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DIVA visual history about how feminist artists have appropriated and incorporated the signification of the pin-up genre within their own work./div
NYIT Gallery 61"Pin-UP"ANGELA AMOIA and ROBERT CODY: a collaboration of design solutionsNYIT Professors of Architecture and Design
""Pin Up Boot Camp: Your 6-Week Guide to Living the Shiny Side of Life"" is a self guided self help course focusing on entrepreneurship, time management, and organization that you can do at your own pace. Even if you never wish to pose for a Pin Up photo or perform in a Burlesque show this guide will help you live up to your fullest potential, create your own opportunities, control your career, and expand your horizons. Each chapter is designed for one week, if possible, along with daily journaling and weekly challenges. Challenges, such as ""Wear Your Words"" and ""Be a DIY DIVA,"" await you within these pages. Tried and true tips, like ""Gloss It, Don't Toss It"" and ""Work Your Social Network,"" will help guide you down the path to your Pin Up Potential. Each chapter is focused on a specific theme, some of which are ""Your Pin Up Arsenal,"" ""The Whole Shebang,"" and a special bonus chapter for Pin Up models and Burlesque performers called ""Work It Girl."" All you need is this book, a journal, and your shiny self!
The brand-new Queen of England has mysteriously vanished, and British Intelligence needs a helping hand from the world's greatest model spy! Can Bettie the First find Elizabeth the Second before the news gets out and panics all of Great Britain? Are UFOs involved? David Avallone (Elvira: Mistress of the Dark), Julius Ohta (Sherlock Holmes), and Jordan Michael Johnson show you all the stuff they cut out of the THE CROWN, as Bettie returns in THE PRINCESS AND THE PINUP!
Katy Keene, model/actress/singer extraordinaire, has been an inspiration for the fashion-conscious for years! Now, Archie Comics is pleased to bring you a digital-exclusive collection of some of Katy's most wonderful stories½and outfits! Katy certainly has her hands full with the Hollywood lifestyle she has. Glitz and glamour, famous boyfriends and runway rivals, and her little sister, Sis, is quite a balancing act! Can she keep it together and keep her fans wowed? Find out in this digital exclusive!
Much of the criticism on Stephenie Meyer's immensely popular 'Twilight' novels has underrated or even disparaged the books while belittling the questionable taste of an audience that many believe is being inculcated with anti-feminist values. Avoiding a repetition of such reductive critiques of the series's purported shortcomings with respect to literary merit and political correctness, this volume adopts a cultural studies framework to explore the range of scholarly concerns awakened by the 'Twilight novels and their filmic adaptations. Contributors examine 'Twilight's debts to its predecessors in young adult, vampire, and romance literature; the problems of cinematic adaptation; issues in fan and critical reception in the United States and Korea; and the relationship between the series and contemporary conceptualizations of feminism, particularly girl culture. Placing the series within a broad tradition of literary history, reception studies, and filmic adaptation, the collection offers scholars the opportunity to engage with the books' importance for studies of popular culture, gender, and young adult literature.
These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.
Despite decades of feminist awareness and activism, women continue to be portrayed in outdoor advertising in a limited and sexist manner. The fact that in public space audiences are exposed to such images without choice, renders the issue an important public policy concern. Sex in Public utilises a large outdoor advertising data collection to examine the contemporary outdoor advertising landscape, documenting the routine portrayal of women as thin, white, young and idle. This book examines why such portrayals are concerning for feminists as well as for public policy, and explores the advertising self-regulation systems that facilitate the display of such images. This book criticises sexist outdoor advertising as a form of sexual harassment given that imagery often bearing very strong semblance to pin-ups which would be outlawed in a workplace are readily displayed in public space, reflecting a troublesome public policy double standard. Understanding sexist outdoor advertising as a form of sexual harassment is a new framework that Sex in Public offers to understand, critique and condemn such images.
Explores the cultural meanings of the swimsuit issue and shows how Sports Illustrated secures a large audience of men by creating a climate of hegemonic masculinity.
Reveals the systematic marginalization of women within pop culture fan communities When Ghostbusters returned to the screen in 2016, some male fans of the original film boycotted the all-female adaptation of the cult classic, turning to Twitter to express their disapproval and making it clear that they considered the film’s “real” fans to be white, straight men. While extreme, these responses are far from unusual, with similar uproars around the female protagonists of the new Star Wars films to full-fledged geek culture wars and harassment campaigns, as exemplified by the #GamerGate controversy that began in 2014. Over the past decade, fan and geek culture has moved from the margins to the mainstream as fans have become tastemakers and promotional partners, with fan art transformed into official merchandise and fan fiction launching new franchises. But this shift has left some people behind. Suzanne Scott points to the ways in which the “men’s rights” movement and antifeminist pushback against “social justice warriors” connect to new mainstream fandom, where female casting in geek-nostalgia reboots is vilified and historically feminized forms of fan engagement—like cosplay and fan fiction—are treated as less worthy than male-dominant expressions of fandom like collection, possession, and cataloguing. While this gender bias harkens back to the origins of fandom itself, Fake Geek Girls contends that the current view of women in fandom as either inauthentic masqueraders or unwelcome interlopers has been tacitly endorsed by Hollywood franchises and the viewer demographics they selectively champion. It offers a view into the inner workings of how digital fan culture converges with old media and its biases in new and novel ways.