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Poetry. Written over the past 35 years, PICASSO'S TEARS is an epic account of Wong May's incisive, empathic, and visionary engagement with our strange and violent world. Politically inflamed and intensely personal, this fourth book of poems by Wong May marks the long-awaited re-emergence of a major, miraculous voice.
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
What religion does not serve as a theater of tears? Holy Tears addresses this all but universal phenomenon with passion and precision, ranging from Mycenaean Greece up through the tragedy of 9/11. Sixteen authors, including many leading voices in the study of religion, offer essays on specific topics in religious weeping while also considering broader issues such as gender, memory, physiology, and spontaneity. A comprehensive, elegantly written introduction offers a key to these topics. Given the pervasiveness of its theme, it is remarkable that this book is the first of its kind--and it is long overdue. The essays ask such questions as: Is religious weeping primal or culturally constructed? Is it universal? Is it spontaneous? Does God ever cry? Is religious weeping altered by sexual or social roles? Is it, perhaps, at once scripted and spontaneous, private and communal? Is it, indeed, divine? The grief occasioned by 9/11 and violence in Afghanistan, Iraq, Israel, and elsewhere offers a poignant context for this fascinating and richly detailed book. Holy Tears concludes with a compelling meditation on the theology of weeping that emerged from pastoral responses to 9/11, as described in the editors' interview with Reverend Betsee Parker, who became head chaplain for the Office of the Chief Medical Examiner of New York City and leader of the multifaith chaplaincy team at Ground Zero. The contributors are Diane Apostolos-Cappadona, Amy Bard, Herbert Basser, Santha Bhattacharji, William Chittick, Gary Ebersole, M. David Eckel, John Hawley, Gay Lynch, Jacob Olúpqnà (with Solá Ajíbádé), Betsee Parker, Kimberley Patton, Nehemia Polen, Kay Read, and Kallistos Ware.
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One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
DigiCat Publishing presents to you this special edition of "Matisse Picasso and Gertrude Stein" (With Two Shorter Stories) by Gertrude Stein. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
For the last fifty years, fighter pilots have used a secret tool for continuous improvement. This volume succinctly provides not only the reasons for debriefing but also methods for conducting an effective debrief: a simple means of analyzing root causes that yields actionable lessons, addresses organizational weaknesses, and reinforces strengths.
Some cats have "accidents" on rugs or furniture. This wily cat raises outside-the-litter-box thinking to an art form! Vashti was a drop-dead gorgeous, snow-white rescue cat whose sweet temper and gentle nature made her irresistible to all. But behind this femme fatale's angelic façade lurked a crafty feline mind and a steely determination to retain sole possession of the person she loved most—by any means necessary. Vashti's challenging, creative spirit would leave its mark on her human's heart as the years went by—and also on the furniture, clothing, and cherished belongings of the friends and boyfriends she viewed as competition for her "mom's" affections. Along the way, Vashti would teach her human mom what true love looks like: rare, beautiful, and more than a little messy. A riotously funny and ultimately tender exploration of the ineffable bonds between human and feline, "The Picasso of Pee" is the latest entry from the Curl Up with a Cat Tale series—true-life short stories from Gwen Cooper, bestselling author of the smash hit Homer's Odyssey: A Fearless Feline Tale. It's the purr-fect read for anyone who knows what it means to love a cat unconditionally, and to be loved wholeheartedly in return.
Picasso's Cat and Other Stories showcases the broad talents of one of science fiction's more versatile writers. This collection contains 15 tales of humor, hard science, cyberpunk, near-future SF, and space opera--including the three-story "Stealing the Sun" series that first appeared in Analog Science Fiction and Fact. The collection is introduced by multi-award-winning author Mike Resnick, and each story is accompanied by short commentary by the author. Whether you're new to Ron Collins's work or already an established fan, Picasso's Cat and Other Stories provides, for the first time ever, the very best of his science fiction in one complete volume. ------------------------ What will happen when ... - A military man is given an order that will destroy an entire species of intelligent life? - Three members of a close-knit software company develop a technology worth billions? - A hit man gets caught in a war between his boss and the dead don of a rival family? - A corporate web developer takes on a rogue virus with a personality? - A group of space-faring chickenmen land in a farmer's corn patch?
Since the nation-state sprang into being in 1965, Singapore literature in English has blossomed energetically, and yet there have been few books focusing on contextualizing and analyzing Singapore literature despite the increasing international attention garnered by Singaporean writers. This volume brings Anglophone Singapore literature to a wider global audience for the first time, embedding it more closely within literary developments worldwide. Drawing upon postcolonial studies, Singapore studies, and critical discussions in transnationalism and globalization, essays unearth and introduce neglected writers, cast new light on established writers, and examine texts in relation to their specific Singaporean local-historical contexts while also engaging with contemporary issues in Singapore society. Singaporean writers are producing work informed by debates and trends in queer studies, feminism, multiculturalism and social justice -- work which urgently calls for scholarly engagement. This groundbreaking collection of essays aims to set new directions for further scholarship in this exciting and various body of writing from a place that, despite being just a small ‘red dot’ on the global map, has much to say to scholars and students worldwide interested in issues of nationalism, diaspora, cosmopolitanism, neoliberalism, immigration, urban space, as well as literary form and content. This book brings Singapore literature and literary criticism into greater global legibility and charts pathways for future developments.