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The first months of London’s Great Plague of 1665 give no hope of any improvement, only an ominous warning of worse to come. Those who can are fleeing the city. Those who can’t – the poor, the old, and a dedicated few – must stay to face the growing danger. The ancient women of the parish of St Cyneswide and St Tibba, the Searchers, Viewers and Keepers, who have weathered the disappearance of one of their own, face further calls on their courage and resilience. The plot against the King simmers, supported by folk of fire and faith, dismissed by others as the work of fanatics. There are those who will stop at nothing and threaten the whole city. But … the parish still finds solace in singing; small children play their joyous, sometimes fractious, street games; and young people find each other. Volume 2 of Plague Searchers – Flee quick, go far – continues this gripping tale with its friendships and feuds, songs and psalms, plots and betrayals. ‘The product of capacious knowledge, a sharp, affectionate eye and a well-tuned ear, this book is a reel through the stinks and miasmas of plague-stricken London in the company of reflective, funny, fatalistic souls from another time entirely, who are also – mysteriously, deliriously – us. This is a classic.’ – Janita Cunnington, author of The River House and Child of Mine ‘The Searchers walk the streets with their red wands, seeking out sufferers of the plague. Rob Wills brings these forgotten women of history to dramatic life in his vast sweep of a novel, full of character and intrigue. If you like Hilary Mantel, you’ll love this.’ – Bronwen Levy, writer and critic To find out more about “Plague Searchers” – the people, the politics, the songs, the sources – you’ll find a wealth of information on the website: Plaguesearchers.com
It is 1665 and London faces two deadly threats – the devastating plague, and dangerous rumblings of a rebellion against the King, Charles II. In the frontline of the plague, the ‘first responders’, are the ancient women of the parish: the Viewers, Keepers and Searchers, who must deal with the sick, the dying and the dead. Political and religious differences split the city. Some yearn for the days of Oliver Cromwell and the Puritan Commonwealth, others rejoice in the pleasure loving King’s return. A tale of friendships and feuds, songs and psalms, plots and betrayals, this exciting and original novel paints a rich picture of life – and death – in the perilous streets of plague-struck London. ‘The product of capacious knowledge, a sharp, affectionate eye and a well-tuned ear, this book is a reel through the stinks and miasmas of plague-stricken London in the company of reflective, funny, fatalistic souls from another time entirely, who are also – mysteriously, deliriously – us. This is a classic.’ – Janita Cunnington, author of The River House and Child of Mine ‘The Searchers walk the streets with their red wands, seeking out sufferers of the plague. Rob Wills brings these forgotten women of history to dramatic life in his vast sweep of a novel, full of character and intrigue. If you like Hilary Mantel, you’ll love this.’ – Bronwen Levy, writer and critic To find out more about “Plague Searchers” – the people, the politics, the songs, the sources – you’ll find a wealth of information on the website: Plaguesearchers.com
Editor Joseph P. Byrne, together with an advisory board of specialists and over 100 scholars, research scientists, and medical practitioners from 13 countries, has produced a uniquely interdisciplinary treatment of the ways in which diseases pestilence, and plagues have affected human life. From the Athenian flu pandemic to the Black Death to AIDS, this extensive two-volume set offers a sociocultural, historical, and medical look at infectious diseases and their place in human history from Neolithic times to the present. Nearly 300 entries cover individual diseases (such as HIV/AIDS, malaria, Ebola, and SARS); major epidemics (such as the Black Death, 16th-century syphilis, cholera in the nineteenth century, and the Spanish Flu of 1918-19); environmental factors (such as ecology, travel, poverty, wealth, slavery, and war); and historical and cultural effects of disease (such as the relationship of Romanticism to Tuberculosis, the closing of London theaters during plague epidemics, and the effect of venereal disease on social reform). Primary source sidebars, over 70 illustrations, a glossary, and an extensive print and nonprint bibliography round out the work.
Just as today’s embrace of the digital has sparked interest in the history of print culture, so in eighteenth-century Britain the dramatic proliferation of print gave rise to urgent efforts to historicize different media forms and to understand their unique powers. And so it was, Paula McDowell argues, that our modern concepts of oral culture and print culture began to crystallize, and authors and intellectuals drew on older theological notion of oral tradition to forge the modern secular notion of oral tradition that we know today. Drawing on an impressive array of sources including travel narratives, elocution manuals, theological writings, ballad collections, and legal records, McDowell re-creates a world in which everyone from fishwives to philosophers, clergymen to street hucksters, competed for space and audiences in taverns, marketplaces, and the street. She argues that the earliest positive efforts to theorize "oral tradition," and to depict popular oral culture as a culture (rather than a lack of culture), were prompted less by any protodemocratic impulse than by a profound discomfort with new cultures of reading, writing, and even speaking shaped by print. Challenging traditional models of oral versus literate societies and key assumptions about culture’s ties to the spoken and the written word, this landmark study reorients critical conversations across eighteenth-century studies, media and communications studies, the history of the book, and beyond.
"Thus did they nurse their folly, as the good wife of Tam O'Shanter did her wrath, to keep it warm."Extraordinary Popular Delusions and the Madness of Crowds is a study by Scottish journalist and writer Charles MacKay, first published in 1841. The work was originally published in three volumes, titled "National Delusions," "Peculiar Follies," and "Philosophical Delusions." Exploring human susceptibility to fads, hysteria, scams, crazes, and schemes through the centuries, this is a fascinating and enjoyable romp through history, covering such diverse events as the Crusades, the Witch Hunt mania of the 16th and 17th centuries, through to the South Sea Bubble and Tulip Fever of the 18th century. Entertaining and informative, this study of human folly continues to powerfully resonate in our modern age.
The late D. F. McKenzie worked on this comprehensive edition of the works of the playwright, poet, librettist, and novelist William Congreve for more than twenty years, until his sudden death in 1999. This was a task he had taken over from Herbert Davis, to whom this edition is dedicated. During that time McKenzie uncovered new verse and letters, collated Congreve's texts, recorded their complicated textual history, constructed appendices that shed light on the dramatic context in which Congreve worked, and examined how his contemporaries received Congreve's work. More importantly, McKenzie has convincingly re-evaluated Congreve's works and life to transform our image of the man and his reputation. McKenzie here follows the editorial practice suggested in two early editions of the Works published by Congreve's friend, the bookseller Jacob Tonson, in 1710 and 1719. These three volumes follow a plan similar to that in the Tonson edition, with The Old Batchelor, The Double-Dealer, and Love for Love collected in the first, a central volume with The Way of the World, and a final volume with Congreve's novel Incognita, some of his prose works, letters, and later verse. In each case, Congreve's work is left to speak for itself, unencumbered by intrusive notes, textual apparatus, or collations, which are gathered instead near the end of each volume. This edition will be an invaluable resource for scholars for many years to come. It is a monument to McKenzie's own scholarship as well as to the integrity of William Congreve.
This is the first complete edition of the works of William Congreve (1670-1729), one of Britain's most important literary figures. The texts of the plays, novel, poetry, opera, and letters are presented in original spelling. The editor, D.F. McKenzie, has added his own thorough notes at the end of each volume.