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Read the storybook, press out the characters and fold out the building with each of these brand new interactive titles. As well as promoting traditional reading, children can let their imaginations run free as they use the card press-outs and playmat to create their own adventures at a farm, castle and fire station.
Created by the highly acclaimed paper engineer Corina Fletcher and brought to life through vibrant and detailed pictures from the hugely talented Britta Teckentrup. This brilliant and ingenious novelty package comprises a pop-up storybook, which then unfolds and transforms into a 3D castle playmat revealing an entire medieval word. Also with cut-out knights and animals for added fun in the forest setting! Then fold it away and store it in its own box-style slipcase - perfect portable fun for journeys, playdates and bedtime too.
New York Times bestseller Mike Lupica tackles football! Will Tyler may not be the biggest running back around, but no one can touch him when it comes to hitting the hole and finding the end zone. And no one can match his love of the game. When Will has a football in his hand, life can't touch him--his dad isn't so defeated, his town isn't so poor, and everyone has something to cheer for. All of which does him no good if the football season is canceled. With no funding for things like uniforms and a well-maintained playing field, with every other family moving to find jobs, there just isn't enough money or players for a season. It's up to Will to rally the town and give everyone a reason to believe . . .
What would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts - page numbers and running heads, copyright statements and errata lists - each possessed of particular conventions, each with their own lively histories. To consider these paratexts - recalling them from the margins, letting them take centre stage - is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections0that are solely directed at others - binders, librarians, lawyers - parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience's ear-shot. 0'Book Parts' is a bold and imaginative intervention in the fast growing field of book history: it pulls the book apart. Over twenty-two chapters, 'Book Parts' tells the story of the components of the book: from title pages to endleaves; from dust jackets to indexes-and just about everything in between. 'Book Parts' covers a broad historical range that runs from the pre-print era to the digital, bringing together the expertise of some of the most exciting scholars working on book history today in order to shine a new light on these elements hiding in plain sight in the books we all read.
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