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In Pigskinizations, L.D. Brodsky's seventh book of short fictions, a potpourri of functionally dysfunctional characters assembles itself for public inspection: a married man with a snoring problem, who finds complete bliss on his porch; a couple who've found separation to be the secret to the perfect marriage, and another, who prematurely celebrate the termination of their ant infestation; an apartment dweller who has a commuter train running through his bedroom; an evangelical peddler of insecticide and a traveling salesman purveying marital aids to a drug-addled poet; a college student with an arousing tattoo; an animal lover who revels in "walking" his pet boa constrictor; and two men who see themselves for what they really are -- an ape and a dinosaur. And through six of the stories, Brodsky's foul-mouthed, language-butchering auto-assembly-line worker survives the "K-Y2 viral," to "celebate Nude Year's Eve" and the "Stupor Bowl 34 x 2 +1" victory of his hometown "St. Louis Cardinal Rams."
Perhaps the only thing as dear to Louis Daniel Brodsky as the beauty of the written word are his memories and experiences on the shores of Wisconsin's Lake Nebagamon, which the poet describes as "glory's hinterlands." The combination of his two passions is a wonderful example of the poetry of place--the kind of soul-forming and life-affirming locale that we all have somewhere in our lives. What the open road was to Whitman, the North Woods are to Brodsky.
Poetry. Louis Daniel Brodsky's At Shore's Border: Poems of Lake Nebagamon offers a range of pleasures. Recalling Whitman in his effortless prose-like rhythms, Thoreau in his immersion in a single natural setting, and Emerson in his rapturous encounter with nature's mobile cast of creatures and settings, Brodsky joins company with earlier American romantics, yet speaks in his own inimitable voice. The self's encounter with nature is at once an inexhaustible American story and Brodsky's compellinig personal theme.
In Peddler on the Road: Days in the Life of Willy Sypher, Louis Daniel Brodsky sets forth a series of poetic vignettes about one Jewish traveling salesman's journeys as a representative for a major Midwest manufacturer of men's dress clothing, depicting the odyssey of a fifty-year career devoted to the road and to the small towns that define it.
In the fourth volume of the fivebook series The Seasons of Youth, Louis Daniel Brodsky traces the growth of his daughter, from ages six to eleven, and that of his son, from three to eight. His girl develops socially, attending her first sleepover and making friends with her classmates. She also matures emotionally, as evidenced during the mornings she shares with her father, who practices spelling with her, at home, and drives her to school, the two of them often sharing breakfast in one of their small town's cafes. His boy goes through phases of fascination -- trains, airplanes, dinosaurs and whales -- but finds his mother's avocations of drawing and painting to be his steady preoccupations, allowing him to give order to his ever-expanding world. And both kids begin coming to terms with their father's increasingly frequent business trips. Hopgrassers and Flutterbies is a touching universal portrait of a devoted, loving father and mother and their two flourishing children.
Poetry. The second and third years of a child's life are filled with the extraordinary ordinary events that are steppingstone rites of passage: learning to walk and speak; reveling in play and mischief; enduring the travails of illness; growing familiar with the world beyond the house, where dogs, rabbits, and fireflies mesmerize curious eyes; taking part in adventures with mom and dad--vacations, holidays, visits to grandparents. In this second book of a five-volume series about his children, Louis Daniel Brodsky chronicles the progress of his daughter, as she grows by leaps and bounds, and the evolution of his family, which is soon to grow as well, with the birth of a second child.
In this fifty-eight-poem collection, Brodsky examines the highs and lows authors experience as they practice their craft. Portraying everything from writer's block and the terror of the blank page to the overwhelming joy of finishing a work, The World Waiting To Be is both lamentation and love song to creative inspiration and the intersection of time and eternity, in the act of writing.
Poetry. Jewish Studies. "RABBI AUSCHWITZ is not so much a book about the historical Shoah as it is about the psyche of 'a Jew who died fifty years too soon' and who now considers his pen 'an oracular divining rod' that may or may not 'stave off spiritual asphyxia.' 'It's all about the darkness of the mantra/Which takes him away from himself,' and as we listen to the best poems here and observe 'toxic psychosis' that still desires a reason for being, we are appalled, complicit, nauseated, and gratefully ambivalent as we, by way of Brodsky's pounding and insistent voice, 'survive forgetting' to remember"--William Heyen.
In the seventy poems of Spirits of the Seasons, Louis Daniel Brodsky divides nature's cycles into narrative halves, tracing the winter slowing and spring burgeoning in and around Wisconsin's Lake Nebagamon.
In the small town of Lake Nebagamon, Wisconsin, Brodsky finds a full sense of love for the outdoors. He finds himself "Taking time to look and listen, see and hear." Poem after poem shares one man's alerted words for the American north country and for our journeying moods of mind and body, in this ever-changing natural world. AT WATER'S EDGE introduces us to Brodsky's own corner of nature and leaves us anticipating future visits, in the subsequent volumes of POEMS OF LAKE NEBAGAMON.