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Claudio Arrau (1903-1991) was a Chilean pianist who devoted his life to an international performing and teaching career. As a child prodigy, he gained national recognition from government officials in Chile, including President Pedro Montt, who later funded Arrau's education in Germany. He completed his studies in Berlin with Martin Krause, a pupil of Franz Liszt, and later immigrated to New York City, where he began his teaching career and mentored a sizeable group of pupils. His unique and magnetic style impassioned his pupils and motivated them to teach his principles to the next generation of students, including author Victoria von Arx. Piano Lessons with Claudio Arrau highlights interviews with Arrau's surviving pupils (from his class in New York City, which he taught from 1945 to the early 1970s) that give readers an in-depth description of Arrau's principles of technique and performance. Quotations and lesson transcripts make Arrau's voice - and those of his former pupils - audible, and detailed references to over one hundred examples from filmed recordings make his famed technique visible. The bulk of the book features edited and previously-unpublished transcriptions of lessons Arrau gave his pupils, lavishly illustrated with musical examples. The author, herself a teacher and performer, draws information from numerous interviews with Arrau's pupils, from her experience studying with two of them, from videos of Arrau's performances, and from the recorded lessons. By culling these disparate sources of information and presenting them systematically in a single book, von Arx provides an insider's view of the art of piano playing as exemplified by one of the great artists of the twentieth century and offers the reader a virtual piano lesson with Claudio Arrau
Internationally acclaimed pianist and teacher Claudio Arrau (1903-91) left a legacy that continues to touch piano students today. This book is an in-depth guide to Arrau's performance and teaching techniques, providing an insider's view of the art of piano playing as exemplified by one of the great artists of the twentieth century.
Vivid conversations with Claudio Arrau on technique, plus discussions with Philip Lorenz, Daniel Barenboim, Garrick Ohlsson, and Sir Colin Davis. "A fascinating and valuable book." — New York Magazine. 21 photos.
A Life in Music reviews five decades of the rich and uniquely varied musical life of Daniel Barenboim. A child prodigy as a pianist and a virtuoso conductor of symphonies and opera, he has known and worked with many of the most distinguished and exciting musicians of the 20th century, not least his own wife Jacqueline du Pré. With memories of music heard and performed, and thoughtful examinations of global influences and professional inspiration, A Life in Music offers a profound window to the mind of one of the twentieth century’s greatest musicians. In this definitive edition, Barenboim discusses his work in Bayreuth, where he has been the most important artistic influence on the annual Wagner Festival; his involvement with the rebirth of the Berlin State Opera House in post-wall Berlin, and as conductor of two great orchestras in Berlin and Chicago; his thoughts on the state of Israel and his work with young Israeli and Arab musicians in Germany; his worldwide travels, his discovery of young talent and his insights into the changing world of music.
Adaptive Strategies for Small-Handed Pianists brings together information from biomechanics, ergonomics, physics, anatomy, medicine, and piano pedagogy to focus on the subject of small-handedness. The first comprehensive study of its kind, the book opens with an overview of historical, anatomical, and pedagogical perspectives and redresses long-held biases concerning those who struggle at the piano because of issues with hand size. A discussion of work efficiency, the human anatomy, and the constraints of physics serves as the theoretical basis for a focused analysis of healthy movement and piano technique as they relate to small-handedness. Separate chapters deal with specific alternative approaches: redistribution, refingering, strategies to maximize reach and power, and musical solutions for technical problems. Richly illustrated with hundreds of examples from a wide range of piano repertoire, the book is an incomparable resource for piano teachers and students, written in language that is accessible to a broad audience. It balances scholastic rigor with practical experience in the field to demonstrate that the unique physical and musical needs of the small-handed can be addressed in sensitive and appropriate ways.
Offers performers, teachers, and researchers, new perspectives and practical guidance for enhancing performance and managing the stress that typically accompanies performance situations. It draws together the findings of pioneering initiatives from across the arts and sciences.
Martin Katz puts his long career as partner to celebrated soloists to good use in order to provide the knowledge and tools for any pianist to accompany beautifully. Every subject relating to collaboration is discussed, with recorded examples by the author to serve as audible demonstrations of his ideas. For the interested beginner as well as the working professional, everything to promote artistic and practical collaboration is here.