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The Book of Acts in Its Graeco-Roman Setting locates the Book of Acts within various regional and cultural settings in the eastern Mediterranean. These studies draw on recent archaeological fieldwork and epigraphic discoveries to describe the key cities and provinces within the Roman Empire. The relevant societal aspects of these regions, such as the Roman legal system, Roman religion, and the problem of transport and travel, all help contextualize the book of Acts.
This widely acclaimed, beautifully illustrated survey of Western architecture is now fully revised throughout, including essays on non-Western traditions. The expanded book vividly examines the structure, function, history, and meaning of architecture in ways that are both accessible and engaging.
Named for a goddess, epicenter of the first democracy, birthplace of tragic and comic theatre, locus of the major philosophical schools, artistically in the vanguard for centuries, ancient Athens looms large in contemporary study of the ancient world. This Companion is a comprehensive introduction the city, its topography and monuments, inhabitants and cultural institutions, religious rituals and politics. Chapters link the religious, cultural, and political institutions of Athens to the physical locales in which they took place. Discussion of the urban plan, with its streets, gates, walls, and public and private buildings, provides readers with a thorough understanding of how the city operated and what people saw, heard, smelled, and tasted as they flowed through it. Drawing on the latest scholarship, as well as excavation discoveries at the Agora, sanctuaries, and cemeteries, the Companion explores how the city was planned, how it functioned, and how it was transformed from a democratic polis into a Roman city.
Written for the general visitor, the Athenian Agora Museum Guide is a companion to the 2010 edition of the Athenian Agora Site Guide and leads the reader through all of the display spaces within the Stoa of Attalos in the Athenian Agora - the terrace, the ground-floor colonnade, and the newly opened upper story. The guide also discusses each case in the museum gallery chronologically, beginning with the prehistoric and continuing with the Geometric, Archaic, Classical, Hellenistic, Roman, and Byzantine periods. Hundreds of artifacts, ranging from common pottery to elite jewelry held in 81 cases, are described and illustrated in color for the very first time. Through focus boxes, readers can learn about marble-working, early burial practices, pottery production, ostracism, home life, and the wells that dotted the ancient site. A timeline, maps, and plans accompany the text. For those who wish to learn more about what they see in the museum, a list of further reading follows each entry.
This book examines the effects of the Peloponnesian War on the arts of Athens and the historical and artistic contexts in which this art was produced. During this period, battle scenes dominated much of the monumental art, while large numbers of memorials to the war dead were erected. The temple of Athena Nike, built to celebrate Athenian victories in the first part of the war, carries a rich sculptural program illustrating military victories. For the first time, the arts in Athens expressed an interest in the afterlife, with many sculptured dedications to Demeter and Kore, who promised initiates special privileges in the underworld. Not surprisingly, there were also dedications to healer gods. After the Sicilian disaster, a retrospective tendency can be noted in both art and politics, which provided reassurance in a time of crisis. Bringing together essays by an international team of art historians and historians, this is the first book to focus on the new themes and new kinds of art introduced in Athens as a result of the thirty-year war.
Nicholas Jones's book examines the associations of Athens during the classical democracy of the fifth and fourth centuries B.C. Village communities, cultic groups, brotherhoods, sacerdotal families, philosophical schools, and other organizations are studied collectively under Aristotle's umbrella concept of "community," or koinonia. All such "communities," argues Jones, acquired their distinctive characteristics in response to certain key features of the contemporary democratic governmentegalitarian ideology, direct rule, minority citizen participation, and the statutory exclusion of non-citizens. Thus elite social clubs provided a haven for beleaguered aristocrats; the phylai, often referred to as "tribes," evolved a mechanism for representing their special interests before the city government; an alternative territorially defined village afforded an associational life for the disfranchised; and in various groups we witness the beginnings of the inclusion of women, foreigners, and even slaves. No association, it turns out, can be fully understood except in terms of its relation to the central government. Some confirmation of the model is elicited from the design of the Cretan City in Plato's Laws, a utopian policy arguably reflecting the arrangements of the author's own Athens. Jones's book closes with a classification of the various associational "responses" and weighs the possibility that the classical Athens it reconstructs was the work of the democracy's founder, Kleisthenes.
The author investigates the appearance of a fashion in clothing, involving a knotted mantle worn across the chest, on many Attic stelae of the Roman period. She suggests that this style can be traced to Egyptian roots, and might have been particularly associated with a cult of Isis, popular among wealthy Athenians. The book presents a catalogue of the 106 known Isis reliefs from Attica and a review of all forms of evidence for the cult.