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An inventive philosophical study that reconsiders the figure of the tourist. Tourism is a characteristically modern phenomenon, yet modern thinkers have tended to deride the tourist as a figure of homogenizing globalism. This philosophical study considers the tourist anew, as a subject position that enables us to redraw the map of globalized culture in an era increasingly in revolt against the liberal intellectual worldview and its call for the welcome of the "Other." Why has the tourist proved so resistant to philosophical treatment, asks Hiroki Azuma. Tracing the reasons for this exclusion through the work of Rousseau and Voltaire, and subsequently in Kant, Carl Schmitt, Alexandre Kojève, Hannah Arendt, and Hardt and Negri, Azuma contends that the figure of the tourist has been rendered illegible by becoming ensnared in a series of misleading conceptual dichotomies and a linear model of world history. In the widening gap between the infrastructure of globalization and inherited ties of local and national belonging, Azuma’s retheorization of the tourist presents an alternative to the choice between doubling down on local identity and roots, or hoping for the spontaneous uprising of a multitude from within the great networked Empire. For the tourist is the subject capable of moving most freely between the strata of the global and the local. With explorations of the connection between tourism and fan fiction, contingency and "misdelivery," cyberspace and the uncanny, and dark tourism, Azuma’s inventive and optimistic philosophical essay sheds unexpected new light on a mode of engagement with the world that is familiar to us all.
Despite the geometric expansion of tourism knowledge, some areas have remained stubbornly underdeveloped and a full or comprehensive consideration of the philosophical issues of tourism represents one such significant knowledge gap. A key aim of this book therefore is to provide an initial mapping of, and fresh insights into this territory. In doing so it discusses key philosophical questions in the field such as What is tourism? Who is a tourist? What is wisdom? What is it to know something? What is the nature of reality? Why are some destinations considered beautiful? Why is tourism desirable? What is good and bad tourism? What are desirable ends? These and similar topics are addressed this book under the headings of truth, beauty and virtue.
In this classic analysis of travel and sightseeing, author Dean MacCannell brings social scientific understandings to bear on tourism in the postindustrial age, during which the middle class has acquired leisure time for international travel. In The Tourist—now with a new introduction framing it as part of a broader contemporary social and cultural analysis—the author examines notions of authenticity, high and low culture, and the construction of social reality around tourism.
This book introduces readers to philosophies of hospitality and tourism. It provides insights into classic philosophical concepts and explains how these can inform the actions of tourism stakeholders, practitioners, hosts and tourists. The discussion of philanthropy is a strength of the book and will be important in a post-Covid19 tourism industry.nt in a post-Covid19 tourism industry.
How can we think more deeply about our travels? This was the question that inspired Emily Thomas' journey into the philosophy of travel. Part philosophical ramble, part travelogue, The Meaning of Travel begins in the Age of Discovery, when philosophers first started taking travel seriously. It meanders forward to consider Montaigne on otherness, John Locke on cannibals, and Henry Thoreau on wilderness. On our travels with Thomas, we discover the dark side of maps, how the philosophy of space fuelled mountain tourism, and why you should wash underwear in woodland cabins... We also confront profound issues, such as the ethics of 'doom tourism' (travel to 'doomed' glaciers and coral reefs), and the effect of space travel on human significance in a leviathan universe. The first ever exploration of the places where history and philosophy meet, this book will reshape your understanding of travel.
This stunning “dystopian feminist eco-thriller” from an award-winning South Korean author “takes on climate change, sexual assault, greed, and dark tourism” (Ms. Magazine). Welcome to the desert island of Mui, where a paid vacation to paradise is nothing short of a disaster in this “mordantly witty novel [that] reads like a highly literary, ultra–incisive thriller” (Refinery29). Jungle is a cutting–edge travel agency specializing in tourism to destinations devastated by disaster and climate change. And until she found herself at the mercy of a predatory colleague, Yona was one of their top representatives. Now on the verge of losing her job, she’s given a proposition: take a paid “vacation” to the desert island of Mui and pose as a tourist to assess the company’s least profitable holiday. When she uncovers a plan to fabricate an extravagant catastrophe, she must choose: prioritize the callous company to whom she’s dedicated her life, or embrace a fresh start in a powerful new position? An eco–thriller with a fierce feminist sensibility, The Disaster Tourist introduces a fresh new voice to the United States that engages with the global dialogue around climate activism, dark tourism, and the #MeToo movement.
Transformational Tourism deals with the important issue of how travel and tourism can change human behaviour and have a positive impact on the world. The book focuses on human development in a world dominated by post-9/11 security and political challenges, economic and financial collapses, as well as environmental threats; it identifies various types of tourism that can transform human beings, such as educational, volunteer, survival, community-based, eco, farm, extreme, religious, spiritual, wellness, and mission tourism.
"Throughout the book, the passions and sincerity of animal advocates are captured with immense respect…the story becomes unstoppable." — Animal Legal Defense Fund The Tourist Trail is at once a romance, an adventure story, an environmental polemic, and a keen study of just how animalistic humans are. —Phoebe Literary Journal The Tourist Trail will challenge your perceptions of villains and innocent victims, and make you question whose side you’re on as each character grapples with his or her own authenticity, with what’s worth fighting for, and faces the realization that no matter how fast you run, you can never escape from yourself. — IndieReader Throughout the book, the passions and sincerity of animal advocates are captured with immense respect…the story becomes unstoppable. — Animal Legal Defense Fund Biologist Angela Haynes is accustomed to dark, lonely nights as one of the few humans at a penguin research station in Patagonia. She has grown used to the cries of penguins before dawn, to meager supplies and housing, to spending most of her days in one of the most remote regions on earth. What she isn’t used to is strange men washing ashore, which happens one day on her watch. The man won’t tell her his name or where he came from, but Angela, who has a soft spot for strays, tends to him, if for no other reason than to protect her birds and her work. When she later learns why he goes by an alias, why he is a refugee from the law, and why he is a man without a port, she begins to fall in love—and embarks on a journey that takes her deep into Antarctic waters, and even deeper into the emotional territory she thought she’d left behind. Against the backdrop of the Southern Ocean, The Tourist Trail weaves together the stories of Angela as well as FBI agent Robert Porter, dispatched on a mission that unearths a past he would rather keep buried; and Ethan Downes, a computer tech whose love for a passionate animal rights activist draws him into a dangerous mission.
A companion for visitors to Greece and Rome, and for armchair travelers as well. John Gaskin unfolds the thinking about nature, life, death, and other worlds that informed the culture and society of the classical world—still visible in today’s cityscapes and archaeological sites—and draws out its relevance and interest for the modern reader. It was the Greeks who first asked and discussed in a rational way two fundamental questions that never cease to concern thinking human beings: what is the nature of the universe, and what can I make of my brief time in it? Their answers, developed between the eighth century BC and the fourth century AD, are still relevant to the modern reader and traveler. The author associates each philosopher and his ideas with a particular tourist destination, and a gazetteer describes the sites and notes the people and ideas connected with them.
Drawing upon the literature of landscape geography, tourism studies, cultural studies, visual studies and philosophy, this book offers a multi-disciplinary approach to understanding the interaction between urban environments and tourists. This is a necessary prerequisite for cities as they make themselves into enticing destinations and compete for tourists' attention. It argues that tourists make sense of, and draw meaningful conclusions about, the places in which they tour based upon the interpretation of the signs or elements encountered within the built environment, elements such as graffiti and lamp posts. The writings of the American pragmatist Charles S. Peirce on interpretation provide the theoretical model for explaining the way in which mind and world, or thoughts and objects, result in tourists interacting with place. This theoretical framework elucidates three applied studies undertaken with foreign visitors to the Hungarian capital of Budapest. Based upon extensive ethnographic field work, these studies focus on tourists' interpretation of the urban landscape, with particular attention paid to the encounters with national culture, the role of architecture and the importance of the prosaic in urban tourism.