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Far more telling than mere biography, this collection of the extant letters exchanged between philosopher Jacques Maritain and social activist Saul Alinsky reveals a deep and intimate friendship, however unexpected and unlikely. Indeed, to all who knew or knew of them the dignified, prominent philosopher and the earthy, truculent genius of social reform seemed antithetical to one another in almost every way. The Maritain-Alinsky correspondence began in 1945, shortly after they met, and continued until Alinsky's death in 1972. The tone and content of the letters vary widely, ranging from expressions of mutual admiration and friendship, to details of the triumphs and tragedies of their personal lives, to anguished considerations of death and immortality. In their letters Maritain and Alinsky offer each other personal expressions of strong mutual support - as well as judicious warnings and slightly apprehensive distancing - for the different works each had undertaken at various times in his respective careers. They also discuss the Catholic church, taking ironic jibes at clerical pomposity and exchanging praise of the socially aware. Though it is difficult to tell whether either man had a significant influence on the thought and work of the other, their correspondence attests that the philosopher and the provocateur, so different in personality, educational backgrounds, demeanor, and intellectual affinities, enjoyed a surprisingly intimate and extraordinary friendship. With context and interpretation of the letters provided by the editor, this intriguing collection of lively, moving letters not only reveals the depths of a most improbable friendship, it also goes far in exposing thehumanity behind the personas.
The French social theorist Pierre Bourdieu was a key thinker about education and educational processes in the second half of the twentieth century. He made his name in seminal texts such as The Inheritors and Reproduction in which he analysed academic discourse and showed how differences in cultural capital led to different outcomes for those who passed through school and university. His concepts of Habitus and Field have since been used extensively in educational research. This book begins by setting his intellectual development within his own biography and then discusses each of his major works on education in turn: from the early studies of students and their learning to later analyses of the French academic space and the elite training colleges. There is also critical discussion of a range of commentators' views on this approach. The book concludes with a series of applications of Bourdieusian thinking on various educational topics: teacher education, classroom discourse, higher education and policy. No educational discussion is complete without consideration from a Bourdieusian perspective. This book shows how and why.
Max Stirner’s The Unique and Its Property (1844) is the first ruthless critique of modern society. In All Things are Nothing to Me, Jacob Blumenfeld reconstructs the unique philosophy of Max Stirner (1806–1856), a figure that strongly influenced—for better or worse—Karl Marx, Friedrich Nietzsche, Emma Goldman as well as numerous anarchists, feminists, surrealists, illegalists, existentialists, fascists, libertarians, dadaists, situationists, insurrectionists and nihilists of the last two centuries. Misunderstood, dismissed, and defamed, Stirner’s work is considered by some to be the worst book ever written. It combines the worst elements of philosophy, politics, history, psychology, and morality, and ties it all together with simple tautologies, fancy rhetoric, and militant declarations. That is the glory of Max Stirner’s unique footprint in the history of philosophy. Jacob Blumenfeld wanted to exhume this dead tome along with its dead philosopher, but discovered instead that, rather than deceased, their spirits are alive and quite well, floating in our presence. All Things are Nothing to Me is a forensic investigation into how Stirner has stayed alive throughout time.
C O N T E N T S Introduction: Jacques Maritain and Contemporary Challenges to Democracy Laurie Johnston Threading the Needle: Jacques Maritain’s Defense of a Christian and Liberal Democracy Mary Doak Jacques Maritain, “Pure” Nature, and the State’s Teleological Crisis Gilbrian Stoy, CSC Distinct But Not Separate: Rethinking Maritain’s Distinction of Planes to Recover His Democratic Potential Travis Knoll Rescuing Maritain from His Reception History: A Reappraisal of William T. Cavanaugh’s Critique in Torture and Eucharist Brian J. A. Boyd Revisiting Maritain in the Present Context—A Response to Gilbrian Stoy, Travis Knoll, and Brian Boyd William T. Cavanaugh Partners in Forming the People: Jacques Maritain, Saul Alinsky, and the Project of Personalist Democracy Nicholas Hayes-Mota Community Organizing for Democratic Renewal: The Significance of Jacques Maritain’s Support for Saul Alinsky and His Methods Brian Stiltner A Common World is Possible: Maritain, Pope Francis, and the Future of Global Governance Kevin Ahern Catholic Social Teaching: Toward a Decolonial Praxis Alex Mikulich Afterword John T. McGreevy
For seven years, from 1956 to 1962, a young French artist electrified the European art world with visual, conceptual and performance art works far ahead of their time. His rise was wildly celebrated by some as the appearance of a prophetic genius, and derisively dismissed by others as scandalous nonsense. His monochrome paintings, body art works, fire paintings, conceptual exhibitions and music, and monumental public space works threatened to upend the very categories of art, in both Europe and America. Indeed, after his tragically premature death in 1962, some of the most far-reaching transformations in contemporary art would follow directly in his wake. But by the 1970s his reputation seemed headed for oblivion, until in 1977 a young classics scholar at Rice University, Thomas McEvilley, proposed Klein for a retrospective show to Dominique deMenil, then director of the Rice gallery, and wrote several texts about Klein that would transform our understanding of Yves Klein's aesthetics. The project grew to involve major institutions, resulting in 1982 with exhibitions in Houston, New York, Paris and Chicago. Virtually overnight Yves Klein's art reentered the art canon. Coincidentally, the career of an important critic was launched. Yves the Provocateur collects those writings of Thomas McEvilley which rejuvenated Klein's stature and hitherto were only available in journals and exhibition catalogues. In effect, it provides the "skeleton key" to clearly examine the full dimensions of Klein's accomplishment. In two opening essays, McEvilley briefly surveys and places Klein's art into context. Then, in the centerpiece essay -- which amounts to a miniature critical biography bearing all the best features of a novella -- he traces the formative and crucial events in Klein's life. Finally, he describes Klein's intellectual development, demonstrating how Klein embedded and parodied in his work the philosophical system of a particular form of Rosicrucianism.
Through a collection of original essays from leading philosophicalscholars, Stich and His Critics provides a thoroughassessment of the key themes in the career of philosopher StephenStich. Provides a collection of original essays from some of theworld's most distinguished philosophers Explores some of philosophy's most hotly-debated contemporarytopics, including mental representation, theory of mind, nativism,moral philosophy, and naturalized epistemology
As an unprecedented global pandemic sweeps the planet, who better than the supercharged Slovenian philosopher Slavoj Žižek to uncover its deeper meanings, marvel at its mind-boggling paradoxes and speculate on the profundity of its consequences? We live in a moment when the greatest act of love is to stay distant from the object of your affection. When governments renowned for ruthless cuts in public spending can suddenly conjure up trillions. When toilet paper becomes a commodity as precious as diamonds. And when, according to Žižek, a new form of communism – the outlines of which can already be seen in the very heartlands of neoliberalism – may be the only way of averting a descent into global barbarism. Written with his customary brio and love of analogies in popular culture (Quentin Tarantino and H. G. Wells sit next to Hegel and Marx), Žižek provides a concise and provocative snapshot of the crisis as it widens, engulfing us all.
An innovative and insightful exploration of the passionate early life of Socrates and the influences that led him to become the first and greatest of philosophers Socrates: the philosopher whose questioning gave birth to the ideas of Western thought, and whose execution marked the end of the Athenian Golden Age. Yet despite his pre-eminence among the great thinkers of history, little of his life story is known. What we know tends to begin in his middle age and end with his trial and death. Our conception of Socrates has relied upon Plato and Xenophon – men who met him when he was in his fifties and a well-known figure in war-torn Athens. There is mystery at the heart of Socrates' story: what turned the young Socrates into a philosopher? What drove him to pursue with such persistence, at the cost of social acceptance and ultimately of his life, a whole new way of thinking about the meaning of existence? In this revisionist biography, Armand D'Angour draws on neglected sources to explore the passions and motivations of young Socrates, showing how love transformed him into the philosopher he was to become. What emerges is the figure of Socrates as never previously portrayed: a heroic warrior, an athletic wrestler and dancer – and a passionate lover. Socrates in Love sheds new light on the formative journey of the philosopher, finally revealing the identity of the woman who Socrates claimed inspired him to develop ideas that have captivated thinkers for 2,500 years.
From Left to Right, one man has influenced them all: Saul Alinsky. Radical is a personal portrait of this controversial mastermind of popular movements, a man who is often called the American Machiavelli. The tactics and strategy of Alinsky, who died in 1972, have been studied by people as diverse as Barack Obama, Cesar Chavez, Hillary Clinton, Dick Armey, the Tea Partiers, and activists and organizers of every persuasion. Thousands of organizations around the country owe their inspiration and origins to Alinsky -- who is to community organizing what Freud is to psychoanalysis. As told by his friend and proté Nicholas von Hoffman, whom Alinsky dubbed "in all the world my favorite, drinking, talking, and thinking companion," Radical is an intimate look at the man who made a career of arming the powerless and enraging the powerful. From Alinsky's smuggling guinea pigs into the Joliet state penitentiary to the famous Buffalo fart-in. von Hoffman's book reveals the humor as well as the ideals and anger that drove Alinsky to become a major figure in a democratic tradition dating back to Tom Paine. Many of the stories about politicians, bishops, gangsters, millionaires, and labor leaders, which Alinsky did not want made public in his lifetime, are told here for the first time in Radical. Von Hoffman captures Alinsky's brilliant critique of Dr. Martin Luther King, Jr.'s organizational tactics and where and why they succeeded or failed. It was a career that began in the politics and violence of the Great Depression and worked its way through the Communist threat, the racial struggles, and the Vietnam War protests of the second half of the twentieth century. The first book to explain why so many have co-opted Alinsky's ideas, and the first to explain why so many contemporary politicians misunderstand his message, Radical will become essential reading for anyone interested in American politics, past and present.