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Will Croft Barnes (1858-1937) first came to Arizona as a cavalryman and went on to become a rancher, state legislator, and conservationist. From 1905 to 1935, his travels throughout the state, largely on horseback, enabled him to gather the anecdotes and geographical information that came to constitute Arizona Place Names. For this first toponymic encyclopedia of Arizona, Barnes compiled information from published histories, federal and state government documents, and reminiscences of "old timers, Indians, Mexicans, cowboys, sheep-herders, historians, any and everybody who had a story to tell as to the origin and meaning of Arizona names." The result is a book chock full of oddments, humor, and now-forgotten lore, which belongs on the night table as well as in the glove compartment. Barnes' original Arizona Place Names has become a booklover's favorite and is much in demand. The University of Arizona Press is pleased to reissue this classic of Arizoniana, which remains as useful and timeless as it was more than half a century ago.
The indispensable traveler's guide to the history of places throughout the Land of Enchantment.
Will Croft Barnes (1858–1937) first came to Arizona as a cavalryman and went on to become a rancher, state legislator, and conservationist. From 1905 to 1935, his travels throughout the state, largely on horseback, enabled him to gather the anecdotes and geographical information that came to constitute Arizona Place Names. For this first toponymic encyclopedia of Arizona, Barnes compiled information from published histories, federal and state government documents, and reminiscences of "old timers, Indians, Mexicans, cowboys, sheep-herders, historians, any and everybody who had a story to tell as to the origin and meaning of Arizona names." The result is a book chock full of oddments, humor, and now-forgotten lore, which belongs on the night table as well as in the glove compartment. Barnes' original Arizona Place Names has become a booklover's favorite and is much in demand. The University of Arizona Press is pleased to reissue this classic of Arizoniana, which remains as useful and timeless as it was more than half a century ago.
Stories behind the names of the fabulous sights in Arizona's famous National Park.
NATIONAL BESTSELLER • "James and Deborah Fallows have always moved to where history is being made.... They have an excellent sense of where world-shaping events are taking place at any moment" —The New York Times • The basis for the HBO documentary streaming on HBO Max For five years, James and Deborah Fallows have travelled across America in a single-engine prop airplane. Visiting dozens of towns, the America they saw is acutely conscious of its problems—from economic dislocation to the opioid scourge—but it is also crafting solutions, with a practical-minded determination at dramatic odds with the bitter paralysis of national politics. At times of dysfunction on a national level, reform possibilities have often arisen from the local level. The Fallowses describe America in the middle of one of these creative waves. Their view of the country is as complex and contradictory as America itself, but it also reflects the energy, the generosity and compassion, the dreams, and the determination of many who are in the midst of making things better. Our Towns is the story of their journey—and an account of a country busy remaking itself.
How many place names are there in the Hawaiian Islands? Even a rough estimate is impossible. Hawaiians named taro patches, rocks, trees, canoe landings, resting places in the forests, and the tiniest spots where miraculous events are believed to have taken place. And place names are far from static--names are constantly being given to new houses and buildings, streets and towns, and old names are replaced by new ones. It is essential, then, to record the names and the lore associated with them now, while Hawaiians are here to lend us their knowledge. And, whatever the fate of the Hawaiian language, the place names will endure. The first edition of Place Names of Hawaii contained only 1,125 entries. The coverage is expanded in the present edition to include about 4,000 entries, including names in English. Also, approximately 800 more names are included in this volume than appear in the second edition of the Atlas of Hawaii.
In Mexico’s western Sonoran Desert along the Gulf of California is a place made extraordinary by the desert solitude, the dynamic sea, and the people who live there—the Seris. Central to the lives of these people are the sea and its shores. Shells on a Desert Shore describes the Seri knowledge of mollusks and includes names, folklore, history, uses, and much more. Cathy Moser Marlett’s research of several decades, conducted in the Seri language, builds on work begun in 1951 by her parents, Edward and Becky Moser. The language, spoken by fewer than a thousand people today, is considered endangered. Marlett presents what she has learned from Seri consultants over recent decades and also draws from her own childhood experiences while living in a Seri village. The information from the people who had lived as hunter-gatherers provides a window into a lifestyle no longer recalled from personal experience by most Seris today—and perhaps a window into the lives of other peoples who made the Gulf’s shores their home. The book offers a wealth of information about Seri history, as well as species accounts of more than 150 mollusks from the Seri area on the central Gulf coast. Chapters describe how the people ate mollusks or used them medicinally, how the mollusks were named, and how their shells were used. The author provides several hundred detailed drawings and photographs, many of them archival. Shells on a Desert Shore is a fresh, original presentation of a significant part of the Seri way of life. Unique because it is written from the perspective of a participant in the Seri culture, the book will stand as a definitive, irreplaceable work in ethnography, a time capsule of the Seri people and their connection to the sea.
In his second book of narrative, lyric poetry, Richard Blanco explores the familiar, unsettling journey for home and connections, those anxious musings about other lives: ÒShould I live here? Could I live here?Ó Whether the exotic (ÒIÕm struck with Maltese fever ÉI dream of buying a little Maltese farmÉ) or merely different (ÒToday, home is a cottage with morning in the yawn of an open windowÉÓ), he examines the restlessness that threatens from merely staying put, the fear of too many places and too little time. The words are redolent with his Cuban heritage: Marina making mole sauce; T’a Ida bitter over the revolution, missing the sisters who fled to Miami; his father, especially, Òhis hair once as black as the black of his oxfordsÉÓ Yet this is a volume for all who have longed for enveloping arms and words, and for that sanctuary called home. ÒSo much of my life spent like this-suspended, moving toward unknown places and names or returning to those I know, corresponding with the paradox of crossing, being nowhere yet here.Ó Blanco embraces juxtaposition. There is the Cuban Blanco, the American Richard, the engineer by day, the poet by heart, the rhythms of Spanish, the percussion of English, the first-world professional, the immigrant, the gay man, the straight world. There is the ennui behind the question: why cannot I not just live where I live? Too, there is the precious, fleeting relief when he can write "ÉI am, for a moment, not afraid of being no more than what I hear and see, no more than this:..." It is what we all hope for, too.