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Pioneer Days in the Black Hills is a rough-and-tumble account of the early days of Deadwood, Dakota Territory. In 1874, after leading an expedition into the Black Hills, George Armstrong Custer announced that he had found gold "among the roots of the grass." Almost overnight a number of settlements sprang into existence. Among them was Deadwood. In April 1876, John S. McClintock arrived in search of gold. Entering a series of speculations and employments that won him moderate prosperity, he made Deadwood his home. During his later years, he wrote his memoirs, presented here for the first time in half a century.
The very name Deadwood conjures up vivid Wild West images: saloons with swinging doors, brazen dance-hall girls, buckskin-clad Calamity Jane roaming the streets with her erstwhile paramour, Wild Bill Hickok. The setting is the lawless Dakota Territory of 1876 at the start of the Black Hills gold rush, a stampede for the golden pay dirt. One would hardly expect to find a Jewish pioneer grocer named Jacob Goldberg in this scene, yet Deadwood's story is incomplete without Goldberg. And Goldberg's story is incomplete without either Calamity Jane or Wild Bill. Not just Goldberg, but Finkelstein (also known as Franklin), Stern (also known as Star), Jacobs, Schwarzwald, Colman, Hattenbach, and many other Jews joined the throngs. The Jews provided much more than overalls, chamberpots, and the chambers in which to put them. They also became the mayors, legislators, and civic leaders who helped bring sense and stability to this unruly expanse.
A memoir by Sarah Elizabeth "Sadie" Taylor of life in the Black Hills at the turn of the 19th century.
Much of Seth Bullock's modern renown comes from TV, film, and his friendship with Theodore Roosevelt. But Bullock was much more than the frontier law enforcer portrayed in fictional accounts. In Seth Bullock, David Wolff examines the life work of Bullock as he helped build Deadwood, found the town of Belle Fourche, and promote the Black Hills.
Did a doomed party of prospectors discover gold in South Dakota's Black Hills decades before Custer's Black Hills Expedition scouted out the area? Why would anyone want to murder one of Deadwood, South Dakota's most upstanding citizens? Where did Lame Johnny hide his stolen cache of over $7.5 million in gold? From the wily—and some say dangerous—jackalope to the world’s largest mammoth grave, Black Hills Myths and Legends of makes history fun and pulls back the curtain on some of the Mount Rushmore State’s most fascinating and compelling stories.
The true life histories of Wild Bill Hickok, Calamity Jane, and other residents of the lawless town known as Deadwood—the inspiration for the award-winning HBO® series and film. With a cast of historically rich characters, The Real Deadwood explores the lives of Wild Bill Hickok, Al Swearengen, Seth Bullock, Calamity Jane, Sol Star, and a host of others who walked the streets of Deadwood. An historical crossroad of the American west, even Wyatt Earp came to Deadwood, only to bump heads with Sheriff Seth Bullock. Other celebrated visitors over the years include Buffalo Bill Cody, the Sundance Kid, Bat Masterson, and Teddy Roosevelt. Looking at the world of primitive medicine, prostitution, and law from lawlessness, The Real Deadwood separates the facts from the fiction in its overview of a town violent enough to rival the likes of Tombstone, Dodge City, and Abilene. This is the true story of life on the frontier—when roughing it was truly rough. It's good versus evil and civilization versus anarchy. It's the real Deadwood.
After Sitting Bull's surrender at Fort Buford in what is now North Dakota in 1881, the United States Army transported the chief and his followers down the Missouri River to Fort Randall, roughly seventy miles west of Yankton. The famed Hunkpapa leader remained there for twenty-two months as a prisoner of war.
bibliography, index, eight-page photo essay
"A side-by-side textual comparison of the three surviving typescript revisions of "Pioneer Girl" that uses the texts themselves to draw inferences about Laura Ingalls Wilder's authorial and Rose Wilder Lane's editorial processes and intentions, as well as about the working relationship between the two women during their attempts to market "Pioneer Girl" as adult nonfiction, prior to the publication of Wilder's Little House novels that are based on these original manuscripts"--