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The ancient ballads of England, Scotland and Ireland are great stories to visit but nobody in their right mind would want to live there. There s a high body count for every ballad and a happy ending usually involves boy meets girl and they end up sharing a grave. The musicians who go to retrieve the songs, with the help of the magic banjo, Lazarus, know this, but the fact is, the songs also contain a great deal of magic useful in defeating the devils who are out to dehumanize humanity by stealing the music. The Queen of the Fairies, aka the Debauchery Demon, Torchy Burns, makes them a deal they can t refuse and the reluctant heroes find themselves thrust into the lives and deaths of ballad people they know are going to end badly. It s enough to make a picker take up accounting!
Spam the cat thought he'd seen a lot of the world in his nine months of life. After all, he was the foremost vampire hunter of Port Deception, WA. (SPAM VS THE VAMPIRE)! This was his first Christmas, however, and from what he'd heard on TV, on Christmas all was supposed to be calm, all was supposed to be bright. The deer and Renfrew the raccoon had other ideas however. In an attempt to keep Renfrew, aka "The UPS Bandit" from ruining a lot of Christmases, Spam begins a task that leads to his being the sole protection of a new mother and child, and a less-than-warm-and-fuzzy reunion with his feral father. Altogether, his first Christmas eve is a less than Silent Night.
Presents articles on the horror and fantasy genres of fiction, including authors, themes, significant works, and awards.
Edinburgh, 1791. Isobel Duguid and her friend Clessidro are the stars of the Edinburgh Musical Society. Clessidro sings opera and Isobel sings famously dark Scottish ballads, despite her cavalier attitude to holding a tune. They roam the streets of Edinburgh, enjoying an opulent lifestyle. One night a note arrives from the mysterious Mrs Abercorn, asking if Isobel's most notorious song, The Fiddler's Wrath, might be included in a book. It's the tale of a prima donna who died of heartbreak after her husband committed murder and was sent to the gallows. Isobel is intrigued. But Mrs. Abercorn's curiosity about the ballad is far more than a fickle interest. When Clessidro goes missing, Isobel is forced to confront her past and the truth about The Fiddler's Wrath begins to emerge. Using the geography of Edinburgh to guide us through the story, this dark tale becomes more complicated than anyone could have imagined and awakens the chilling retribution of a once buried secret.
Works of science fiction and fantasy increasingly explore gender issues, feature women as central characters, and are written by women writers. This book examines women's contributions to science fiction and fantasy across a range of media and genres, such as fiction, nonfiction, film, television, art, comics, graphic novels, and music. The first volume offers survey essays on major topics, such as sexual identities, fandom, women's writing groups, and feminist spirituality; the second provides alphabetically arranged entries on more specific subjects, such as Hindu mythology, Toni Morrison, magical realism, and Margaret Atwood. Entries are written by expert contributors and cite works for further reading, and the set closes with a selected, general bibliography. Students and general readers love science fiction and fantasy. And science fiction and fantasy works increasingly explore gender issues, feature women as central characters, and are written by women writers. Older works demonstrate attitudes toward women in times past, while more recent works grapple with contemporary social issues. This book helps students use science fiction and fantasy to understand the contributions of women writers, the representation of women in the media, and the experiences of women in society.
Keeping track of prolific authors who write fiction series was quite challenging for even the most ardent fan until To Be Continueddebuted in 1995. Noew, readers will be happy that the soon-to-be-released second edition has added 1,600 new books and 400 new series. To Be Continued, Second Edition, maintians the first volume's successful formula that featured concise A-to-Z entries packed with useful information, including titles, publishers, publication dates, genre categories, annotations, and subject terms. Among the genre categories that can be found in To Be Continued are romance, science fiction, crime novel, horror, adventure, fantasy, humor, western, war, Christian fiction, and others.
Best known today for the innovative satire and experimental narrative of Tristram Shandy (1759–67), Laurence Sterne was no less famous in his time for A Sentimental Journey (1768) and for his controversial sermons. Sterne spent much of his life as an obscure clergyman in rural Yorkshire. But he brilliantly exploited the sensation achieved with the first instalment of Tristram Shandy to become, by his death in 1768, a fashionable celebrity across Europe. In this Companion, specially commissioned essays by leading scholars provide an authoritative and accessible guide to Sterne's writings in their historical and cultural context. Exploring key issues in his work, including sentimentalism, national identity, gender, print culture and visual culture, as well as his subsequent influence on a range of important literary movements and modes, the book offers a comprehensive new account of Sterne's life and work.
This volume contains descriptions of 1,245 books in nine fiction genres, including author or editor's name, publication information, story type, major characters, setting, plot summary, and more.
Informed by a writer's view of how a writer works, this perceptive study illuminates the careers of two major figures of twentieth-century literature, T.S. Eliot and James Joyce. Sultan engages in a unique form of historical criticism, blending a literary history of Modernism with a richly intimate knowledge of three key works--"The Love Song of J. Alfred Prufrock," The Waste Land, and Ulysses--and confronting questions of literary theory implicit in the modernist period. In doing so, he examines the antecedents of Modernism, focusing on three major influences--Flaubert, Baudelaire, and Dostoyevsky--and then traces the relations of Eliot and Joyce with their contemporaries, including Virginia Woolf and Wallace Stevens. Concluding with an appraisal of Eliot's and Joyce's impact on readers, writers, and literary theory today, Eliot, Joyce and Company sheds considerable light on the careers of these writers, on their works, and on the history of Modernism.