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2012 Poetry Midwest Booksellers Choice Award winner "[Todd Boss] can make any rhyme feel like a concealed weapon." —Sherman Alexie With poems about loss, home, marriage, and the inner music of our lives, Pitch is a series of variations on an overturned piano. By turns bright and dark like the keys on a keyboard, these poems demonstrate the range of one of contemporary poetry’s most musical poets, a master of internal rhyme. from “Overtures on an Overturned Piano” . . . our hi-beams played across the gleaming bed of snowdrifted bramble where it lay, moaning chaotically . . .
In Pitch Dark Anarchy, Randall Horton returns with renewed intensity to the themes that animated his acclaimed collections The Definition of Place and The Lingua Franca of Ninth Street. An extended meditation on the legacy of slavery and the Amistad rebellion serves as a kind of prefatory note, while the body of the text confronts contemporary issues of racial identity and urban decay.
Bernstein, a leading voice in American literary theory, writes an irreverent guide to modernist and contemporary poetics.
Praised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in the New York Times, Charles Bernstein is a leading voice in American literary theory. Pitch of Poetry is his irreverent guide to modernist and contemporary poetics. Subjects range across Holocaust representation, Occupy Wall Street, and the figurative nature of abstract art. Detailed overviews of formally inventive work include essays on—or “pitches” for—a set of key poets, from Gertrude Stein and Robert Creeley to John Ashbery, Barbara Guest, Larry Eigner, and Leslie Scalapino. Bernstein also reveals the formative ideas behind the magazine L=A=N=G=U=A=G=E. The final section, published here for the first time, is a sweeping work on the poetics of stigma, perversity, and disability that is rooted in the thinking of Edgar Allan Poe, Emily Dickinson, Ralph Waldo Emerson, and William Blake. Pitch of Poetry makes an exhilarating case for what Bernstein calls echopoetics: a poetry of call and response, reason and imagination, disfiguration and refiguration.
In Pitch Lake, Andre Bagoo, author of the Bocas prize shortlisted poetry collection, Burn, displays a continuing commitment to exploration and experiment. Andre Bagoo's poems explore the multiple resonances of the title, where pitch signifies both the stickiness of memory - the way the La Brea Pitch Lake is a place where "buried trees [are] born again" - and the idea of scattering: of places and impressions and the effort to hold them in one vision.
In baseball, as in much poetry, beauty comes from tension. Groundrules and boundaries confine those who would play, but the best find ways to exploit their strictures, and just as the daring base runner takes second on a fly to right, the practiced poet trips the sleepy reader with a surprise rhyme, bold line break, or a jarring reversal of foot. It's no surprise, then, that hardball has a larger body of literature than other sports, or that aficionados are more likely than others to quote lines of verse in support of the game they love. This is Tim Peeler's second book of poems from baseball. It contains some of his most moving and best-crafted poetry. Starting with time-honored themes--fathers and sons, baseball and time, memory and the nation, team and player and loyalty--the poet adapts the universal to the local and personal, proving that baseball, with its easy accommodation of reflection, remains a powerful tool for mining our individual and collective history.
Poetry unearthing the untold or not-told-enough tales of Black women and lesbians.
This innovative resource includes tools for classroom management that range from assessment techniques to tips for choosing and displaying poems.
To Do List: 1. Win the biggest business pitch in my company’s history 2. Pretend I’m not crushing on my gorgeous mentor big time 3. Whatever happens, do NOT kiss him My girlfriends think I’m married to my business. They’ll do whatever it takes, from speed dating to blind dates, to prove to me that there’s more to life than my career. But who cares if I haven’t been on a date in four years? All my hard work is about to pay off when my marketing agency lands the biggest account in its history—we’ve just got to win it first. My father has arranged for the mysterious Paul Neilsen to mentor me through the pitching process. He’s a media mogul who likes to keep a low profile, but he’s nothing like I expected. He’s attractive, in an I’m-finding-it-hard-to-concentrate-on-my-work sort of way. He also understands me, and I’m confiding in him more than is strictly professional. But getting involved with Paul could ruin the biggest opportunity in my company’s history, although try telling that to my heart. It obviously didn’t read the company memo. As for what happens next . . . Well, that definitely wasn’t in my business plan . . .
Possible love child of Wallace Stevens and Dorothy Parker; Wing's poems are playful, scrappy, witty, postmodern