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Daniel Kany, art critic for the Portland Press Herald, writes that "Frey's art occupies the nexus between contemporary painting and brushy traditionalism. If there is a focus to this new direction in Maine painting, his art is it." Author of a number of books on Maine art and artists, Carl Little explores art-historical influences on Frey from the Fauvists and Matisse to Rockwell Kent and Howard Hodgkin, and traces the history of landscape painting in Maine, revealing how Frey's bold colors and dynamic brushwork set him apart. "His palette is strong and fresh, his approach painterly in a manner akin to Fairfield Porter and other devoted plein air painters," writes Little. Beautiful reproductions of Frey's portraits of Maine provide eloquent testimony of Frey's vibrant originality.
This book provides the genealogical connection of the Frey, Sander and extended families. The genealogical record is traced from the late 1500’s of central Europe to the Russian Steppes near what is now Odessa Ukraine and finally to the Prairies of North America. Brief historical descriptions are included to provide some insight into the reasons why the families relocated. The major part of the book traces the ancestral lines through the years and includes church and civil records as genealogical prime sources.
In While the Women Only Wept Janice Potter-MacKinnon traces the story of Loyalist women from their experiences in the American colonies as antagonism toward the British Crown increased, through their forced exodus from the colonies in the late 1770s and early 1780s, to their eventual settlement in eastern Ontario in the area around present-day Kingston.