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India has one of the richest and most extensive histories of photography in the world with the camera arriving in the country only a few year after its invention in Europe. Organized chronologically, this book covers over 150 years of photographs, divided into ten chapters which focus on themes and genres such as archaeology and ethnography, portraiture, photojournalism, social documentary, street photography, modernism, and contemporary art. An in-depth introduction and ten short essays contextualize the photographs in light of India's journey from colonial territory, to independent nation state, to global economic superpower, along the way suggesting new arguments as to how this has been reflected in photographic practice. Over 100 Indian as well as international photographers are included in this well-researched and engaging book that includes some of the country's most iconic images, alongside the work of lesser-known artists and a wealth of previously unpublished material.
Though photography reaches as far back as the sixteenth-century’s camera obscura projects, it wasn’t until the British colonial period that amateur photographers introduced their technology to the Indian subcontinent. By the end of the nineteenth century, however, India was at the center of a representational revolution. Was photography in India simply a void, waiting to be filled by pre-existing cultural and historical practice? Or was it disruptive, throwing up new opportunities, prophesying new social formations, and bringing anxieties about formerly secluded events and practices into a newly visible sphere? The Coming of Photography in India transcends traditional cultural and technological narratives in order to present a subtle and compelling account of the limits, possibilities, and consequences of photography. Examining technology in order to explain the dynamic incarnation of photographic practice as cure, poison, and prophecy, Christopher Pinney presents a bold account that will reward anyone with an interest in India, photography, or the history of the book. Accompanied by beautiful illustrations and a large number of previously unpublished images, this volume presents a sophisticated account of the “disturbance” that photography has brought to all of our lives.
A wedding couple gazes resolutely at viewers from the wings of a butterfly; a portrait surrounded by rose petals commemorates a recently deceased boy. These quiet but moving images represent the changing role of photographic portraiture in India, a topic anthropologist Christopher Pinney explores in Camera Indica. Studying photographic practice in India, Pinney traces photography's various purposes and goals from colonial through postcolonial times. He identifies three key periods in Indian portraiture: the use of photography under British rule as a quantifiable instrument of measurement, the later role of portraiture in moral instruction, and the current visual popular culture and its effects on modes of picturing. Photographic culture thus becomes a mutable realm in which capturing likeness is only part of the project. Lavishly illustrated, Pinney's account of the change from depiction to invention uncovers fascinating links between these evocative images and the society and history from which they emerge.
How the colonial photograph revolutionized the very nature of perception
India explores the lives of everyday people in extraordinary settings through the lens of Steve McCurry, one of the most admired photographers working today. As featured on cnn.com. This new portfolio of emotive and beautiful photographs from India features 150 previously unpublished images taken across the Indian subcontinent, along with iconic photographs that are famous worldwide. Reproduced in a large format with captions, and an introductory essay, this book features a range of color pictures illustrating this most colorful of countries, capturing the lives of everyday people in extraordinary settings: from the Ganesh festival on Chowpatty beach in Mumbai to the Kolkata railway station before dawn to the flower markets of Kashmir and the streets of Old Delhi. Following Phaidon's 2013 bestseller Untold: The Stories Behind the Photographs, McCurry's India is a new selection of the photographer's beautiful and powerful images of India, a country he has photographed many times over the last thirty years. Other Phaidon titles by Steve McCurry, include Steve McCurry, The Iconic Photographs, Steve McCurry, Unguarded Moment and Steve McCurry: South Southeast.
Enjoy the beautiful curated photographs (in color) of India The photos captures the quintessential stunning landmarks, scenery and architectural buildings of the country and city from day to night without no words (texts) This full page picture book will make a great home coffee table decor accessory or as a gift for a loved one 8.5" x 11" / large size Glossy softcover
A fantastic insight into Colonial India through vintage photographyAt the beginning of the 1850s, photography had gained acceptance in Colonial India. With its magnificent architecture, exotic landscapes and many different cultures, India could offer fantastic photographic scenes. In this splendid photobook, which is also the catalogue for an exhibition at The David Collection in Copenhagen, the author has collected photos by English and some Indian photographers. Their images represent India's architecture in all its glory - outstanding palaces and monuments, including Taj Mahal - as well as portraits of princes, maharajas, ministers and warriors in all their splendour.There are also photos of the typical Indian craftsmen - stone- and woodcarvers, carpenters and colourists - as well as photos of elephants, people bathing in the Ganges river, people harvesting hay and working in gardens, acrobats, snake charmers, dancers, musicians and religious processions. All photos are accompanied by descriptive captions while a map of India creates overview of which locations the photos were taken.
This volume on Captain Linnaeus Tripe, who photographed extensively in India and Burma in the mid-19th century, offers brilliant pictures that display the unusual combination of a surveyor's eye and an artist's passion. Captain Linnaeus Tripe (1822-1902) occupies a special place in the history of 19th-century photography for the outstanding body of work he produced in India and Burma (now Myanmar) in the 1850s. Introduced to photography by those who saw it as a pastime, he recognized that it could be an effective tool for conveying information about unknown cultures. Under the auspices of the East India Company, he took many photographs of Buddhist and Hindu architecture and dramatic landscapes not seen before in the West. His military training gave his work a striking aesthetic and formal rigor and helped him achieve remarkably consistent results, despite the challenges that India's heat and humidity posed to photographic chemistry. This sumptuous volume features photographs from Tripe's two major expeditions: to Burma in 1854 and to southeast India in 1857. Essays explore the evolution of his practice and the importance of the sites he recorded, while maps and a chronology provide an overview of his life and travels.
Covering the years 1942 to 1978, this volume captures important events in Indian history, including the lives of its eminent political leaders, writers, and artists, its rich heritage and traditions, and the social and cultural life of ordinary people through the lens of Sunil Janah. With a personal narrative by Sunil Janah providing rare insights into Indian history, the country's social and cultural life, as also his development as an artist, the volume also includes a special section on post-9/11 America.
After the public announcement of the invention of the camera in 1839, photography spread swiftly round the world, and by the early 1850s the medium had become well-established in the Indian subcontinent. In a land characterised by the variety and splendour of its architecture and landscapes, and the diversity of its peoples and customs, India offered the photographic artist an unsurpassed range of subject matter. In addition to the artistic achievements of international masters of photography like Dr John Murray and Samuel Bourne, official encouragement of the medium as a documentary tool came from the East India Company. By the mid-1850s a remarkable visual 'archive' had been created, which charted the architectural heritage and ethnic composition of the subcontinent. This book, which accompanied a major exhibition of 19th century images from India, traces the development of photography from 1850 to 1900, when the ascendency of the large format camera and print began to crumble in the face of the simplified amateur camera. Drawn from the collections of the British Library, and Howard and Jane Ricketts, the book is illustrated with some of the finest photographs produced in India during the latter half of the nineteenth century, many never previously reproduced.