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Photography Changes Everythingdrawn from the online Smithsonian Photography Initiativeoffers a provocative rethinking of photographys impact on our culture and our lives. It is a reader-friendly exploration of the many ways photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. At this transitional moment in visual culture, Photography Changes Everything provides a unique opportunity to better understand the history, practice, and power of photography. The publication harnesses the extraordinary visual assets of the Smithsonian Institutions museums, science centers, and archives to trigger an unprecedented and interdisciplinary dialogue about how photography does more than record the worldhow it shapes and changes every aspect of our experience of and in the world. The book features over three hundred images and nearly one hundred engaging short texts commissioned from experts, writers, inventors, public figures, and everyday folkHugh Hefner, John Baldessari, John Waters, Robert Adams, Sandra Phillips, and others. Each story responds to images selected by project contributors. Together they engage readers in a timely exploration of the extent to which our lives have been transformed through our interactions with photographic imagery.
Photography's critical role in science explained Subjects range from facial recognition to outer space For everyone curious about the impact of photography on our lives
The only book to cover the most popular tool for social change - photography.
With strong first-hand reporting and an original, provocative thesis, Naomi Klein returns with this book on how the climate crisis must spur transformational political change
Basic Critical Theory for Photographers generates discussion, thought and practical assignments around key debates in photography. Ashley la Grange avoids the trap of an elitist and purely academic approach to critical theory, taking a dual theoretical and practical approach when considering the issues. Key critical theory texts (such as Sontag's 'On Photography' and Barthes' 'Camera Lucida') are clarified and shortened. La Grange avoids editorilising, letting the arguments develop as the writers had intended; it is the assignments which call into question each writer's approach and promote debate. This is the ideal book if you want to understand key debates in photography and have a ready-made structure within which to discuss and explore these fascinating issues. It is accessible to students, from high school to university level, but will also be of interest to the general reader and to those photographers whose training and work is concerned with the practical aspects of photography. Also includes invaluable glossary of terms and a substantial index that incorporates the classic texts, helping you to navigate your way through these un-indexed works. The book also contains useful information on photo-mechanical processes, explaining how a photograph can appear very differently, and as a result be interpreted in a range of ways, in a variety of books.
Complete, practical guide to handling colour graphics on the desktop for Mac and PC - from the scanning, creation and manipulation of images to processing for different colour output devices. Keep this handy book on your desk to help you achieve more professional-looking results in colour for a wide variety of tasks. An accompanying CD-ROM allows you to view practical examples of colour techniques in graphic design on the screen, demonstrating the techniques described in the book. The underlying principles of digital colour are explained in detail: · colour models · ways in which scanners, monitors and printers handle colour · system calibration methods · colour management processes · colour processing features in software · colour conversions Practical examples of colour techniques in graphic design are illustrated using a variety of software applications: Photoshop, Fractal Painter, Ray Dream Studio, Illustrator, Freehand, CorelDraw, Fractal Poser and Metatools Bryce. The examples are conducted through a series of workshops leading you through a variety of processes. Ken Pender is a freelance designer. He was, for many years, a Manager with IBM, including four years as Manager of their European Computer Integrated Manufacturing Technology Centre in Germany. He is also author of 'Digital Graphic Design' and 'Digital Video for the Desktop' for Focal Press.
Turn your enthusiasm into striking photographs! The perfect companion wherever you go, DIGITAL PHOTOGRAPHY, International Edition provides a straightforward, comprehensive introduction to photography for the digital photographer. Detailed step-by-step photo sequences and concise discussions show you how to execute photography processes and special techniques using actual equipment and materials, while a full chapter on troubleshooting provides help when you need it. Numerous high-quality, full-color and duotone reproductions of works by well-known photographers such as Ansel Adams and Alfred Stieglitz offer inspiration and guidance. From "seeing" and composing the shot to applying special techniques and working in Photoshop, this information-packed book covers everything you need to know to become a successful digital photographer.
Public, Private, Secret explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that define our public and private selves. This collection of essays, interviews, and reflections assesses how our image-making and consumption patterns are embedded and implicated in a wider matrix of online behavior and social codes, which in turn give images a life of their own. Within this context, our visual creations and online activities blur and remove conventional separations between public and private (and sometimes secret) expression. The writings address the various disruptions, resistances, and subversions that artists propose to the limited versions of race, gender, sexuality, and autonomy that populate mainstream popular culture. They anticipate a future for our image-world rich with diversity and alterity, one that can be shaped and influenced by the agency of self-representation.
“I adored stepping into to the world of the Prines through tough-as-rawhide Mary Pearl. Light Changes Everything is a novel as gritty and authentic as the women of the Arizona Territory. Nancy E. Turner brings the west and its people fully to life.” –Lisa Wingate, #1 New York Times bestselling author of Before We Were Yours Bestselling author Nancy E. Turner returns to the world of Sarah Agnes Prine through the wide-eyes of her irrepressible young niece, Mary Pearl. It’s the summer of 1907 and the sun is scorching down on Mary Pearl in the Arizona Territory. Mary Pearl and her sister Esther take their minds off the heat by sneaking banned Jane Austen novels from Aunt Sarah Elliot’s lively bookshelf. Whispered read alouds preoccupy their nights, and reveries of getting hitched to their own Mr. Darcy à la Pride and Prejudice swirl through their day dreams. In walks old-fashioned old-money suitor Aubrey Hanna, here to whisk seventeen year old Mary Pearl off her feet with a forbidden kiss and hasty engagement. With the promise of high society outings and a rich estate, Aubrey’s lustful courtship quickly creates petty tension among the three generations of Prine women. As autumn approaches all too quickly, Mary Pearl’s Wheaton College acceptance counters quick marriage preparations. Days of travel by horse and by train carry her deep into a sophisticated new world of Northern girls’ schooling. Seeking friendship but finding foes, Mary Pearl not only learns how to write, read, and draw, but also how to act, dress, and be a woman. Light Changes Everything is the story of a resilient young feminist a century ahead of her time. Full of gumption and spirit, Mary Pearl’s evocative coming of age tale is destined to be the next American classic.
Photographic Treatment consists of a series of five books, Daily Photo Dose 1, 2, 3, 4 and 5, each with thirty black and white photographic diptychs collected and edited by Laurence Aegerter. Conducted in collaboration with neurologists, gerontologists and psychologists, the project aims to provide an image-based therapeutic tool to improve the well-being of senile dementia patients.