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Veteran photographer and instructor Bryan Peterson is best known for his arresting imagery using bold, graphic color and composition. Here he explores his signature use of color in photography for the first time, showing readers his process for creating striking images that pop off the page. He addresses how to shoot in any type of light, and looks at color families and how they can work together to make compelling images in commercial and art photography. He also helps readers understand exposure, flash, and other stumbling blocks that beginning and experienced photographers encounter when capturing images, showing how to get the most out of any composition. With its down-to-earth voice and casual teaching style, Understanding Color in Photography is a workshop in a book, helping any photographer take their images to the next level.
Renowned as America's pre-eminent black-and-white landscape photographer, Ansel Adams began to photograph in color soon after Kodachrome film was invented in the mid 1930s. He made nearly 3,500 color photographs, a small fraction of which were published for the first time in the 1993 edition of ANSEL ADAMS IN COLOR. In this newly revised and expanded edition, 20 unpublished photographs have been added. New digital scanning and printing technologies allow a more faithful representation of Adams's color photography.
This striking volume celebrates colour in photography. Hundreds of images by some of the biggest names in photography are organised into colour-coded chapters, each introduced by an essay from the historian Michel Pastoureau. Among the featured photographers are Steve McCurry, Martin Parr, Susan Meiselas, Bruno Barbey, and Raghu Rai.
Basics Photography- Post-Production Colour is richly illustrated with informative diagrams and inspirational images, making this book an invaluable guidebook for any photographer or aspiring photographic student.
Brings to life the challenges and developments of Technicolor, Kodachrome, Agfacolor, Kodacolor, Cibachrome, Polaroid and electronic photography.
Shoot Stunning, Professional Food Photography that Looks Good Enough to Eat! Snapping unbelievably gorgeous food photos has never been simpler than with Picture Perfect Food, your all-in-one guide to delicious-looking images from prolific photographer and educator, Joanie Simon. Whether you’re an up-and-coming food blogger, looking to break into commercial photography or capturing food just for fun (and your Instagram account), this approachable collection of tutorials will have you taking tantalizing and tasty shots with every snap of the shutter. No matter if you’re using your phone, your fanciest DSLR or any camera in between, you’ll gain complete confidence as you expand your technical knowledge and grow your artistic eye, creating awe-inspiring images that dazzle the senses. With her cheerful teaching style, Joanie walks you through each element of a masterful food photo in chapters devoted to Camera Settings, Light and Shadow, Story, Props Styling, Composition, Food Styling and Finding Inspiration. Learn how to find the best light in your house for standout shots and to delve into the shadows to create a moody and mesmerizing atmosphere; discover how to compose the elements in your scenes through color theory and visual weight for unforgettable images that capture and hold the eye; and uncover the secrets of styling sensational salads and stunning soups and keeping your cool when shooting frozen foods, among other essential tricks of the trade. With camera in hand and Joanie’s expert guidance at your fingertips, tackle every photography challenge with confidence and take your food photos from meh to mouthwatering in no time.
This book intends to correct the somewhat blurred image of Ernst Haas's color photography which, due to its extraordinary vibrancy, was much in demand by the illustrated press of its time. Haas's color work, published in the most influential magazines and various books in Europe and America, earned him worldwide fame, but at the same time has often been derided by critics and curators as too easily accessible and not sufficiently "serious." As a result, his reputation has suffered in comparison with a younger generation of color photographers, notably Eggleston, Shore and Meyerowitz. However, such criticism usually overlooks the astonishing sensibility of Haas's personal work in color, which constantly but almost invisibly accompanied his commissioned photography and was far more radical and ambiguous. Haas never printed these pictures in his lifetime, let alone exhibit them. With their striking inventiveness and complexity, they firmly stand their ground in the face of the work of Haas's fellow photographers. Due to its enormous popularity, Steidl is now offering Color Correction in a new, unaltered edition.
"Saul Leiter's early black and white photographs are as innovative and challenging as his highly regarded early work in color. Breaking with the documentary tradition, Leiter responded to the dynamic street life of New York City with a spontaneity and openness that resulted in vibrant, impressionistic images that have the immediacy of an accomplished artist's sketch. With his unconventional framing and nuanced use of light, shadow and tone, Leiter created images with a lyrical subtlety like no other photographer of his era, and brought the same sensibility to his intimate and frank portrayals of family members and friends. Early Black and White shows the impressive range of Leiter's early photography."--Slipcase.