real purports to show audiences something real—real theater, real housewives, real alternative scenarios—which is simultaneously visible as overtly constructed, adulterated by artifice and artificiality. The integration of mediatization and theatricality in these performances, Hunter argues, exploits the proclivities of both to conjure the real even as they risk corrupting the perception of authenticity by imbricating it with artifice and overt manipulation. Although the performances analyzed obscure boundaries separating actual from virtual, genuine from artificial, and truth from fiction, Hunter rejects the notion that these productions imperil the “real.” She insists on uncertainty as a fertile site for productive and pleasurable mischief—including relationships to realness and authenticity among both audience and participants.
In a gorgeously illustrated exploration of the art of Michael Nicoll Yahgulanaas, Mischief Making disproves any notion that play is frivolous. Deploying mischievous tactics, Yahgulanaas shines a spotlight on serious topics. As he investigates Indigenous and other worldviews, the politics of land, cultural heritage, and global ecology, his distinctive style stretches, twists, and flips the formlines of classic Haida art to create imagery that resonates with the graphic vitality of Asian manga. This engaging and beautiful book delineates the philosophical underpinnings and evolution of the artist’s visual practice, revealing his deep understanding of the seriousness of play.
Of The Many Aspects of Mobile Home Living, Martin Clark’s first novel, the New York Times Book Review wrote, “Like Nick Hornby in High Fidelity and Thomas McGuane in Nothing But Blue Skies, Clark has produced an oddly stirring portrait of a man in existential disarray.” Which–noted Malcolm Jones in Newsweek–“made me laugh so hard I fell off the sofa.” Plain Heathen Mischief ups the existential ante, as Joel King, a defrocked Baptist minister, finds life even more bedeviling once he’s served six months for a career-ending crime he might not even have committed. Now his incommunicado wife wants a divorce, the teenage vixen of his disgrace is suing him for a cool $5 million, a fresh start in Montana offers no hope for ex-cons of any religious persuasion, and the refuge provided by his sister turns as nasty as his parole officer. Talk about a crisis of faith. On the upside, a solicitous member of Joel’s former congregation invites him into a scam that could yield some desperately needed cash, and soon the down-on-his-luck preacher is involved with a flock of charming con men, crooked lawyers, and conniving youth. In a feat of bravura storytelling, Martin Clark ranges from the cross to the double cross, from Virginia to Las Vegas, from jail cells to trout streams, as he follows his Job-like hero through dubious choices and high-dollar insurance hustles to a redemption that no reader could possibly predict. Wildly imaginative, at times comic, at times profoundly sobering, and even more audacious than his wonderfully idiosyncratic debut, Plain Heathen Mischief is a spiritual revelation of the first order.
Alexander MacDonald guides us through his family’s mythic past as he recollects the heroic stories of his people: loggers, miners, drinkers, adventurers; men forever in exile, forever linked to their clan. There is the legendary patriarch who left the Scottish Highlands in 1779 and resettled in “the land of trees,” where his descendents became a separate Nova Scotia clan. There is the team of brothers and cousins, expert miners in demand around the world for their dangerous skills. And there is Alexander and his twin sister, who have left Cape Breton and prospered, yet are haunted by the past. Elegiac, hypnotic, by turns joyful and sad, No Great Mischief is a spellbinding story of family, loyalty, exile, and of the blood ties that bind us, generations later, to the land from which our ancestors came.
Good evening. I'm Inspector Carter. Take my case. This must be Charles Haversham! I'm sorry, this must've given you all a damn shock. After benefitting from a large and sudden inheritance, the inept and accident-prone Cornley Polytechnic Drama Society embark on producing an ambitious 1920s murder mystery. They are delighted that neither casting issues nor technical hitches currently stand in their way. However, hilarious disaster ensues and the cast start to crack under the pressure, but can they get the production back on track before the final curtain falls? The Play That Goes Wrong is a farcical murder mystery, a play within a play, conceived and performed by award-winning company Theatre Mischief. It was first published as a one-act play and is published in this new edition as a two-act play.
When Jessie and her older sister Kay find a book called The History of Mischief,hidden beneath the floorboards in their grandmother's house, they uncover asecret world. The History chronicles how, since antiquity, mischief-makers haveclandestinely shaped the past &– from an Athenian slave to a Polish salt miner andfrom an advisor to the Ethiopian Queen to a girl escaping the Siege of Paris. Jessiebecomes enthralled by the book and by her own mission to determine its accuracy.Soon the History inspires Jessie to perform her own acts of mischief, unofficiallybecoming mischief-maker number 202 in an effort to cheer up her eccentricneighbour, Mrs Moran, and to comfort her new schoolfriend, Theodore. However, noteverything is as it seems. As Jessie delves deeper into the real story behind theHistory, she becomes convinced her grandmother holds the key to a long-held familysecret.The History of Mischief is about the many things we do to try to escape
Arnhand, Castauriga, and Navaya lost their kings. The Grail Empire lost its empress. The Church lost its Patriarch, though he lives on as a fugitive. The Night lost Kharoulke the Windwalker, an emperor amongst the most primal and terrible gods. The Night goes on, in dread. The world goes on, in dread. The ice builds and slides southward. New kings come. A new empress will rule. Another rump polishes the Patriarchal Throne. But there is something new under the sun. The oldest and fiercest of the Instrumentalities has been destroyed--by a mortal. There is no new Windwalker, nor will there ever be. The world, battered by savage change, limps toward its destiny. And the ice is coming. Working God's Mischief is the savage, astounding new novel of The Instrumentalities of Night, by Glen Cook, a modern master of military fantasy.
It's nothing but a casual hookup. Temporary, with no strings attached. It'll be over in a few weeks, and we'll go our separate ways. What could go wrong?JessaHave you ever wished you could turn back time and do things differently? Like that one time you decided to use your ratty bra as a weapon and almost took out the eye of your dad's hot doctor? Yeah? Me, too. But my nylon ninja skills must've impressed him, because he kept coming around, heating my blood with those tight jeans and sexy smiles.As hard as I tried, I couldn't resist him. So I decided to make a deal. A few weeks of fun, then we'd go our separate ways.RafeMy life was perfect-just the way I wanted it. Or at least it was until the day I met Jessa Maddox. Beautiful and feisty, I couldn't get her out of my head, and I kept making excuses just to be near her. When neither of us could deny our attraction for another moment, we made a bargain.No strings. No commitments. Just a cool and casual fling that would run its course before Jessa headed back home and out of my life, for good.It was the perfect situation...until it wasn't.And I needed to figure out what I really wanted, because Jessa Maddox was no "here today, gone tomorrow" hookup. She was just what the doctor ordered.Playing with the Doctor is book one in the Milestone Mischief Series. It is a hot standalone novel with no cliffhanger.
Tonight Neverland is fleshed out with plenty of plant life, certainly bettering 2011's production of Jack and the Bean-Cactus. So, with no further ado, please put your hands together for J.M. Barrie's Christmas classic: Peter Pan! The inept and accident-prone Cornley Polytechnic Drama Society set out to present J.M. Barrie's classic tale of Peter Pan, their most audacious production to date. Flying? Pyrotechnics? Sharp hooks? What ensues is two acts of hysterical disaster. You'll laugh, they'll cry. Something so wrong has never been so right. From the mischievous minds of the West End and Edinburgh hit The Play That Goes Wrong comes this highly original, chaos-filled re-telling of J.M. Barrie's much-loved classic. Peter Pan Goes Wrong received its world premiere at the Pleasance Theatre, London, on 10 December 2013.
A compelling war novel, as seen by women, sheds light on the current Iraq conflict.