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A National Book Award winner mines photographic gold to show—and tell—the story of the Great Depression. In an exquisitely curated volume of 140 full-color and black-and-white photographs, Martin W. Sandler unpacks the United States Farm Security Administration’s sweeping visual record of the Great Depression. In 1935, with the nation bent under unprecedented unemployment and economic hardship, the FSA sent ten photographers, including Walker Evans, Dorothea Lange, and Gordon Parks, on the road trip of a lifetime. The images they logged revealed the daily lives of Southern sharecroppers, Dust Bowl farmers in the Midwest, Western migrant workers, and families scraping by in Northeast cities. Using their cameras as weapons against poverty and racism—and in service of hope, courage, and human dignity—these talented photographers created not only a collective work of art, but a national treasure. Grouped into four geographical regions and locked in focus by rich historical commentary, these images—many now iconic—are history at its most powerful and immediate. Extensive back matter includes photographer profiles and a bibliography.
This book features photographs taken for the Farm Security Administration by ten renowned photographers, featuring scenes from regions throughout the United States.
The Great Depression was a major economic crash that hit the US in the late 1920s. While many people suffered from the crash, Black Americans were hit especially hard. Photographs from the time give readers a firsthand look at the historic era. Then discover the theories behind the crash, the policies made to boost the economy, and how the Great Depression ended. Read WokeTM Books are created in partnership with Cicely Lewis, the Read Woke librarian. Inspired by a belief that knowledge is power, Read Woke Books seek to amplify the voices of people of the global majority (people who are of African, Arab, Asian, and Latin American descent and identify as not white), provide information about groups that have been disenfranchised, share perspectives of people who have been underrepresented or oppressed, challenge social norms and disrupt the status quo, and encourage readers to take action in their community.
Explores and analyzes the historical context and significance of the iconic Dorothea Lange photograph of a migrant mother during the Grea Depression.
A collection of illustrated, black-and-white photographs by American documentary photographer and photojournalist, Dorothea Lange, depicting American migrant workers and sharecroppers during the Great Depression.
Russell Lee is widely acclaimed as one of the most outstanding documentary photographers of the twentieth century. His images of American life during the Great Depression, created for the Farm Security Administration between 1936 and 1942, hold a preeminent place in one of history's best-known and most useful photographic collections. This famous body of work demonstrates Lee's extraordinary ability to reveal the humanity of his subjects and to become a part of the communities he photographed. It also displays Lee's superior technical ability—his legendary skill in using a flash enabled Lee to create some of the finest candids in the history of photography. Russell Lee Photographs is the first book to show the full range and quality of Lee's entire oeuvre beyond the FSA work, as well as the first major publication of his photographs since F. Jack Hurley's 1978 book, Russell Lee: Photographer (long out of print). The book contains over 140 images, 101 of which have never appeared in book publication. The photographs are grouped into suites of images that represent all of Lee's important, non-FSA subjects: early work from New York City and Woodstock; the Spanish-speaking people of Texas; the mentally and physically disabled; political campaigns, including the Kennedy-Johnson campaign of 1960; commercial work for chemical and other companies; a portfolio of images of Italy; and quintessential scenes of small-town life. Setting Lee's images in context are a foreword by John Szarkowski, one of America's leading photography curators and critics, and an introduction by Lee's friend and fellow photography educator J. B. Colson, who offers fascinating personal insights into Lee's life and career. Considering Russell Lee's stature in American photography, it is surprising that much of his post-FSA work is unknown to the public and has been seldom seen even in the photography community. By making these images readily available for the first time, this book gives long-overdue recognition to the full range and excellence of Lee's work. Russell Lee Photographs is the essential book on this major American photographer.
The US was in the midst of the Depression when Dorothea Lange (1895-1965) began documenting its impact through depictions of unemployed men on the streets of San Francisco. Her success won the attention of Roosevelt's Resettlement Administration (later the Farm Security Administration), and in 1935 she started photographing the rural poor under its auspices. One day in Nipomo, California, Lange recalled, she "saw and approached [a] hungry and desperate mother, as if drawn by a magnet." The woman's name was Florence Owens Thompson, and the result of their encounter was seven exposures, including Migrant Mother. Curator Sarah Meister's essay provides a fresh context for this iconic work.
The first narrative biography of the Civil War's pioneering visual historian, Mathew Brady, known as the “father of American photography.” Mathew Brady's attention to detail, flair for composition, and technical mastery helped establish the photograph as a thing of value. In the 1840s and '50s, “Brady of Broadway” photographed such dignitaries as Henry Clay, Daniel Webster, Dolley Madison, Horace Greeley, the Prince of Wales, and Jenny Lind. But it was during the Civil War that Brady's photography became an epochal part of American history. The Civil War was the first war in history to leave a detailed photographic record, and Brady knew better than anyone the dual power of the camera to record and excite, to stop a moment in time and preserve it. More than ten thousand war images are attributed to the Brady studio. But as Wilson shows, while Brady himself accompanied the Union army to the first major battle at Bull Run, he was so shaken by the experience that throughout the rest of the war he rarely visited battlefields except well before or after a major battle, instead sending teams of photographers to the front. Mathew Brady is a gracefully written and beautifully illustrated biography of an American legend-a businessman, a suave promoter, a celebrated portrait artist, and, most important, a historian who chronicled America during the gravest moments of the nineteenth century.
In 300 visits over 25 years, QT Luong ventured deep into each of America's 61 national parks. Art book and guidebook in one, Treasured Lands: A Photographic Odyssey Through America's National Parks presents the photographer's explorations in a sumptuous gallery complemented with informative notes on nature, travel, and image making. Together, they invite photographers and nature lovers to trace his steps to both iconic landscapes and rarely seen remote views. Winner of six national book awards.
An exploration of the New Deal era highlights the politicians and pundits of the time, many of whom advocated for questionable positions, including separation of the races and an American dictatorship.