Download Free Photographs Of The Worlds Fair Book in PDF and EPUB Free Download. You can read online Photographs Of The Worlds Fair and write the review.

The 1964-1965 New York World's Fair was the largest international exhibition ever built in the United States. More than one hundred fifty pavilions and exhibits spread over six hundred forty-six acres helped the fair live up to its reputation as "the Billion-Dollar Fair." With the cold war in full swing, the fair offered visitors a refreshingly positive view of the future, mirroring the official theme: Peace through Understanding. Guests could travel back in time through a display of full-sized dinosaurs, or look into a future where underwater hotels and flying cars were commonplace. They could enjoy Walt Disney's popular shows, or study actual spacecraft flown in orbit. More than fifty-one million guests visited the fair before it closed forever in 1965. The 1964-1965 New York World's Fair captures the history of this event through vintage photographs, published here for the first time.
128 rare, vintage photographs: 200 buildings — 79 of foreign governments, 38 of U.S. states — the original ferris wheel, first midway, Edison's kinetoscope, much more. 128 black-and-white photographs. Captions. Map. Index.
What came to be known as the World s Columbian Exposition was planned to commemorate the 400th anniversary of Christopher Columbus s 1492 landfall in the New World. Chicago beat out New York City, St. Louis, Missouri, and Washington, DC, in its bid as host a coup for the Windy City. The site finally selected for the fair was Jackson Park, originally designed by Frederick Law Olmsted and Calvert Vaux, a marshy area covered with dense, wild vegetation. Daniel H. Burnham and John W. Root were selected as chief architects, creating the famous White City. The fair featured several different thematic areas: the Great Buildings, Foreign Buildings, State Buildings, and the Midway Plaisance, a nearly mile-long area that featured exotic exhibits. The exposition also showcased the world s first Ferris Wheel and introduced fairgoers to new sensations like Cracker Jack, Pabst Beer, and ragtime music. The World s Columbian Exposition, covering 633 acres, opened on May 1, 1893. Admission prices were 50cents for adults, 25cents for children under 12 years of age, and free for children under six. Unfortunately, by 1896, most of the fair s buildings had been removed or destroyed, but this collection takes readers on a tour of the grounds as they looked in 1893."
A collection of photos from the 1904 World's Fair held in St. Louis, Mo. also referred to as the Louisiana Purchase Exposition.
Photographic tour of best-loved world's fair: the 700-foot-tall Trylon, the 200-foot-wide Perisphere, GM's Futurama ride, 3-D movies, Elektro the 7-foot-tall robot, artwork by Dali and Calder, much more. 155 photographs, map.
Contains captioned, archival photographs that trace the history of the 1904 World's Fair in St. Louis, Missouri, from the groundbreaking to the closing ceremonies.
1901 Buffalo World's Fair: The Pan-American Exposition in PhotographsCelebrate the turn of the century, triumph, tragedy, and the rise of American industry at one of the all-time spectacular World's Fairs in the city of Buffalo.Electricity, art, architecture, science, and industry ruled the day in 1901 as the United States, and the world marveled at the rise of the newest superpower in "The Rainbow City," as it was called because of the multicolored buildings and festive lighting displays. Though the assassination of President William McKinley, in the Temple of Music, cast a dark cloud over the event and remains the Fair's most notable occurrence, its beautiful buildings, lighting effects, and elegant lagoons remain a vivid memory thanks to the miracle of photography.The Pan-American Exposition covered 350 acres in the City of Buffalo and played host to roughly 8 million people between May 1st and November 2nd, 1901. Built to celebrate American military superiority and technological accomplishments, visitors marveled at elaborate temporary structures such as the illuminated Tower of Light, The Triumphal Bridge, Pergola, Court of Fountains, Ethnology Building, Midway, and countless sculptures from the best artists of the day.This informative guide to Fair includes hundreds of photographs, many rare. A detailed map guides readers through the fairgrounds as a visitor might have a century ago to marvel at the picturesque scenery, lavish waterways, and festive Midway built to arouse the senses intrigue the mind. Written and designed by World's Fair historian and writer, Mark Bussler, author of 1939 New York World's Fair: The World of Tomorrow in Photographs, 1904 St. Louis World's Fair: The Louisiana Purchase Exposition in Photographs, Magnum Skywolf, 80s Comics: Ultimate 1980s Comic Book Review Guide, The White City of Color, and The 1893 World's Fair Ultra Massive Photographic Adventure series. Mark Bussler is also the director of Expo Magic of the White City, narrated by Gene Wilder, Westinghouse, and Horses of Gettysburg.
After enduring 10 harrowing years of the Great Depression, visitors to the 1939-1940 New York World's Fair found welcome relief in the fair's optimistic presentation of the "World of Tomorrow." Pavilions from America's largest corporations and dozens of countries were spread across a 1,216-acre site, showcasing the latest industrial marvels and predictions for the future intermingled with cultural displays from around the world. Well known for its theme structures, the Trylon and Perisphere, the fair was an intriguing mixture of technology, science, architecture, showmanship, and politics. Proclaimed by many as the most memorable world's fair ever held, it predicted wonderful times were ahead for the world even as the clouds of war were gathering. Through vintage photographs, most never published before, The 1939-1940 New York World's Fair recaptures those days when the eyes of the world were on New York and on the future.
"The pictures in this book bring the argument about reuse and preservation into focus. What is worthy of retaining and what is dispensable? What are the criteria for considering whether a structure should be retained or demolished? How do you define the parameters of taste and utility in making decisions to preserve or destroy? How will future generations regard the destruction of certain structures, will we be considered cultural vandals for not having retained more of the structures that seemed irrelevant at the time? The preservation argument is heightened in the case of the exhibitions sites, as by definition an exhibition is considered a temporary event."--Page 9.