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What do you know, really? Sure. Having enough talent to act, direct, or write a screenplay is one set of skills. But navigating both the main streets and back alleys of Hollywood cannot be done with GPS. Ride shotgun with screenwriting and producing veteran Doug Richardson as he skillfully - yet so amusingly - lives, dies, survives, and thrives in the entertainment trenches. The Smoking Gun is more than a collection of true Hollywood stories, box office success and jaw-dropping failures. It’s a guided tour behind the curtain of an industry that is equal parts bright lights, backstabbing, and double-dealing. Buckle up, step into your steel jockstrap, and get ready to do battle in the carnival funhouse otherwise known as showbiz.
This is the story of Billy Kinsey, heir to a lottery fortune, part genius, part philosopher and social critic, full time insomniac and closeted rock drummer. Billy has decided that the best way to deal with an absurd world is to stay away from it. Do not volunteer. Do not join in. Billy will be the first to tell you it doesn't always work- not when your twin sister, Dorie, has died, not when your unhappy parents are at war with one another, not when frazzled soccer moms in two ton SUVs are more dangerous than atom bombs, and not when your guidance counselor keeps asking why you haven't applied to college. Billy's life changes when two people enter his life. Twom Twomey is a charismatic renegade who believes that truly living means going a little outlaw. Twom and Billy become one another's mutual benefactor and friend. At the same time, Billy is reintroduced to Gretchen Quinn, an old and adored friend of Dorie's. It is Gretchen who suggests to Billy that the world can be transformed by creative acts of the soul. With Twom, Billy visits the dark side. And with Gretchen, Billy experiences possibilities. Billy knows that one path is leading him toward disaster and the other toward happiness. The problem is-Billy doesn't trust happiness. It's the age he's at. The tragic age. Stephen Metcalfe's brilliant, debut coming-of-age novel, The Tragic Age, will teach you to learn to love, trust and truly be alive in an absurd world.
With the rise of new technologies and media, the way we communicate is rapidly changing. Literacies provides a comprehensive introduction to literacy pedagogy within today's new media environment. It focuses not only on reading and writing, but also on other modes of communication, including oral, visual, audio, gestural and spatial. This focus is designed to supplement, not replace, the enduringly important role of alphabetical literacy. Using real-world examples and illustrations, Literacies features the experiences of both teachers and students. It maps a range of methods that teachers can use to help their students develop their capacities to read, write and communicate. It also explores the wide range of literacies and the diversity of socio-cultural settings in today's workplace, public and community settings. With an emphasis on the 'how-to' practicalities of designing literacy learning experiences and assessing learner outcomes, this book is a contemporary and in-depth resource for literacy students.
NEW YORK TIMES BESTSELLER • The long-awaited new novel from the bestselling, prize-winning author of Cloud Atlas and The Bone Clocks. New York Times Book Review Editors’ Choice • “Mitchell’s rich imaginative stews bubble with history and drama, and this time the flavor is a blend of Carnaby Street and Chateau Marmont.”—The Washington Post “A sheer pleasure to read . . . Mitchell’s prose is suppler and richer than ever . . . Making your way through this novel feels like riding a high-end convertible down Hollywood Boulevard.”—Slate NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • USA Today • The Guardian • The Independent • Kirkus Reviews • Men’s Health • PopMatters Utopia Avenue is the strangest British band you’ve never heard of. Emerging from London’s psychedelic scene in 1967, and fronted by folk singer Elf Holloway, blues bassist Dean Moss and guitar virtuoso Jasper de Zoet, Utopia Avenue embarked on a meteoric journey from the seedy clubs of Soho, a TV debut on Top of the Pops, the cusp of chart success, glory in Amsterdam, prison in Rome, and a fateful American sojourn in the Chelsea Hotel, Laurel Canyon, and San Francisco during the autumn of ’68. David Mitchell’s kaleidoscopic novel tells the unexpurgated story of Utopia Avenue’s turbulent life and times; of fame’s Faustian pact and stardom’s wobbly ladder; of the families we choose and the ones we don’t; of voices in the head, and the truths and lies they whisper; of music, madness, and idealism. Can we really change the world, or does the world change us?
Carol is living a fortunate life with a devoted husband and three children. She is about to embark on a dream career as a speech language pathologist. And then the couple hear two ominous words in a doctor’s office: multiple sclerosis. So begins Carol and Paul’s new life—with an autoimmune disease looming over them. Although MS has no cure, there is still hope: Paul could go into remission. As Carol strives to stay strong, everything she loves is put at risk: her marriage, her relationships with her children, her budding career, and even her faith. How do you find resolve under relentless strain and loss? How do you find joy in growing grief? How do you find hope under the shadow of disease? Join Carol, her husband, and their family on a harrowing journey that lasts over a decade.
On April 4, 1866, just as Alexander II stepped out of Saint Petersburg's Summer Garden and onto the boulevard, a young man named Dmitry Karakozov pulled out a pistol and shot at the tsar. He missed, but his "unheard-of act" changed the course of Russian history-and gave birth to the revolutionary political violence known as terrorism. Based on clues pulled out of the pockets of Karakozov's peasant disguise, investigators concluded that there had been a conspiracy so extensive as to have sprawled across the entirety of the Russian empire and the European continent. Karakozov was said to have been a member of "The Organization," a socialist network at the center of which sat a secret cell of suicide-assassins: "Hell." It is still unclear how much of this "conspiracy" theory was actually true, but of the thirty-six defendants who stood accused during what was Russia's first modern political trial, all but a few were exiled to Siberia, and Karakozov himself was publicly hanged on September 3, 1866. Because Karakozov was decidedly strange, sick, and suicidal, his failed act of political violence has long been relegated to a footnote of Russian history. In The Odd Man Karakozov, however, Claudia Verhoeven argues that it is precisely this neglected, exceptional case that sheds a new light on the origins of terrorism. The book not only demonstrates how the idea of terrorism first emerged from the reception of Karakozov's attack, but also, importantly, what was really at stake in this novel form of political violence, namely, the birth of a new, modern political subject. Along the way, in characterizing Karakozov's as an essentially modernist crime, Verhoeven traces how his act profoundly impacted Russian culture, including such touchstones as Repin's art and Dostoevsky's literature. By looking at the history that produced Karakozov and, in turn, the history that Karakozov produced, Verhoeven shows terrorism as a phenomenon inextricably linked to the foundations of the modern world: capitalism, enlightened law and scientific reason, ideology, technology, new media, and above all, people's participation in politics and in the making of history.
Includes bibliographical references (pages 330-331) and index.
The 25 years after World War II were a fertile period for the American novel and an era of transformation in American society. Offering a social as well as literary history, Dickstein provides a frank assessment of more than 20 key figures.