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"Consisting of 49 photographs from Korine's private archive, Pigxote reveals a largely unexamined side of the artist's creative process. It depicts a mysterious young girl moving through a televised landscape of intuitively arranged "experiential moments," and offers further insight into the poetic mind of one of Nashville's finest sons." --Book Jacket.
Harmony Korine: Interviews tracks filmmaker Korine's stunning rise, fall, and rise again through his own evolving voice. Bringing together interviews collected from over two decades, this unique chronicle includes rare interviews unavailable in print for years and an extensive, new conversation recorded at the filmmaker's home in Nashville. After more than twenty years, Harmony Korine (b. 1973) remains one of the most prominent and yet subversive filmmakers in America. Ever since his entry into the independent film scene as the irrepressible prodigy who wrote the screenplay for Larry Clark's Kids in 1992, Korine has retained his stature as the ultimate cinematic provocateur. He both intelligently observes modern social milieus and simultaneously thumbs his nose at them. Now approaching middle age, and more influential than ever, Korine remains intentionally sensationalistic and ceaselessly creative. He parlayed the success of Kids into directing the dreamy portrait of neglect, Gummo, two years later. With his audacious 1999 digital video drama Julien Donkey-Boy, Korine continued to demonstrate a penchant for fusing experimental, subversive interests with lyrical narrative techniques. Surviving an early career burnout, he resurfaced with a trifecta of insightful works that built on his earlier aesthetic leanings: a surprisingly delicate rumination on identity (Mister Lonely), a gritty quasi-diary film (Trash Humpers), and a blistering portrait of American hedonism (Spring Breakers), which yielded significant commercial success. Throughout his career he has also continued as a mixed-media artist whose fields included music videos, paintings, photography, publishing, songwriting, and performance art.
Key Zest arises from Harmony Korine's 2019 film The Beach Bum, which follows the misadventures of a poet named Moondog (Matthew McConaughey), a "rebellious burnout who only knows how to live life by his own rules." Set in Key West, Florida, and also starring Snoop Dogg, Isla Fisher, Zac Efron, Jimmy Buffett, Martin Lawrence and Jonah Hill, the movie tracks Moondog's comical mishaps and assignations, culminating in his unlikely fame after the publication of his memoirs, which are universally lauded and win him a Pulitzer Prize. Key Zest is a collection of Moondog's poems. Hilarious, preposterous and ribald, it includes such gems as "Alright, sunrise. / Let's get this party started." and "We can do whatever we want or nothing at all. / Eh, civilization." Harmony Korine writes, "Moondog is the greatest poet in the history of Key West. I read a few of these pages and loved every minute of it."
This reprinting of Korine's first novel presents fragments of a portrait in multimedia: print, photographs, drawings, news clippings, handwriting, a poem, attempted diagrams, clip art; but mostly text, including hard-luck stories, off-and-on-colour jokes, script-scraps, found letters, free rhymes, drug flashbacks and other scenes, exploring the world of show-biz with feet set lightly in the black humours of the real ol' world. This excretion of the danglers of public life would make William Burroughs sigh and turn the page, at least.
Tiré du site Internet de Nieves: "America's prodigy film director, producer, screenwriter and author, Harmony Korine (Bolinas, 1973), presents his third feature film, Mister Lonely (2007), 10 years after the debut of the widely acclaimed Gummo (1997), and the following release of Julien Donkey-Boy (1999). After premiering at the Festival de Cannes in 2007, and being included in the official selection at the 32nd Toronto International Film Festival (2007), the recent 2008 South by Southwest Film Conference and Festival and the forthcoming 2008 Tribeca Film Festival, Nieves is releasing the original filmscript for Mister Lonely, with 22 Photographs by Rachel Korine and Brent Stewart, in occasion of the film's public release in UK theatres. Harmony Korine writes about the process of making the film: "I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns were testing their faith. On one occasion three of my teeth fell into a sandwich that I was eating. It felt like the right time to care again. I asked my brother to help me. He introduced me to a famous boxer who was good with medicine, he put my teeth back in my mouth. The nuns were testing me as well, this much I was sure of. I made this film out of the ashes of the broken nation, and it was there that I discovered that a little faith can go a long, long way."
the fifth sketchbook in a series of five facsimiles
Artwork by Harmony Korine. Photographs by Christopher Wool.
It's the "great American teenage movie" about real kids, quoted by Amy Taubin of "The Village Voice" as a "masterpiece" and "the kind of film that pulls the ground out from under you".