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Everyday life with an African grey parrot by his owner including her perspectives on animal intellect and unique insights into nature.
Do you want to adapt your poem to a storybook that tells a story in words, and pictures-or only amplify the images that you create with words? Would you rather turn your poem into a picture book that tells a story with pictures? Will words take second place to illustrations? Decide first whether you will write a story book or a picture book. Then use the images in your poem to clarify your writing. You won't be able to read a picture book into a tape recorder or turn it into an audio book or radio play. You will be able to narrate a word book for audio playing. Start with an inspirational poem, proverb, or song lyrics. Ask children what makes them laugh. You can make something out of nothing. You can make a story out of anything intangible, such as an idea with a plan still in your mind. Capture your children's dreams, proverbs, song lyrics, and the surprise elements that make them laugh. Record imagination, "what-if" talk, and personal history. A folktale or story is something that could come from any place in the past, from science, or from nothing that you can put your hands on. What children want in a book, poem, or folklore is a cave where they can go to be themselves. When suspending belief, children still want to be themselves as they navigate fantasy. The story book becomes a den or tree house where children can go inside, shut the door, and play. Introduce children to poetry by showing how you transform your poem into a children's book by expanding and emphasizing significant events in the life story of one child. Poems, memorable experiences, significant life events or turning points are all ways to make something out of nothing tangible. You begin re-working a concept, framework, or vision. Here's how to write, publish, and promote salable material from concept to framework to poem to children's book-step-by-step.
Here is a collection of happy, nourishing hero-cat and loving human family historical, adventure, and time-travel stories and novels for all holidays...in spite of the wars. It's Christmas. It's Hannukah. It's Ramadan. It's all holidays, and time for an adventure. For example, take the Silk Road stories: "For where there's worship, there's more trade," Baghatur added. The next morning was another hot day in July, and Bihar went along the road between the fields of wheat. Women were starting to work the fields again. The children carried sheaves on their heads. Everything had to be done by hand. In Nablus, life went with no work. The food was gone, and not enough healers yet. So Bihar was welcome to mix his herbs and alchemy because they made miracles. He passed an old farmer wearing a large Greek cross. "Keev Halik?" In Arabic Bihar asked the man how he was. "Forget me," the farmer waved back. "Your crops are still rotting?" Bihar asked as he walked toward Jerusalem. "I had to sell my farm cheap." The farmer laughed tensely. "So did my forefathers in Sarkel," Bihar answered, with a pointed finger. "Are you a Cherkessk Mountaineer?" "What difference would it make to you from where I come? Does the left side of the Sea mean more to you than the right side of it? There's enough fish at both ends to feed the world." "Where are you going?" The farmer shielded his eyes from the sun with his hands. "I'm going to Jerusalem."
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A collection of humorous essays about Vancouver Island’s unique quirks, from the south end to the north from beloved storyteller, Anny Scoones. Vancouver Island and the Gulf Islands have a reputation for their ineffable charisma, laid-back pace, and distinct grooviness. As Anny Scoones travels the length of our beloved Vancouver Island, and visits the little coastal and inland towns and iconic places, she shares her observations, musing on its fascinating and layered history. Whether it’s an account of the chainsaw carving festival in Campbell River, a take on the giant gnome just north of Nanoose Bay, or a description of folks met at the Foggy Mountain Fall Fair in Cumberland, this book takes us to extraordinary locations and introduces us to the people who make this part of the world so compelling. Observe, pause, ponder, and have what Anny likes to call “a little think” on the various characteristics and personalities of these areas. Whether you’re a Lycra-clad cyclist climbing the hills of Mayne Island, a slow food enthusiast besotted with “sexy” apples on Salt Spring Island, or someone dreaming about Vancouver Island as a potential destination, these essays and illustrations will connect you with people and places that seem curiously familiar.
Discusses how to get started in a career in business or video podcasting, whether in front of the camera, or behind the scenes. Includes information on how to set up and run your own podcast business.
Here's a guide book on how to write 45-minute one-act plays, skits, and monologues for all ages. Step-by-step strategies and sample play, monologue, and animation script offer easy-to-understand solutions for drama workshop leaders, high-school and university drama directors, teachers, students, parents, coaches, playwrights, scriptwriters, novelists, storytellers, camp counselors, actors, lifelong learning instructors, biographers, facilitators, personal historians, and senior center activity directors. Guide young people in an intergenerational experience of interviewing and writing skits, plays, and monologues based on the significant events and experiences from lives of people. Learn to write skits, plays and monologues based on historical events and personalities. What you'll get out of this book and the exercises of writing one-act plays for teenage actors and audiences of all-ages audience, are improved skills in adapting all types of social issues, current events, or life experience to 45-minute one-act plays, skits, or monologues for teenage or older adult drama workshops. How do you write plays and skits from life stories, current events, social issues, or history? Are you looking for the appropriate 45-minute, one-act play for high-school students or other teenagers, for community center drama workshops, or even for home school projects or for events and celebrations? Are you seeking one-act plays for older adults drama workshops? Use personal or biographical experiences as examples when you write your skit or play. If you want a really original play, write, revise, and adapt your own plays, skits, and monologues. Here's how to do it.
An easy to read step-by-step guide that uses positive reinforcement for teaching parrots acceptable behavior. Professional advice from animal behaviorist that will help you deal with screaming, biting, feather-picking, bonding and other difficult behaviors.
* “Isadora’s book about the five senses is aimed perfectly at another sense—kids’ sense of humor.”—The Horn Book, starred review Caldecott Honor winner Rachel Isadora’s sweet and simple introduction to the five senses is perfect for the youngest children, who will recognize themselves in charming vignettes portraying a wide range of childhood activities. Hearing, smelling, seeing, touching, tasting--our five senses allow us to experience the world in so many ways! With our ears we hear the birds sing; with our nose we smell the stinky cheese; with our eyes we see the moon and stars (and sometimes glasses help us see even better!); with our skin we feel the rain (and learn not to touch the hot stove!); and with our tongue we can taste our favorite foods. Isadora’s lively art reveals the power and delight of each sense.