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This is the first book to deal with the writing of literary and philosophical dialogues in Greek from the Roman empire to the end of Byzantium and beyond. Arranged in chronological order, 16 case studies combining theoretical approaches and in-depth analysis introduce a wide array of such dialogues, including consideration of the neighbouring Syriac, Georgian, and Armenian, as well as Latin traditions. The authors and genres studied include Plutarch, John Chrysostom, Maximus Confessor, the Adversus Iudaeos and apocryphal revelation dialogues, Anselm of Havelberg, Soterichos Panteugenos, Niketas ‘of Maroneia’, Theodore Prodromos, Nikephoros Gregoras, Manuel II Palaiologos, and George Scholarios.
Written by King James I and published in 1597, the original edition of Demonology is widely regarded as one of the most interesting and controversial religious writings in history, yet because it is written in the language of its day, it has been notoriously difficult to understand. Now occult scholar Donald Tyson has modernized and annotated the original text, making this historically important work accessible to contemporary readers. Also deciphered here, for the first time, is the anonymous tract News from Scotland, an account of the North Berwick witch trials over which King James presided. Tyson examines King James' obsession with witches and their alleged attempts on his life, and offers a knowledgeable and sympathetic look at the details of magick and witchcraft in the Jacobean period. Demonology features historical woodcut illustrations and includes the original old English texts in their entirety. This reference work is the key to an essential source text on seventeenth-century witchcraft and the Scottish witch trials
An exploration of polyphony and the perspective it offers on our own polyphonic brains. Polyphony—the interweaving of simultaneous sounds—is a crucial aspect of music that has deep implications for how we understand the mind. In Polyphonic Minds, Peter Pesic examines the history and significance of “polyphonicity”—of “many-voicedness”—in human experience. Pesic presents the emergence of Western polyphony, its flowering, its horizons, and the perspective it offers on our own polyphonic brains. When we listen to polyphonic music, how is it that we can hear several different things at once? How does a single mind experience those things as a unity (a motet, a fugue) rather than an incoherent jumble? Pesic argues that polyphony raises fundamental issues for philosophy, theology, literature, psychology, and neuroscience—all searching for the apparent unity of consciousness in the midst of multiple simultaneous experiences. After tracing the development of polyphony in Western music from ninth-century church music through the experimental compositions of Glenn Gould and John Cage, Pesic considers the analogous activity within the brain, the polyphonic “music of the hemispheres” that shapes brain states from sleep to awakening. He discusses how neuroscientists draw on concepts from polyphony to describe the “neural orchestra” of the brain. Pesic’s story begins with ancient conceptions of God’s mind and ends with the polyphonic personhood of the human brain and body. An enhanced e-book edition allows the sound examples to be played by a touch.
Exploring the relationship between Latin and music during the early modern era, this volume focuses on the link between Latin and music in the educational system of the time, and the development and influence of musical humanism, especially in settings of classical and Neo-Latin texts.