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“I love Kat Latham’s London Legends series—the rugby players are hot, the emotion is hard-hitting and the sex is sizzling!” —Molly O’Keefe, RITA award-winning and bestselling author Book Two of the London Legends Rugby Club With his toughest-ever season starting soon, professional rugby player Liam Callaghan needs time out of the spotlight to rest and grieve his mother’s recent death. Vacationing incognito in Venezuela protects his identity. It does nothing to protect his heart when he meets pink-haired dynamo Tess Chambers. Impulse control has never been Tess’ strong suit. A professional disaster has made her a tabloid target. She escapes to an eco-lodge on Venezuela’s Caribbean coast to let things cool off. Instead, the steamy nights lead to a steamy one-night stand. Though he’s lied about his name—and so has she—Tess knows exactly who her lover is. It’s impossible not to recognize the sexy London Legends captain when she’s a huge fan. Returning to London, Liam’s shocked to discover Tess works for his team’s new sponsor—a job that requires them to spend lots of time together. They’re both playing it close to the chest, but Tess is the one woman who’s ever left Liam wanting more. They’ve already lied to each other once. Can they overcome the secrets of the past so they can score a future? “I laughed out loud on several occasions and found myself reading with a smile plastered on my face.” —Give Me Books Please note: This book was originally published in 2014 but has been re-published with no changes to the story.
You could argue that Dennis Amiss' seven-decade cricket career started the day he was born, when his parents named him after not one but two celebrated cricketers. Or maybe it started when he was 7, sneaking into the Birmingham Cooperative Society to play a few matches with his friends – as long as they avoided the groundskeeper! Or perhaps it was on 7 April 1958; not only his fifteenth birthday, but also his first day as a professional cricketer. Whatever day you start on, there's no denying that Amiss has had an extraordinary career. He is one of England's cricketing greats, with 100 first-class hundreds to his name and a place as one of Wisden's Cricketers of the Year. Hugely well-respected on and off the pitch, he didn't shy away from controversy, taking part in the 1982 'Rebel Tour' of Apartheid South Africa, and somehow ending up in the midst of the battle between World Series Cricket and the England Cricket Board. Not Out at Close of Play is the story of how passion, commitment and practice – and no small amount of stubbornness! – took a boy from the backstreets of Birmingham to worldwide cricket stardom.
In this allegorical excursion, William Walcott explores the intersections between United States politics and the game of cricket in a book reminiscent of C. L. R. James's classic Beyond a Boundary. In Close of Play, Walcott highlights the careers of former US president Barack Obama and the Trinidadian cricket and cultural phenom Brian Lara-one of the greatest batsmen of all time, who Obama once called "e;the Michael Jordan of cricket."e; Readers are invited to explore the parallel poetics of politics and sport through the life and words of these luminaries, both of whom promised to deliver far-reaching social change yet found themselves "e;on the back foot."e; In his analysis, Walcott delves into matters of Caribbean and American identity, political leadership, oratory, and the blending of cricket vocabulary into political commentary. He also challenges us to understand the sociological links between international sport, socio-economic inequality, and racial politics. This book is a fascinating journey into the world of global sociopolitical life and the curiosities of language embedded in cricket and political play, both of which constitute enormous sectors within a multibillion dollar "e;sticky wicket"e; of transnational capitalism.
THE STORY: It is characteristic of Simon Gray to place a witty, intellectual hero center stage, and then systematically and ruthlessly reveal the barrenness of his soul and spirit. In CLOSE OF PLAY (the title is a cricket term) the central figure i
The number 1 bestseller in paperback. One of the greatest cricketers of all time, Ricky Ponting boasts more records than any other player in Australian history including the most wins as a player and a captain, as well as being Australia's highest run-scorer in test and ODI cricket. From childhood prodigy to the highs and lows of an extraordinary international career, At the Close of Play is the remarkable autobiography of one of the game's greats. But beyond the triumphs and scandals, records and retirement, this is the story of a life lived in cricket and of a life shaped by extraordinary talent and the people who believed in that talent.
Look What I Dun is the story of Slade told through the eyes of drummer Don Powell whose life was shattered when, in 1973 at the height of the group s fame, he was involved in a horrific car crash. Unflinching in his honesty, Powell deals frankly with the aftermath of the accident that took the life of his girlfriend and left him with injuries that affect him to this day. Leaders of the glam rock movement, Slade were the UK s biggest singles band in the years 1971-74. Their many hits have become rock n roll standards, not least Merry Christmas Everybody , arguably Britain s all-time favourite Christmas song. For Don Powell, though, success came at a price. Lucky to survive, the aftermath of his accident included alcoholism, financial woes and a life of reckless promiscuity. Now sober and settled in Denmark with an adopted family of his own, Don Powell s story as told to Lise Lyng Falkenberg is a no-nonsense journey to the heights and depths of the rock world.
With a detailed range of approaches, this new collection investigates how cinematic narratives can and have been used to portray different political 'threats' and 'dangers'. Including a range of chapters with a contemporary focus, it studies issues such as: how the geopolitical world has been constructed through film how cinema can provide explanatory narratives in periods of cultural and political anxiety, uneasiness and uncertainty. Examining the ways in which film impacts upon popular understandings of national identity and the changing geopolitical world, the book looks at how audiences make sense of the (geo)political messages and meanings contained within a variety of films - from the US productions of Hollywood, to Palestinian, Mexican, British, and German cinematic traditions. This thought-provoking book draws on an international range of contributions to discuss and fully investigate world cinema in light of key contemporary issues. This book was previously published as a special issue of Geopolitics.