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Playing the Farmer reinvigorates our understanding of Vergil’s Georgics, a vibrant work written by Rome’s premier epic poet shortly before he began the Aeneid. Setting the Georgics in the social context of its day, Philip Thibodeau for the first time connects the poem’s idyllic, and idealized, portrait of rustic life and agriculture with changing attitudes toward the countryside in late Republican and early Imperial Rome. He argues that what has been seen as a straightforward poem about agriculture is in fact an enchanting work of fantasy that elevated, and sometimes whitewashed, the realities of country life. Drawing from a wide range of sources, Thibodeau shows how Vergil’s poem reshaped agrarian ideals in its own time, and how it influenced Roman poets, philosophers, agronomists, and orators. Playing the Farmer brings a fresh perspective to a work that was praised by Dryden as "the best poem by the best poet."
Addressing the concerns of parents worried about the amount of time children spend in front of a TV or computer screen, a family-friendly resource introduces more than seven hundred games and variations for every age group, including craft projects, music activities, games, and many other types of activities. Simultaneous.
Motivated variously by the desire to reject consumerism, to live closer to the earth, to embrace voluntary simplicity, or to discover a more spiritual path, homesteaders have made the radical decision to go "back to the land," rejecting modern culture and amenities to live self-sufficiently and in harmony with nature. Drawing from vivid firsthand accounts as well as from rich historical material, this gracefully written study of homesteading in America from the late nineteenth century to the present examines the lives and beliefs of those who have ascribed to the homesteading philosophy, placing their experiences within the broader context of the changing meanings of nature and religion in modern American culture. Rebecca Kneale Gould investigates the lives of famous figures such as Henry David Thoreau, John Burroughs, Ralph Borsodi, Wendell Berry, and Helen and Scott Nearing, and she presents penetrating interviews with many contemporary homesteaders. She also considers homesteading as a form of dissent from consumer culture, as a departure from traditional religious life, and as a practice of environmental ethics.
Like nature itself, modern economic life is driven by relentless competition and unbridled selfishness. Or is it? Drawing on converging evidence from neuroscience, social science, biology, law, and philosophy, Moral Markets makes the case that modern market exchange works only because most people, most of the time, act virtuously. Competition and greed are certainly part of economics, but Moral Markets shows how the rules of market exchange have evolved to promote moral behavior and how exchange itself may make us more virtuous. Examining the biological basis of economic morality, tracing the connections between morality and markets, and exploring the profound implications of both, Moral Markets provides a surprising and fundamentally new view of economics--one that also reconnects the field to Adam Smith's position that morality has a biological basis. Moral Markets, the result of an extensive collaboration between leading social and natural scientists, includes contributions by neuroeconomist Paul Zak; economists Robert H. Frank, Herbert Gintis, Vernon Smith (winner of the 2002 Nobel Prize in economics), and Bart Wilson; law professors Oliver Goodenough, Erin O'Hara, and Lynn Stout; philosophers William Casebeer and Robert Solomon; primatologists Sarah Brosnan and Frans de Waal; biologists Carl Bergstrom, Ben Kerr, and Peter Richerson; anthropologists Robert Boyd and Michael Lachmann; political scientists Elinor Ostrom and David Schwab; management professor Rakesh Khurana; computational science and informatics doctoral candidate Erik Kimbrough; and business writer Charles Handy.
On Fridays in the fall, a fog rises from Nancy Creek behind Marist School's Hughes Spalding Stadium and floats across the football field. The apparition, called "the Ghosts of Marist Football," represents the Great Spirit of Marist High School, a school Sports Illustrated ranked number fifteen in its list of top athletic programs in the country. The War Eagle tradition boasts more than six hundred victories, a trophy case filled with championships and thirty straight years of playoff appearances in Georgia high school football, all while playing much larger schools. Join author and Marist alumnus Franklin Cox for three years inside the Spartan-esque tradition and learn why no team dares allow itself to dishonor the glorious roll call of War Eagle history.