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This book demonstrates the complex unity of Plato's Gorgias, showing how seemingly disparate themes are woven together.
The struggle which Plato has Socrates recommend to his interlocutors in Gorgias - and to his readers - is the struggle to overcome the temptations of worldly success and to concentrate on genuine morality. Ostensibly an enquiry into the value of rhetoric, the dialogue soon becomes an investigation into the value of these two contrasting ways of life. In a series of dazzling and bold arguments, Plato attempts to establish that only morality can bring a person true happiness, and to demolish alternative viewpoints. It is not suprising that Gorgias is one of Plato's most widely read dialogues. Philosophers read it for its coverage of central moral issues; others enjoy its vividness, clarity and occasional bitter humour. This new translation is accompanied by explanatory notes and an informative introduction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Phaedrus, written by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. The Phaedrus was presumably composed around 370 BC, about the same time as Plato's Republic and Symposium.
"Plato's Gorgias takes on the immortal themes of power, persuasion, and virtue. In ancient Athens, tremendous power lay in the ability to persuade, the art known as rhetoric. In this dialogue, Plato's teacher Socrates visits Gorgias, an eminent rhetorician, to question him about his profession and what is ultimately achieved by it. The discussion then turns to power and where it truly lies, and ends with a passionate argument by Socrates in favor of justice as the ultimate social virtue. Rooted in the classical worldview, Gorgias is a work which nevertheless remains deeply resonant today.
Plato's Gorgias depicts a conversation between Socrates and a number of guests, which centers on the question of how one should live. This "choice of lives" is presented both as a choice between philosophy and ordinary political rhetoric, and as a choice between justice and injustice. The essays in this Critical Guide offer detailed analyses of each of the main candidates in the choice of lives, and of how the advocates for these ways of life understand and argue with each other. Several essays also relate the Gorgias to the philosophical and political context of its time and place. Together, these features of the volume illuminate the interpretive issues in the Gorgias and enable readers to achieve a thorough understanding of the philosophical issues which the work raises.
Gorgias of Leontini, a famous teacher of rhetoric, has come to Athens to recruit students, promising to teach them how to become leaders in politics & business. A group has gathered at Callicles' house to hear Gorgias demonstrate the power of his art. This dialogue blends comic & serious discussion of the best human life, providing a penetrating examination of ethics
In recent years, most political theorists have agreed that shame shouldn't play any role in democratic politics because it threatens the mutual respect necessary for participation and deliberation. But Christina Tarnopolsky argues that not every kind of shame hurts democracy. In fact, she makes a powerful case that there is a form of shame essential to any critical, moderate, and self-reflexive democratic practice. Through a careful study of Plato's Gorgias, Tarnopolsky shows that contemporary conceptions of shame are far too narrow. For Plato, three kinds of shame and shaming practices were possible in democracies, and only one of these is similar to the form condemned by contemporary thinkers. Following Plato, Tarnopolsky develops an account of a different kind of shame, which she calls "respectful shame." This practice involves the painful but beneficial shaming of one's fellow citizens as part of the ongoing process of collective deliberation. And, as Tarnopolsky argues, this type of shame is just as important to contemporary democracy as it was to its ancient form. Tarnopolsky also challenges the view that the Gorgias inaugurates the problematic oppositions between emotion and reason, and rhetoric and philosophy. Instead, she shows that, for Plato, rationality and emotion belong together, and she argues that political science and democratic theory are impoverished when they relegate the study of emotions such as shame to other disciplines.
This is a modern, annotated translation of antiquity's only extant commentary on Plato's moral and political dialogue "Gorgias," in which the author defends ancient Greek philosophy and culture at a time when Christianity has almost replaced it. The first translation into any modern language of a central work in Platonic studies is accompanied by annotations which guide the reader in understanding the obscurities of the text, an introduction to the main issues raised by it, and a bibliography of the modern literature.
What is rhetoric? Is it the capacity to persuade? Or is it 'mere' rhetoric: the ability to get others to do what the speaker wants, regardless of what they want? Robert Wardy uses Gorgias at the centre of this book and the debate.
This Critical Guide offers detailed analysis of all parts of Plato's Gorgias, together with diverse perspectives on its advocacy of a philosophical, just life as against a life of rhetoric and injustice.