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A monographic look at Pierres Vives, Zaha Hadid's latest major work, and its innovative approach to spatial design and urban planning. This book documents the ten-year creation of Pierres Vives, an imposing new public building by world-renowned architect Zaha Hadid. The 28,500-square-meter stone and concrete sculptural structure brings Hadid's signature boundary-pushing spatial concepts to urban planning on a grand scale. Conceptualized as a "tree of knowledge" by Zaha Hadid as early as 2002, the structure combines three government functions--archives, a library, and a sports center--into one building to fill the needs of a growing population in Montpellier, France. This book is the definitive source of images for the built structure and the construction process, and explores the architect's design choices, allowing a deep understanding of the work and thought behind the structure.
This is the author's most influential work of literary theory and criticism in which she explores the relations between literature, philosophy, and psychoanalysis.
Sixteenth-century humanist Juan Luis Vives sought to find ways to alleviate the sufferings of the poor of Bruges, dealing with problems and presenting solutions that sound remarkably familiar to twentieth-century urban ears.
Descriptions of imaginary buildings abound in late medieval and early modern texts in France. This book examines the reasons for their popularity and analyzes the way in which metaphors of the building were used by writers as a tools of persuasion. One such writer was Jean Lemaire (c.1473-after 1515) who used architectural metaphor both to praise his patrons and to advertise his own talents, while drawing on and transforming a tradition of writing popularized by his rh toriqueur predecessors.
This is a first-hand account of theatre in apartheid society. Exploring the forces which led to the foundation and development of "New South African Theatre", the financial backing provided by the South African business world, the black majority's point of view and the influence of cultural boycotts and problems of tours abroad, it provides specialist information on the Market Theatre. It also considers black consciousness and trade union and state-funded theatre in South Africa.
'A Self-Conscious Art' deals with the formal complexities of Modiano's work, by reading 'against the grain' of his self-professed ingenuousness. A detailed examination of his narratives shows the deeply postmodern nature of his writing. Parodying precursors such as Proust or the nouveau romanciers, his narratives are built around a profound lack of faith in the ability of writing to retrieve the past through memory, and this failure is acknowledged in the discreet playfulness that characterises his novels.
This work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more. The 240 analytical entries examine individuals such as Bergson, Durkheim, Mauss, Sartre, Beauvoir, Foucault, Levi-Strauss, Lacan, Kristeva, and Derrida; specific disciplines such as the arts, anthropology, historiography, psychology, and sociology; key beliefs and methodologies such as Catholicism, deconstruction, feminism, Marxism, and phenomenology; themes and concepts such as freedom, language, media, and sexuality; and istorical, political, social, and intellectual context. --From publisher's decription.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1970.
Définir de façon univalente la notion de mythe et celle d'utopie semble en soi une entreprise tout à fait utopique. Par ailleurs, jumeler les deux notions, celle du mythe et celle d'utopie, reléve d'un processus de réflexion qui peut facilement être à double tranchant: le mythe, construction par excellende de l'imaginaire humain, ne se situe-t-il pas ailleurs que dans un non-lieu? -- et l'utopie, quant à elle, ne fait-elle pas écho au mythe, à la fois s'en inspirant, le niant et le transformant? Redondance possible, et aussi, parfois, refus des deux domaines à admettre leur interdépendance, cheninement parallèle surtout et création commune de ce qui, en fin de compte, s'avère mythe transformé, utopie revistée. Toutefois, mythes et utopies quels que soient la position choisie, le point de vue défendu, semblent faire bon ménage, à en juger par ce projet, mavec dix-neuf textes couvrant principalement la littérature contemporaine des femmes, mais puisant parfois aux oeuvres antérieures qui ont déjà préparé le terrain, en offrant des visions d'existences idylliques -- ne serait-ce que littéraires.