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An illustrated guide, with plans, for creating planters, containers and raised garden beds.
Many historians of late have portrayed upper-class southerners of the antebellum period as inordinately aristocratic and autocratic. Some have even seen in the planters’ family relations the faint yet distinct shadow of a master’s dealings with his slaves. Challenging such commonly held assumptions about the attitudes and actions of the pre-Civil War southern elite, Jane Turner Censer draws on an impressive array of primary and secondary sources—including letters, diaries, and other first-person accounts as well as federal census materials and local wills, deeds, and marriage records—to show that southern planters, at least in their relations with their children, were caring, affectionate, and surprisingly egalitarian. Through the close study of more than one hundred North Carolina families, she reveals the adults to have been doting parents who emphasized to their children the importance of education and achievement and the wise use of time and money. The planters guided their offspring toward autonomy by progressively granting them more and more opportunities for decision making. By the time sons and daughters were faced with choosing a marriage partner, parents played only a restrained advisory role. Similarly, fathers left career decisions almost entirely up to their sons. Censer concludes that children almost invariably met their parents’ high expectations. Most of them chose to marry within their class, and the second generation usually maintained or improved their parents’ high economic status. On the other hand, Censer finds that planters rarely developed warm, empathetic relationships with their slaves. Even the traditional “mammy,” whose role is southern planter families was been exalted in much of our literature, seems to have held a relatively minor place in the family structure. Bringing to light a wealth of previously unassimilated information, North Carolina Planters and Their Children points toward a new understanding of social and cultural life among the wealthy in the early nineteenth-century South.
A step-by-step guide that gives any gardener all the information needed to make garden furnishings that are both simple and beautiful. This book includes 50 complete plans for trellises, raised beds, planters, window boxes, and just about any imaginable project you can make to train and display plants in your garden and around your home. Featured projects are created using a host of easily found materials, including wood, metal, hypertufa, upcycled barrels, clay pots, sticks, latticework, copper tubing, re-rod, wire, landscape timbers, retaining wall block, and natural stone. Each plan includes photographs, a scaled plan drawing, cutting and shopping lists, and thorough step-by-step instructions.
Classic Garden Style is all about the decorative, ornamental details that make a garden an extension of the home-an additional room with a variety of purposes. The book begins with a wide variety of containers and supports, including urns, terra cotta pots, zinc containers, trellises, pergolas, and other visual devices you can use to add height and depth to any garden space. Every garden needs a place to sit, and garden furniture-from table and chair sets to hammocks, settees, folding chairs, and other elements that invite seating, reclining, or entertaining-are covered in detail. Accessories of a practical nature come next. The items highlighted here, from birdbaths, baskets, cloches, and greenhouses to watering cans, lamps, and more, have some practical use in the garden in addition to adding visual interest. Strictly ornamental elements inject a sense of whimsy or art into the garden and range from garden gnomes to obelisks, statues, and fountains. This book catalogues many different types of ornament and decoration you can use to transform an ordinary garden into an exciting and comfortable outdoor room that extends the living space of your home. "
Robert Stafford of Cumberland Island offers a rare glimpse into the life and times of a nineteenth-century planter on one of Georgia's Sea Islands. Born poor, Robert Stafford (1790-1877) became the leading planter on his native Cumberland Island. Specializing in the highly valued long staple variety of cotton, he claimed among his assets more than 8,000 acres and 350 slaves. Mary R. Bullard recounts Stafford's life in the context of how events from the Federalist period to the Civil War to Reconstruction affected Sea Island planters. As she discusses Stafford's associations with other planters, his business dealings (which included banking and railroad investments), and the day-to-day operation of his plantation, Bullard also imparts a wealth of information about cotton farming methods, plantation life and material culture, and the geography and natural history of Cumberland Island. Stafford's career was fairly typical for his time and place; his personal life was not. He never married, but fathered six children by Elizabeth Bernardey, a mulatto slave nurse. Bullard's discussion of Stafford's decision to move his family to Groton, Connecticut--and freedom--before the Civil War illuminates the complex interplay between southern notions of personal honor, the staunch independent-mindedness of Sea Island planters, and the practice and theory of racial separation. In her afterword to the Brown Thrasher edition, Bullard presents recently uncovered information about a second extralegal family of Robert Stafford as well as additional information about Elizabeth Bernardey's children and the trust funds Stafford provided for them.