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This volume contains the key philosophical writings of maverick Enlightenment philosopher André-Pierre Le Guay de Prémontval (1716-1764). Prémontval was a prolific member of the Berlin Academy of Sciences, and in his career as academic he wrote a series of essays and books on a range of core philosophical topics, such as necessity and contingency, free will, sufficient reason, personal identity, the nature of the mind and its relationship with the body, optimism, and the existence of God. Prémontval’s philosophy, shaped by his opposition to key philosophers such as Descartes, Leibniz, and Wolff, is notable for a number of original and often provocative positions on key philosophical issues of the time, which he supported by inventive critiques and a raft of novel arguments. In addition to developing a highly original proof for the existence of God based on the principles of atheism, Prémontval argued that all possible beings exist, and do so necessarily and therefore eternally; he insisted that the universe unfolded through an interplay of chance and necessity, its direction influenced by God but not under God’s direct control; and he considered free will a curse and the main impediment to the realization of the only aim fitting for God, which was to make all beings happy and holy as quickly as possible. His writings are notable for anticipating modern developments such as open theism, process theology, and animal theodicy. In this volume, Lloyd Strickland makes Prémontval’s key philosophical writings available in English for the first time. In making these translations, Strickland—a well-respected translator of Leibniz’s work—has consulted the original manuscripts to ensure the greatest accuracy, and as befits a scholarly edition, the texts are meticulously documented with copious annotations. Accompanying the texts is a substantial and informative introduction.
The Routledge Companion to Seventeenth Century Philosophy is an outstanding survey of one of the most important eras in the history of Western philosophy - one which witnessed philosophical, scientific, religious and social change on a massive scale. A team of twenty international contributors provide students and scholars of philosophy and related disciplines with a detailed and accessible guide to seventeenth century philosophy. The Companion is divided into seven parts: Historical Context Metaphysics Epistemology Mind and Language Moral and Political Philosophy Natural Philosophy and the Material World Philosophical Theology. Major topics and themes are explored and discussed, including the scholastic context that shaped philosophy of the period, free will, skepticism, logic, mind-body problems, consciousness, arguments for the existence of God, and the problem of evil. As such The Routledge Companion to Seventeenth Century Philosophy is essential reading for all students of the period, both in philosophy and related disciplines such as literature, history, politics, and religious studies.
"Whereas the history of philosophy defines metaphysics as asking the question 'What is Being?'; here is asked 'Where is Being?' What is to be analyzed is indeed part of the tradition of metaphysics to inquire about Being qua being, but here the inquiry is into its structure, its position within the ontological whole. The concept of the 'architectonic' is borrowed from Kant ... In this work, three philosophical structures are chosen for a more extensive examination: the three 'architectonics' are that of Plato's Chora, Aristoteles' continuum, and finally Leibniz's labyrinth"--Back cover.
Inquiry into Religious and Philosophical Issues provides an educational experience of both wonder and discovery. The text’s focus on epistemology applies this inquisitive discipline to an array of topics, including religious faith, ethics, personal meaning and happiness. Sources from philosophy, theology, and psychology interact with debates, role-playing, essays, and other student-centered activities to encourage meaningful thinking and engagement. Students are taught skills to develop personal awareness and resilience in order to help them flourish. Complex subjects such as religion and philosophy often lead to difficult questions and ideas that, for many students, go unheard. With Inquiry into Religious and Philosophical Issues, these questions and ideas will now have a voice.
Philosophy can transform your life. But the only philosophy that can save you is your own. Yet how do you find your own in an age of misinformation and unbridled spin, when truth is unfashionable and hype hyper-attractive. Where is the air needed to breathe the honest spirit of inquiry? How to Play Philosophy is a breezy array of lyrical, creative essays that explore timeless and timely ideas about who we are, how we live and what we think. MIT-trained philosopher Michael Picard gives airing to numerous philosophers from conflicting traditions and builds an intellectual background to enable readers to draw their own conclusions. Written in a spirit of free and playful inquiry, the essays were composed originally to support public participatory philosophy, or Café Philosophy, which the author has facilitated for decades. Subjects include Play it With Feeling (Desire, Stress, Anger); Games We Play (Intimacy, Loyalty, Betrayal) and Playing Fair (Values, Good, Integrity), alongside epistemological topics including Truth (Knowledge, Certainty, Objectivity) and the perennial metaphysical quandaries (Human Nature, The Sacred, God). Written for everyone interested in exploring age-old subjects in an age of disposable content, How to Play Philosophy offers playful provocations with the aim of enabling independent thinking and deeper public conversations.
Slovenian philosopher Miran Bozovic's An Utterly Dark Spot examines the elusive status of the body in early modern European philosophy by examining its various encounters with the gaze. Its range is impressive, moving from the Greek philosophers and theorists of the body (Aristotle, Plato, Hippocratic medical writers) to early modern thinkers (Spinoza, Leibniz, Malebranche, Descartes, Bentham) to modern figures including Jon Elster, Lacan, Althusser, Alfred Hitchcock, Stephen J. Gould, and others. Bozovic provides startling glimpses into various foreign mentalities haunted by problems of divinity, immortality, creation, nature, and desire, provoking insights that invert familiar assumptions about the relationship between mind and body. The perspective is Lacanian, but Bozovic explores the idiosyncrasies of his material (e.g., the bodies of the Scythians, the transvestites transformed and disguised for the gaze of God; or Adam's body, which remained unseen as long as it was the only one in existence) with an attention to detail that is exceptional among Lacanian theorists. The approach makes for engaging reading, as Bozovic stages imagined encounters between leading thinkers, allowing them to converse about subjects that each explored, but in a different time and place. While its focus is on a particular problem in the history of philosophy, An Utterly Dark Spot will appeal to those interested in cultural studies, semiotics, theology, the history of religion, and political philosophy as well. Miran Bozovic is Associate Professor of Philosophy at the University of Ljubljana, Slovenia. He is the author of Der grosse Andere: Gotteskonzepte in der Philosophie der Neuzeit (Vienna: Verlag Turia & Kant, 1993) and editor of The Panopticon Writings by Jeremy Bentham (London: Verso, 1995).
According to the received view, Kant’s critical revolution put an end to the kind of metaphysics of which Leibniz’s ‘Monadology’ is the example par excellence. This volume challenges Kant’s claim by providing a far more nuanced version of philosophy’s ‘post-Kantian’ tradition that spans from the late eighteenth to the early twentieth century and brings to light a rich tradition of new ‘monadologists’, many of whom have been unjustifiably forgotten by contemporary historians of philosophy. Through this complex dialogue, monadology is shown to be a remarkably fecund hypothesis, with many possible variations and developments. The volume’s focus on monadology exposes the depth and breadth of the post-Kantian period in an original and previously unexplored way and opens up numerous avenues for future research. Crucially, however, this volume not only shows that monadological metaphysics did continue after Kant but also asks the critical question of whether it should have done so. Consequently, the question of whether monadological metaphysics could also have a future is shown to be relevant in a way that was previously almost inconceivable. This book was originally published as a special issue of the British Journal for the History of Philosophy.
Discusses questions such as, what is knowledge, what qualifies as knowledge, and what does not; what does it mean to say, "I know, I understand," what is truth, and what is certainty? When can we affirm and be certain that -- I know this or that, this or that is a universal truth I can rely upon, and I know that it so because I have a method and at least one criterion to determine that this or that is indeed a universal truth. Furthermore, how do knowledge and understanding compare with belief: Are there evidences so compelling that, in certain cases, propositions of the form 'I know that X' are indeed expressions of knowledge, and in other cases merely expressions of opinions and/or beliefs? Can the words 'belief', 'understanding', and 'knowledge' be used interchangeably? And by the way, what role does reason play in our endeavours to seek knowledge? And what role does human nature play in that endeavour?
Bazyn's poems seek to encourage Christians of all stripes to present a new song unto the Lord—by actual example and useful advice. All sorts of issues relating to creativity are touched upon, whether theological, psychological, sociological, philosophical, linguistic, or autobiographical. Among the topics covered: finding your own voice; reading widely and deeply in the classics; being spare, concise in your style; discovering your genuine self beneath its assorted masks; taking occasional flights of fantasy; considering your mind as a house of memory; perfecting your art, even in a miniature way. Celebrating your mentors—among the authors are Dickinson, Donne, and Hafez; reflecting on your past by looking at old photographs; drawing inspiration from home and family; not allowing overly critical editors to stifle your creativity; recognizing that the artistic life may be a lonely and perilous journey toward fulfillment; seeking after God's will in all that you do; never being afraid to head into deeper waters; acknowledging that we are, at best, half-converted souls. Black-and-white photos by the author illumine the themes of these pieces. Also, there is a bibliography of recommended readings on creativity. Go, and find your voice; then let it rise up to the Lord night and day.
This volume takes cue from the idea that the thought of no philosopher can be understood without considering it as the result of a lively dialogue with other thinkers. On this ground, it addresses the ways in which René Descartes’s philosophy evolved and was progressively understood by intellectuals from different contexts and eras, either by considering direct interlocutors of Descartes such as Isaac Beeckman and Elisabeth of Bohemia, thinkers who developed upon his ideas and on particular topics as Nicolas Malebranche or Thomas Willis, those who adapted his overall methodology in developing new systems of knowledge as Johannes Clauberg and Pierre-Sylvain Régis, and contemporary thinkers from continental and analytic traditions like Emanuele Severino and Peter Strawson.