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Whether wildly or wryly funny, each poem in Phoebe Stuckes' debut presents an episode in the up-and-down life of a wise-cracking party girl inhabiting a world of dancefloors and bathrooms, but beneath the laughter and antics these are self-questioning poems about self-belief, self-image, vulnerability, insecurity, loneliness, trauma and survival.
This volume brings together the full contents of Prufrock and Other Observations (1917), Poems (1920), and The Waste Land (1922), together with an informative introduction and a selection of background materials. Included as well are two of Eliot’s most influential essays, “Tradition and the Individual Talent” (1919) and “The Metaphysical Poets” (1921). As with other volumes in this series, the material appearing here is for the most part drawn from The Broadview Anthology of British Literature, acclaimed as “the new standard” in the field. Appendices include a wide range of contextual materials pertaining to Modernism; writings by Ezra Pound, H.D., and Mina Loy; reviews of The Waste Land; art by Wyndham Lewis; and excerpts from essays by Virginia Woolf and others.
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My inspiration comes from my alumni at The University of Virginia, along with my six sisters: Bernita, Gail, Donna, Venus, DeNichole and last but not least, Wanda! Thank you from the bottom of my heart.
Exploring the work of T.S. Eliot, T.E. Hulme and Ezra Pound - this book offers invaluable insight into the modernist movement and demonstrates the impact of these influential theorists on the shape and value of English Literature.
Winner of the Lewis P. Simpson Award In Becoming Poetry, Jay Rogoff closely inspects the work of two dozen poets, his forebears and his contemporaries, to reveal how their poetry achieves its impact upon readers. His essays, drawn from more than twenty years of literary criticism, explore how the staying power of a poet’s work and the likelihood of its enjoying a lasting identification with its creator depend on the skilled manipulation of poetic technique. Considering how poetry can manifest a vividly conceived world of feeling and sensation, Rogoff maintains that we understand and evaluate poets by the sum of their most persuasive inventive strategies, including their attention to form. The poet, finally, constructs a uniquely imagined universe and thus, in the minds of readers, becomes the poetry. A model of practical criticism, intended for enthusiasts at all levels, Becoming Poetry demystifies how poetry operates on its audience to create a virtual, affective experience of lasting power and value.
The Companion combines a broad grounding in the essential texts and contexts of the modernist movement with the unique insights of scholars whose careers have been devoted to the study of modernism. An essential resource for students and teachers of modernist literature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the most distinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and art Features 25 essays on the signal texts of modernist literature, from James Joyce’s Ulysses to Zora Neal Hurston’s Their Eyes Were Watching God Pays close attention to both British and American modernism
"The poems, . . . some of the poetic drama (particularly Sweeney Agonistes), and relevant sections of prose criticism, are discussed in detail and placed in relation to the development of Eliot's oeuvre, and more briefly to his life and a wider context of philosophical and religious enquiry" --Introduction.
Like a voyage to the Portuguese islands of the title, the poems in Azores arrive at their striking and hard-won destinations over the often-treacherous waters of experience--a man mourns the fact that he cannot not mourn, a father warns his daughter about harsh contingency, an unnamed visitor violently disrupts a quiet domestic scene.