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In this critically acclaimed biography, Franz Schulze probes the private and professional life of one of the most famous architects and architectural critics of the twentieth century. The only child of a wealthy Midwestern family, Philip Johnson was a millionaire by the time he graduated from Harvard, and in 1932 he helped stage the historic International Style exhibition at the Museum of Modern Art. A patron of the arts and a political activists who flirted with the politics of Hitler, Huey Long, and Father Coughlin, he went on to create controversial and historical structures such as the Glass House, the Roofless Church, the AT & T Building, the Crystal Cathedral, and many more. Johnson's personal charms paired with his manipulative ploys—like his "borrowing" of designs—shine through in this biography. Drawing on Johnson's correspondence, personal photographs, and speeches, and on interviews with his friends and contemporaries, Schulze fills the biography with fascinating information on the architect's family, travels, friends and lovers, and his many buildings and spaces themselves. Franz Schulze is a professor of art at Lake Forest College. He is the author of Fantastic Images: Chicago Art since 1945, One Hundred Years of Chicago Architecture, and Mies van der Rohe: A Critical Biography.
A "smoothly written and fair-minded" (Wall Street Journal) biography of architect Philip Johnson -- a finalist for the National Book Critic's Circle Award. When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable and influential figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country -- but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism -- the sleek, glass-and-steel architecture that now dominates our cities -- to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump. Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A rollercoaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful, and tells the story of the built environment in modern America.
Until now, however, that house has not been looked at in the context of Johnson's many other house projects. This book, the first to comprehensively survey Johnson's residential work, not only brings to light a largely neglected side of Johnson's achievement, but freshly illuminates his entire career."--BOOK JACKET.
Good reasoning can lead to success; bad reasoning can lead to catastrophe. Yet, it's not obvious how we reason, and why we make mistakes. This book looks at the mental processes that underlie our reasoning. It provides the most accessible account yet of the science of reasoning.
On the arts and postmodernism
The most influential work of architectural criticism and history of the twentieth century, now available in a handsomely designed new edition.
SECTION I In 1972, Donald Davison and Gilbert Hannan wrote in the introduction to the volume Semantics of Natural Language: "The success of linguistics in treating natural languages as formal ~yntactic systems has aroused the interest of a number of linguists in a parallel or related development of semantics. For the most part quite independently, many philosophers and logicians have recently been applying formal semantic methods to structures increasingly like natural languages. While differences in training, method and vocabulary tend to veil the fact, philosophers and linguists are converging, it seems, on a common set of interrelated problems. " Davidson and Harman called for an interdisciplinary dialogue of linguists, philosophers and logicians on the semantics of natural language, and during the last ten years such an enterprise has proved extremely fruitful. Thanks to the cooperative effort in these several fields, the last decade has brought about striking progress in our understanding of the semantics of natural language. This work on semantics has typically paid little attention to psychological aspects of meaning. Thus, psychologists or computer scientists working on artificial intelligence were not invited to join the forces in the influential introduction of Semantics of Natural Language. No doubt it was felt that while psychological aspects of language are important in their own right, they are not relevant to our immediate semantic concerns. In the last few years, several linguists and logicians have come to question the fundamental anti-psychological assumptions underlying their theorizing.
Karl Aspelund takes readers on a guided tour of seven stages of design, from Inspiration, Identification, Conceptualization, Exploration/Refinement, Definition/Modeling, Communication and Production. New cumulative storyboards of three different types of designs (graphics, clothing, and web design) progress through each stage to show how each setp is implemented in practical application. "Perspectives" features highlight individual designers and artists, and end-of-chapter exercises help transform design projects to reality. New to This Edition: New cumulative storyboards in each chapter provide a variety of examples to show how designs progress through each stage in the design process to arrive at a final product Added coverage of globalization, sustainability, and collaborative teamwork New "Perspectives" features with additional design fields and real-life artists and designers Thoroughly updated illustrations
A spectacular visual biography of one of the most celebrated architects and cultural icons of the twentieth century With his elegant suits and trademark round black glasses, Philip Johnson - a witty, wealthy, and well-connected architect - was for many years the most powerful figure in the society and politics of his profession. This impressively illustrated book traces his seven decades of larger-than-life influence, innovation, and controversy in the realm of architecture and beyond. Hundreds of images and documents, many published here for the first time, trace the remarkable life and career of a true legend.